Kishû Izuchi

A marriage is weaker without something in common. Sayoko (SHINDO Manami) is a seemingly carefree woman but she hides doubts about her marriage behind her cheerful demeanour. After five years of being in Tokyo, it is apparent that she has little in common with her husband and so she begins scoping out apartments which is how she meets Yohei (YOSHIMURA Kaito), a real estate agent who is nursing a broken heart. As they tour properties, Sayoko's girlish charms work their magic on the downhearted man and she convinces him to look for the wife who abandoned him but their journey brings the two closer.

Старшеклассница Нацумэ Мотидзуки была начинающей фотомоделью и снималась для обложек глянцевых журналов, пока родители не решили внезапно переехать всей семьей из Токио в родной городок отца Укигумо. У девушки трагедия — про карьеру можно забыть, но знакомство с новым одноклассником Кои Хасэгавой меняет её жизнь.

Kyosuke, an editor at a publishing company, keeps his concerns about his stagnant relationship with his wife hidden. As he struggles with his feelings, he meets Reika, the lover of an talented up-and-coming novelist, and becomes obsessed with her.

Shuichi Furukawa receives a phone call from his mother. She reminds him that they are moving the next day. The following day, Shuichi takes a train ride back to his hometown. He arrives at his parents home, but nobody is home. He looks for the house key under a potted plant but can't find the key. He starts to thinks back to his childhood days in his parents home. Shuichi grew up with his younger brother, older sister, father who ran a shoe making business out of their garage and mother. Shuichi grew up with a crush on an older woman who lived next door and he loved to make piggy banks out of empty whiskey bottles. One day on a school picnic, Shuichi's classmates grabbed a lunchbox from a fellow student and eventually gave the lunch box to Shuichi. All the other students chanted "throw it away," while Shuichi's former friend looked on in despair.

An artist named Kurahashi and a female artist named Cheiko wait in a dentist's waiting room. The man feels attracted to the woman but says nothing to her. Later in the examining room, both patients are going under anesthesia, but the man looks over at the woman and sees the dentist and nurse taking off her clothes, while sucking her body for blood like vampires. The man and woman escape from the dentist's office, but their horror is only about to begin...

Kageko, a teacher in a small mountain village with a thriving Japanese paper industry, is visited by a former student, who proposes a plan to manufacture counterfeit money. She initially refuses, but eventually decides to join the project for the sake of the poor children in the village and her own mentally handicapped child.

A tattoo changes a woman. A tattoo changes a man. Tattoo is everything ... Asami, a woman who breaks into an affair with a man who has a wife the name is Ninomiya, a man who leaves the house apart from his wife and is inviting a self-development seminar to live today. The two who atoned for the past and asked for salvation met by chance. Asami, who decided to carve a tattoo by her own choice, entrusts her skin to a genius skin carver, Kokari. Eventually, a splendid woman's tattoo leaps on her back, which dramatically changes herself. Tattoo greatly changes Ninomiya's way of life and captivates the sculpture that dreams of the completion of tattoos. Eventually, the fate of men and women who were tossed by tattoos began to fluctuate greatly.

Yasuko and Shizuka, friends and coworkers, come to be so much more after a terrible incident involving Shizuka’s boyfriend. After an intense fight that left Shizuka with a black eye, she takes her revenge by bludgeoning her boyfriend in the head, leaving his lifeless body on the bathroom floor. Yasuko pledges her support to Shizuka and tells her its all going to be ok, and that she will help take care of the body. The two women share a bed while staying with Yasuko’s sister, and things start to get hot and heavy.

Kenji Nakagami, one of the most notable Japanese writers of the post-war, died in 1992. His work reveals a strong connection to his homeland, Kishu: a mountainous region that connects to the Pacific Ocean through a river. "To The Alley" (alternative title) is a documentary about Kenji's life. Incorporating 16 mm images from the writer's personal archive and adding new footage, director Shinji Aoyama travels through the paths of the life and art of the Japanese writer.

After attempting to meet someone new on a dating website, Chihiro starts talking to Makoto, who is asking around about a string of suicides. She agrees to meet with him, as she knew one of the girls that recently passed. After the two begin to connect a bit, Makoto gets an e-mail from Chihiro, saying she doesn't see a purpose to continue living.

After the death of his wife, Yukio has become more and more paranoid, believing that he is being followed and watched at all times. Yukio's late wife, before her death, was seeing and sleeping with another man. Not only did Yukio know about the affair, he would watch them have sex. Unbeknownst to his wife, his peeping on her became like a fetish. As the film progresses, Yukio goes to see a counselor to try and figure out his phobia and discover his deep repressed thoughts about his wife. In comes Akemi, Yukio's ex-girlfriend from almost a decade prior. Akemi is unhappy with her marriage and seeks the warm embrace of Yukio, which only furthers his descent into madness.

Psycho-mystery in which two men confront each other over the murder of a woman in Shibuya.

An artist in an abusive relationship becomes infatuated with a young serial killer.

Murakami's partner Mayumi has gone missing. He fears that she could have run off with another guy or gotten into difficulty by involving by herself with a 'telephone relationship club', a solution which hooks up strangers trying to find easy, anonymous sex, no concerns asked.

Schoolgirls on the verge of adulthood know that boys can be feckless and girls treacherous. Three friends gather around a Ouija board to call forth the spirit of Kokkuri. Masami has a boyfriend, Akira; Hiroko, who is nervous about the séance, wonders if she should take the plunge into sex; Mio is haunted by her mother's suicide. She also has a secret life as the voice of a midnight talk show host, the sexually-charged Midori. Mio must explore her past and her new feelings. Can she hold off the power and predictions of Kokkuri to enter adulthood, or will the destructive and romantic side of teen spirit be too powerful?

A black clad woman murders a man that she had just met by chance through a phone sex club.

Based on the world of Taiyo Matsumoto's manga "Tekkonkinkreet" this film sublimates the story of a young girl crow and a seagull living a free and unrestrained life into a mythological tale. In the mysterious futuristic landscape of the waterfront subcenter when there were few leisure facilities, the film powerfully depicts the struggles and battles of the vital life force that pervades the city.

Junko, who has precognition, predicted her senior's death and disappeared from her fiancé's life. Five years later, Junko, who works in a peep-shop, reunites with Kazuki and rekindles their love, but tragedy soon ensues. Hotaru Hatsuki, one of the most popular actresses of the 1990s, gives a strong performance in this poignant tale of a woman's attempt to escape her fate.

No Good Men follows Kumiko, a young and attractive woman that works at a travel agency, and moonlights as an insatiable, sex-hungry mistress.

"The origin of Spiritual Movies."

A convicted rapist, Ikuo is released from prison and goes in pursuit of the woman he raped, Mieko. So obsessed is he with revenge he sees her in every woman he meets. After carrying out vicious attacks on a prostitute and a young girl he finally comes face to face with her.

What if an unknown stranger somewhere impersonates you and lives life? 24-year-old TAKIGAWA Misaki (TODO Umi) aspiring to be a non-fiction writer, receives a strange phone call saying TAKIGAWA Misaki is in a coma in a hospital. Learning that someone has posed as Misaki, she visits the hospital and finds an unexpected person. She begins to discover the woman's real name and the reason why she had to be someone else.

What if an unknown stranger somewhere impersonates you and lives life? 24-year-old TAKIGAWA Misaki (TODO Umi) aspiring to be a non-fiction writer, receives a strange phone call saying TAKIGAWA Misaki is in a coma in a hospital. Learning that someone has posed as Misaki, she visits the hospital and finds an unexpected person. She begins to discover the woman's real name and the reason why she had to be someone else.