Silvestre Revueltas

1985 год. Группа преступников решает похитить 140 экспонатов из Национального музея антропологии в Мехико.

This documentary addresses some of the first cinematographically documented actions of Mexican indigenous politics in the mid-20th century. The narrative thread is built from the experiences of the first indigenous workers: medical personnel, specialists in engineering or agronomy and indigenous promoters. The film accounts for two key moments of the time: the foundation and start of operations of the first Indigenous Coordination Center created by the National Indigenous Institute (INI), in San Cristobal de Las Casas, Chiapas, and the relocation process of the chinanteca and mazateca communities affected by the construction of the Miguel Aleman dam.

Plantation owner is way too much into his peasant girls. It causes problems.

Rom-com: collecting on a big inheritance "forces" a family to play games with their daughter's marital status.

Two journalists, Carlos and Lola, investigate the murder of a young woman whose body appeared with her heart torn out, in what seems to be a human sacrifice. The investigation leads the reporters to a museum, whose director is the famous Doctor Gallardo.

A white man seduces a local girl in an isolated Mayan village, which makes gods unhappy.

The 1910 Mexican Revolution is on its way when six brave peasants, known as "Los Leones de San Pablo", decide to join Pancho Villa's army and help end the suffering in their community by assisting in the struggle. Together, they will endure the tragedies and hardships of a civil war.

The 1910 Mexican Revolution is on its way when six brave peasants, known as "Los Leones de San Pablo", decide to join Pancho Villa's army and help end the suffering in their community by assisting in the struggle. Together, they will endure the tragedies and hardships of a civil war.

Редес - мексиканский фильм, выпущенный в 1936 году, о рыбацком поселке Альварадо на побережье Мексиканского залива, недалеко от города Веракрус. Название фильма происходит от испанского слова redes («сети»), обозначающего рыболовные сети. «Редес» создавался в основном непрофессиональным составом и был замечен как предвосхищающий итальянский неореализм. Это касается борьбы бедных рыбаков за преодоление эксплуатации.