Narumi, a man out for revenge with the powers he received and a bit of help from the one who saved his life, he creates the persona of Skull Soldier and attempts to discover who really killed his sister.
Sixth film in the Boy Detectives Club series.
Fifth film in the Boy Detectives Club series.
Two youths - the serious son of a Buddhist abbot and his rakish pal - quarrel over a restaurant keeper's daughter. When one of the youths die the other boy and the girl find they cannot forget him.
Oyuki
1953 jidaigeki directed by Nobuo Nakagawa of Jigoku and Ghost of Yotsuya fame.
Shiro Yabe, a young gangster who boarded the second class on the Tokaido Line after finishing a dangerous smuggling transaction in Kobe, is next to a beautiful woman with a sad face.
Period film about a feudal era judge living in Edo
Based on the story of Shimizu no Jirocho.
Kiko Murai
In pre-war Shanghai, a man falls in love with a mysterious woman, but she eventually disappears. Back in Japan, he is obsessed by her memory and tries to recreate the world he knew then.
Kanae, who broke up with her husband and moved to her uncle's house, met two men when her father, a university professor, collapsed. Michihara, a wealthy man and Miyashita, a youth scholar. Kanae is attracted to Miyashita, but ...
О знаменитом поединке на перекрёстке Кагия существует множество рассказов, но нет ни одного, способного превзойти реализмом и напряжённостью версию, описанную Акирой Куросавой в своём сценарии. Тосиро Мифунэ, в роли известного самурая, предстоит столкнуться в схватке со своим лучшим другом, поскольку они были вынуждены принять разные стороны. Араки Матаэмон(Мифунэ), являвшийся не только учеником Ягю Мунэнори, но и одним из основателей стиля Ягю Синган-рю, стал главным помощником своему шурину в деле мести за убийство члена семьи.
Shunsuke Washimi, a member of the karate club, misunderstands the affections of Chiyo, a lodging house girl who is in love with him and in the midst of a confusion challenges Yamauchi Tatsuhiko to a fight, forgetting the true core of martial arts, that should only be used as a selfdefense.
Riu
Though recognized worldwide almost exclusively for his colorful kaiju fare, director Ishirō Honda (Godzilla, Rodan, Mothra) was a natural humanist with a particular understanding of the relationship between people and their social environs. His debut fiction feature, The Blue Pearl (Aoi Shinju) – virtually unseen in the west until now – depicts the melodramatic, but keenly-observed interplay between a young man from Tokyo and two ama (pearl divers; literally “women of the sea”) in a superstitious coastal town. Though raised within the same tradition-bound crucible, the two women – Noe and Riu – are portrayed as diametric opposites; the former meek but affectionate, the latter strong-willed but jaded by a tryst with metropolitan life. Nonetheless, Honda provides equal weight to their desires and their ambitions to break free from the social mold imposed upon them from birth.
1951 Japanese movie
Ayako
Hamako has just started working for her personal hero, Madame Yuki. Her romanticized view of the Madame is broken immediately, though, as she is introduced with a ever-growing list of the Madame’s personal problems.
Двое друзей-студентов в условиях послевоенной разрухи находят легкий способ разжиться деньгами. Только отношение к этому нечестному делу у них разное. Мори сгорает от стыда, а Судо мечтает о более выгодной сделке. Сестра Судо Масако влюблена в Мори и просит его спасти брата.
Yuki
In a village subsisting on it herring fishery, a one-eyed criminal named Jakoman terrorizes the inhabitants. One of them, the son of the head of one of the fish companies by the name of Tetsu, decides to overthrow Jakoman and his cohorts.
It was the first time in six years that I was able to step on the land of my homeland, the land of my nostalgia. It was Tokyo that had turned to burnt earth. A Tokyo with no one to rely on.
Профессор Инагаки приглашает своего ученика Кавасаки провести отпуск в его загородном доме. Жена Кавасаки погибла во время войны, и он предпочитает холостую жизнь. Но все меняется после того, как он впервые видит юную жену профессора.
1947 Toho film directed by Tadashi Imai
Tokiko, Second Dancing Girl
Состоит из трёх новелл, поставленных разными режиссёрами. В центре сюжета одной из них — история двух сестёр, одна из которых актриса, а другая — редактор сценариев. Они доказывают своему отцу, начальнику, большое значение профсоюза.
