Enzo De Caro

История о парне Фабьетто Скизе, который живет в неспокойном Неаполе 1980-х. Внезапные радости, такие как приезд легенды футбола Диего Марадоны, соседствуют с неожиданной трагедией. Повороты судьбы, радость и горе переплетаются, давая ход будущему Фабьетто.

In 1950s Italy, a young woman from a poor background strives for a better life.

A man and a woman try to win back their respective partners.

A man and a woman try to win back their respective partners.

When Chiara, a violinist at the conservatory, is brutally murdered after a performance, inspector Maccari is put on the case. Maccari, whose own wife was once murdered by a serial killer, suspect professor Baraldi, the director of the conservatory. But as more fall prey to the killer, Maccari comes to a shocking conclusion...

Простому парню Хорти достается весьма необычный приз. Ему представляется возможность отправиться в Англию и своими глазами увидеть, как покидает порт величественный «Титаник». Ночь накануне грандиозного события сводит его с загадочной девушкой Мари, горничной с «Титаника». Между ними вспыхивает мимолетный страстный роман. Утром «Титаник» отплывает, унося с собой Мари, но волею случая к Хорти попадает ее фото. По возвращении домой Хорти делится своими «яркими» воспоминаниями с друзьями. На следующий день по просьбе слушателей рассказ повторяется, обрастая новыми деталями. Известие о гибели «Титаника» привлекает еще большую аудиторию, превращая рассказы Хорти в прибыльное шоу. Однако есть в его истории одна необъяснимая загадка, способная разрушить этот красивый миф.

At the end of the 18th century, a couple of libertine Tuscan aristocrats welcome in their villa (and into their bedroom) an handsome young revolutionary, hoping to rekindle their marriage.

Vittoria Belcastro, a Calabrian oncologist, telis of her long battle against cancer, which she won. Her therapy is based on respect for life, but also for the disease. Two literary testimonies serve to counterpoint her touching words: "Pozzi d'amore (Wells of Love)", a theatrical monologue by Enzo Moscato, the portrait in which fragments the rhythm of the film, and "In alto a sinistra (Top left)", the transposition of a tale by Erri De Luca, in which the themes of pain, memory and absence emerge from the story of a father-son relationship.

When her elderly mother is found dead under sordid circumstances, Delia returns to her native Naples for the first time in years to attend the funeral. Trying to piece together her estranged mother's secret life, she has to face the hidden memories that shaped their family history.

Everyday people, everyday stories. Normal, therefore special. They crave for a tomorrow what they haven't got today: the man or the woman of their dreams, a child all of their own, the hope of making it... The only thing they all have in common is the place where they live.

Everyday people, everyday stories. Normal, therefore special. They crave for a tomorrow what they haven't got today: the man or the woman of their dreams, a child all of their own, the hope of making it... The only thing they all have in common is the place where they live.

A photographer and her lover travel to Morocco for photo shoots. While traveling there she has erotic adventures with residents of the area. But she ends up having an affair with someone who ends up betraying her and she murders the man.