Philippe Van Leeuw

Jessica Comley is a member of the U.S. Border Patrol on the Arizona-Mexico border. In this unforgiving desert, she is proud and determined to defend America against drug traffickers and illegal immigrants by any means necessary. But her relentless pushing of the limits leads to one of her interventions going awry, witnessed by an old Native American and her grandson. Faced with the authorities, it's his word against theirs.

Jessica Comley is a member of the U.S. Border Patrol on the Arizona-Mexico border. In this unforgiving desert, she is proud and determined to defend America against drug traffickers and illegal immigrants by any means necessary. But her relentless pushing of the limits leads to one of her interventions going awry, witnessed by an old Native American and her grandson. Faced with the authorities, it's his word against theirs.

A mother attempts to keep her family safe as war rages and a sniper lies in wait outside her home.

A mother attempts to keep her family safe as war rages and a sniper lies in wait outside her home.

The film is about the failure of (Abu Afif) grandfather of the child (Karim) who owns an old-fashioned property, with the end of the civil war and the passage of days becomes Karim young and immigrants with the timing of the reconstruction of Beirut, Karim finds in that project hope to restore paint and restoration of the structure inherited About his grandfather. It collides with the rehabilitation project when it is discovered that the building is owned by a real estate company in order to establish its place of the Dream Tower. The company succeeds in owning some floors and the building renovation project is stopped for the second time. In the meantime, Karim meets Maya, and they experience a swaying love story in tandem with the problem of demolishing or restoring and preserving the building.

Film offers a new take on the Rwandan genocide, through the first person experience of one woman as the horror descends.

Film offers a new take on the Rwandan genocide, through the first person experience of one woman as the horror descends.

A realist dramedy about dedicated social workers who devote their long shifts to helping pregnant women.

It’s summer and the beginning of the long vacation period for eleven-year-old Martin, who lives on a farm, and, at a loss, observes his family’s disintegration : his mother lives locked-up in her room ; his older brother, who he adores, drowns himself in drink ; and his father, dominated by Martin’s grandmother, is a helpless onlooker to the family’s collapse. Although Mistigri, his cat, and Malika, the Moroccan maid, afford him some comfort, Martin is determined to put an end to this confusion.

Безработный по имени Фредди, живущий в маленьком городке и подверженный всевозможным психозам несамостоятельного, глубоко дремучего и безнадежно выродившегося «белого» пролетариата, убивает время в компании друзей, катаясь по окрестностям на мотоциклах и задирая прохожих, главным образом - арабских мигрантов. У Фредди есть девушка по имени Мария, с которой пытается заигрывать симпатичный араб по имени Кадер. Стоит ли сомневаться в том, что белые гегемоны захотят наказать «зарвавшегося» чужака? Распалившись, они пустятся во все тяжкие, что приведет к необратимым последствиям…

A woman attempts to put up wallpaper, and ends up undressing as she keeps getting stuck to things.

A woman has difficulty dealing with the death of the family pet.