Luis Alberto Spinetta

Aided by archival footage and interviews with its key figures, this documentary delves into the history of Argentine rock music from its origins up to the mid-1990s.

Follows the rehearsals of Luis Alberto Spinetta y las Bandas Eternas on November 2008 and the reunion of Pescado Rabioso 36 years after playing their last show together.

Follows the rehearsals of Luis Alberto Spinetta y las Bandas Eternas on November 2008 and the reunion of Pescado Rabioso 36 years after playing their last show together.

Nacho was a happy 21-year-old guy, with a great family, friends and girlfriend. But a year later he's not the same guy: he lives alone and he doesn't care anymore about anyone. He's lost and desperate, tortured by what happened a year ago.

Concert recorded in Velez Sarsfield Stadium in 2010

Mercedes Sosa making of her last album depicts encounters with other characters, creative moments, testimonies of the artists who participated and reflections of Mercedes Sosa about her life and the recording of "Cantora".

San Cristóforo (Electric Lava Sauna) is the third album by Spinetta y los Socios del Desierto, a trio formed by Luis Alberto Spinetta (voice and guitar), Daniel Wirtz (drums) and Marcelo Torres (bass). It was recorded live on August 20, 21 and 22, 1998 in the Pablo Picasso Room of the Paseo La Plaza in Buenos Aires.

Estrelicia MTV Unplugged is the live album that records most of the recital performed by the Argentine musician Luis Alberto Spinetta for the MTV Unplugged program, broadcast in October and November 1997

A young woman, alienated by her work and confronted to her surroundings, falls into a depression that leads her to live in a sewer to find her identity. In there, life is no better; reality appears in images and alegoric figures that change its form and vanishes, without letting the woman communicate with anyone. It's a film with zero dialog in witch the songs takes us through the states of emotion.

A young woman, alienated by her work and confronted to her surroundings, falls into a depression that leads her to live in a sewer to find her identity. In there, life is no better; reality appears in images and alegoric figures that change its form and vanishes, without letting the woman communicate with anyone. It's a film with zero dialog in witch the songs takes us through the states of emotion.

The story develops into a lonely town in the middle of the desert, where the only person awake, a man in a suit, is always trying to start a car, but he never can. One day, after walking throught the desert for a long time, a woman and a kid end up in this town. The man in a suit offers them to stay the night. The days go by, and they almost don't trade any words between them. The town is always empty, but functioning. They just pass the nights and days inside, dancing without music, playing videogames or walking on the street, under the neon lights of empty shops, making calls without any answer.. The title (Ballad for a Kaiser Carabela) refers to the first family car manufactured in series in Argentina.

The story develops into a lonely town in the middle of the desert, where the only person awake, a man in a suit, is always trying to start a car, but he never can. One day, after walking throught the desert for a long time, a woman and a kid end up in this town. The man in a suit offers them to stay the night. The days go by, and they almost don't trade any words between them. The town is always empty, but functioning. They just pass the nights and days inside, dancing without music, playing videogames or walking on the street, under the neon lights of empty shops, making calls without any answer.. The title (Ballad for a Kaiser Carabela) refers to the first family car manufactured in series in Argentina.

Luis Alberto Spinetta, perhaps the most poetic musician of Argentine rock, bleeds each one of his songs in the heat of Democratic Argentina in the mid-eighties.

Luis Alberto Spinetta, perhaps the most poetic musician of Argentine rock, bleeds each one of his songs in the heat of Democratic Argentina in the mid-eighties.

Buenos Aires Rock is a film from Argentina filmed in Eastmancolor directed by Héctor Olivera on his own script written in collaboration with Daniel Ripoll that premiered on January 20, 1983 and had the participation of important interpreters of Argentine rock.

Concert film documenting the foundational stage of the Argentine 'rock nacional' movement. It was filmed during the third edition of the historic B.A. Rock rock festival, which took place in 1972 at the Argentinos Juniors stadium.

Almendra, La joven guardia, Palito Ortega, Donald, Litto Nebbia all together in this little musical short.

Almendra, La joven guardia, Palito Ortega, Donald, Litto Nebbia all together in this little musical short.