Tan Ying

Pao-yu is in love with his cousin, Lin Tai-yu, but his family has other marital plans for him that will leave both broken-hearted.

Tan Jen-chieh's life spins out of control when he’s forced into exile to clear his name following the murder of his adopted father. He's hunted in the streets. His lover, Butterfly, turns to prostitution. And his father's likely killer – a smooth operator known as the Rambler – is always lingering nearby. But before Tan and the Rambler can slit each other's throats, they learn they've been double-crossed and go two against everyone in a rage of double-edged vengeance.

After the Ming Emperor is overthrown and his infant son put in the care of the Black Dragon Society, a traitorous martial arts clan attacks the society and forces two inexperienced swordsmen to flee with the infant and begin a dangerous journey in search of allies.

Su Fen, a young and frail girl, looked forward to her wedding with her fiancé, Li Kuo-liang. The happy couple's bliss was cut short when war broke out. Kuo-liang was summoned to fight at the front lines. In his absence, Su Fen discovered she had tuberculosis.

It's a powerful melodrama about a thwarted romance in 1930s Tientsin, China, during the Japanese occupation, and it stars Linda Lin Dai, one of the era's most popular stars. It was part of Golden Horse's 100 Greatest Chinese-Language Films.

FAIRY, GHOST, VIXEN (1965) consists of three fanciful tales that may be loosely classified as ghost stories, but they're presented and designed more along the lines of traditional fairy tales. They're beautifully staged and photographed and have a timeless quality about them with a moral at the end of each.

A member of the Red Peony troupe, singer Tang Pei Hua (Yeh Feng) is renowned for her beautiful voice and appearances. Her beauty, however, invites the unwanted attentions of cruel and lecherous warlord Cao Lin (Zeng Mei). In order to escape Cao's grasp, Tang and her lover Lin Ke Qiang (Chin Han) decide to run away to the south where they can live freely. But their plan is uncovered by Cao, and Lin gets captured. In order to save Lin, Tang must sacrifice herself and entertain Japanese guests at a banquet, throwing herself into danger's way.

Ling Bo is Lin, a young man engaged to the daughter of a rich man, who now despises Lin because of his family's declining status. Lin visits his beloved fiancee before he heads towards the imperial city to participate in the civil service examination, only to find her maid lying dead in blood. Lin is then accused of murder. How can Judge Bao prove his innocence?

This gripping story centers on the romance between Wang Chin Lung and Sue San. Although they may be perfectly matched when it comes to their love for one other, the two come from remarkably different social ranks. While Chin Lung is the son of a respected government official, Su San is a prostitute, albeit a famous one.

Comedy of Mismatches begins with widow Sun who single-handedly raises her son Yu Lang (Chin Feng) and daughter Zhu Yi (Li Hsiang Chun). One day, Mother Sun sends her children to the temple, where Yu Lang encounters Hui Niang (Pat Ting). Artist Xu Ya is also at the temple, praying that his daughter Wen Gu (Carrie Ku) will find a good husband. Soon after, Wen Gu encounters nobleman's son Pei Zheng (Wai Mao) and the two fall in love at first sight.

Based on one particular storyline from The Water Margin, Three Sinners weaves an intriguing story of romance, treachery, and death, all within the context of the traditional Huangmei Opera. Yan Jun casts his real-life wife, the elegant Li Li Hua, star of such Shaw Brothers films as The Goddess of Mercy and Vermillion Door, as one of the title characters, a woman who finds herself in the middle of a stormy love triangle involving her controlling husband (director Yan Jun serving double duty in a starring role) and a passionate lover (Chen Yan Yan).

Jiang Danping arrives in a city at night, where often a mysterious man causes panic.

A girl tries to escape her fate of death by leper disease.

The young poet Xin Baihe flees Shanghai with his friend, Liang. Liang soon joins the resistance against the Japanese invaders, but Xin chooses to pursue a relationship with a glamorous and westernized widow in Qingdao. After hearing that Liang has been killed, Xin has a change of heart and rushes to join the war effort.

Главное в этом фильме — «Песнь рыбака», старая народная китайская песня рыбаков, которая проходит лейтмотивом через весь фильм, показывая бедную семью рыбаков. Рождение двойняшек для них не радость, а тягость. Погибший в море отец, старая бабка, и молодая еще мать, которая тем не менее должна работать на чужих людей, чтобы прокормить детей — такова канва фильма. Трудная жизнь, которой живут подрастающие дети, живя на лов рыбы и то, что зарабатывает мать в чужом доме, заканчивается, когда мать выгоняют с работы и она слепнет от горя… Семья отправляется в Шанхай на поклон к дяде, надеясь на помощь.

Крестьянин Сон со своим отцом, сестрой и братом жили дружной семьей в гармонии с собой и окружающим миром. Но местный повеса, племянник генерала, пожелал во что бы то ни стало сделать сестру Сона своей наложницей...

Pink Dream tells the story of a young novelist who is supported by a loving and hard-working wife. The novelist, however, is drawn to the decadent life of a socialite who introduces him to the dance halls that dot Shanghai. As the film progresses, the novelist soon learns of the emptiness of this urban existence and rejects it as a "pink dream."