Michael Elliott

An aging King invites disaster when he abdicates to his corrupt, toadying daughters and rejects his one loving, but honest one.

Influenced by concerns about overpopulation, the counterculture of the 1960s and the societal effects of television, the play depicts a world of the future where a small elite control the media, keeping the lower classes docile by serving them an endless diet of lowest common denominator programmes and pornography. The play concentrates on an idea the programme controllers have for a new programme which will follow the trials and tribulations of a group of people left to fend for themselves on a remote island. In this respect, the play is often cited as having anticipated the craze for reality television.

An adaptation of Tennessee Williams' play about restless young warehouse worker and would-be poet, Tom Wingfield, his fragile, reclusive sister, Laura, and his colorful but overbearing mother, Amanda, all living together in a shabby apartment in St. Louis during the Depression and struggling to dilute the grim realities of daily living by way of memories, fantasies, and grandiose dreams about the future.

A megalomaniac dictator, in charge of a former colony, installs a nuclear bomb in its London Embassy. He threatens to set it off, unless a huge ransom is paid. The question for the government is whether he will set it off anyway?

One of the earliest hits for the newly established RSC, Michael Elliott’s sparkling version of Shakespeare's comedy is still remembered with joy by a generation of theatre-goers. The design was dominated by a huge oak tree, but the production is most memorable for Vanessa Redgrave’s luminous Rosalind, supported by Max Adrian and Ian Bannen.

Madame Ranevsky and her daughter Anya return home from Paris to find that their beloved family estate and cherry orchard are to be auctioned off to pay debts. Lopahin, a former serf on the estate who is now a wealthy landowner, proposes razing the home and cherry orchard and dividing the estate into plots that could be leased at great profit. The family, however, continues to hold out hope that their beloved home can somehow be saved from destruction.

Brand's a bleak and desolate play that challenges the notion of a stern and stoic faith in the will of God. The title character is a pastor who returns to his ancestral home to find the villagers on the verge of starvation. He believes ministering to these poor people to be his calling. Over the course of the play, however, he faces many difficult choices. The decisions he makes, based on his stark and idealistic view of morality, have dire consequences for all the people he touches and, ultimately, for his own embattled soul.

Brand's a bleak and desolate play that challenges the notion of a stern and stoic faith in the will of God. The title character is a pastor who returns to his ancestral home to find the villagers on the verge of starvation. He believes ministering to these poor people to be his calling. Over the course of the play, however, he faces many difficult choices. The decisions he makes, based on his stark and idealistic view of morality, have dire consequences for all the people he touches and, ultimately, for his own embattled soul.