Derek Lord

The irascible manager of a lower-division Scottish football side must contend with problems off and on the field when his team's impatient American owner demands they win the Scottish Cup or else be relocated to Ireland, while also dealing with the forced arrival of a new star striker - who happens to be his estranged son-in-law, whom he blames for the breakdown of his relationship with his daughter.

Ulster 1959. A young journalist visiting his quiet hometown is awakened by a scream in the night. He catches sight of a youth being beaten up and dragged away. When he investigates, witnesses seem to melt away, and life-long friends reveal a sinister indifference. Or is it fear?

Belfast, 1980: July, the marching season ... Norman Martin, away for two years, returns with his 'English woman', Mavis. How will the family - particularly Billy - react? And has she achieved the impossible in mellowing the man?

Professor Broderick, a famous professor of Psychology, returns to his house by Belfast Lough to discover a woman waiting for him.

Saxophonist Danny witnesses the murder of his band manager and a deaf-mute girl after a gig. Questioned by the police, he remembers only the orthopedic shoes of the killers' leader. So begins his quest to avenge her. He seeks an answer to the simple question 'Why?' but finds only more, and deeper, questions which resonate with the wider context of 'the Troubles', the inter-communal strife gripping the modern-day Northern Ireland which is the film's setting.

Michael Flaherty (Craig Wasson), an American Vietnam veteran of Irish descent, returns to Belfast to join the cause of his grandfather, Seamus (Sterling Hayden). Soon he finds that he is not as welcomed in his home country as he imagined he would be. Even worse, he's the target of an IRA assassination plot designed to make the British forces look bad in order to elicit financial support from wealthy Americans.

John Connor is a soon-to-retire hitman that agrees to take on one last job. After years plying his deadly trade, he has finally had enough. Seeking to retire to Dublin and maybe salvage his dying marriage, Connor wants to leave the lonely world of the marksman behind him and melt into the background. Unfortunately, his handler O'Neal is reluctant to let him go, and, after much coertion, manages to talk him into accepting one final job.

Roy and Martyn want to write the next Irish winner for the Eurovision Song Contest. So who thinks they are working for British Army Intelligence? And why has someone sent them two bullets through the post?

TV play by Bernard Kops. Moss is a miser who only love is his grandson. Then tragedy strikes and Moss is "reborn".

Young Timmy starts as a window cleaner in the little company of his brother. Soon he learns that some female customers expect additional service. Young and curious as he is, he reluctantly accepts the juicy duty. However his heart belongs to Liz, who demands the highest commitment until she lets him go all the way.

Play set in Northern Ireland about Carson and the setting up of the Stormont Government of 1918-1920, after strong protests by the Northern Irish Protestants against Home Rule and separation from Great Britain.