Director
“Poetic work denouncing environmental toxicity.” (Marc'O)
Director
A film by Marc'o
Himself
Over the course of more than fifteen years, Clémenti films a series of intimate diaries, starting from daily encounters. In La deuxième femme, we see Bulle Ogier and Viva, Nico and Tina Aumont, Philippe Garrel and Udo Kier, a performance by Béjart, a piece by Marc’O, concerts by Bob Marley and Patti Smith (not always recognisable)... It’s like a maelstrom of psychedelic images that are passed through a particle accelerator.
Director
“Revolt at the difficulty of being yourself in a world that reduces the individual to accept any job under any conditions. "
Director
Filmed excerpts from the Flashes Rouges rock opera starring Catherine Ringer, future singer of Les Rita Mitsouko. Made for French television.
Director
Poetic documentary on the festivals, dances and songs of Moroccan tribes, in Marrakech and the gathering of men in Tan Tan blue.
Writer
This satire concerns three French singing idols and their attempt to stay in the public eye. A press conference, backstage hedonism, psychedelia, manipulative managers and disc jockeys are portrayed as the pop culture is thoroughly and effectively lampooned in this independent feature.
Director
This satire concerns three French singing idols and their attempt to stay in the public eye. A press conference, backstage hedonism, psychedelia, manipulative managers and disc jockeys are portrayed as the pop culture is thoroughly and effectively lampooned in this independent feature.
Director
A film by Marc'o
Writer
A nearly forgotten feature by one of the founders of Lettrism, Closed Vision was the directorial debut of Marc'O (born Marc-Gilbert Guillaumin), editor of the short-lived Lettrist film journal Ion and producer of Jean-Isidore Isou's infamous Traité de bave et d'eternité. Compared to that film or Maurice Lemaitre's Le film est déjà commencé?, Closed Vision is a more literary and downright genial effort. If Isou and Lemaitre were content to "destroy cinema" (exposing ugly, banal images or simply splicing in scratched-up blank leader in semi-conjunction with endless soundtrack harangues), Marc'O here seems almost to save it - or at least to invest serious effort toward finding a cinematic idiom equivalent to the novel's stream-of-consciousness (the subtitle is 'Sixty Minutes in the Interior Life of a Man'). Debuted at the 1954 Cannes Film Festival with endorsements from Jean Cocteau and Luis Buñuel.
Director
A nearly forgotten feature by one of the founders of Lettrism, Closed Vision was the directorial debut of Marc'O (born Marc-Gilbert Guillaumin), editor of the short-lived Lettrist film journal Ion and producer of Jean-Isidore Isou's infamous Traité de bave et d'eternité. Compared to that film or Maurice Lemaitre's Le film est déjà commencé?, Closed Vision is a more literary and downright genial effort. If Isou and Lemaitre were content to "destroy cinema" (exposing ugly, banal images or simply splicing in scratched-up blank leader in semi-conjunction with endless soundtrack harangues), Marc'O here seems almost to save it - or at least to invest serious effort toward finding a cinematic idiom equivalent to the novel's stream-of-consciousness (the subtitle is 'Sixty Minutes in the Interior Life of a Man'). Debuted at the 1954 Cannes Film Festival with endorsements from Jean Cocteau and Luis Buñuel.
Director
TV Movie by Mac'o
