Humberto Solás
Рождение : 1941-12-14, Havana, Cuba
Смерть : 2008-09-18
История
Humberto Solás (14 December 1941 – 18 September 2008) was a Cuban film director, credited with directing the classic film Lucía (1968), which explored the lives of Cuban women during different periods in Cuban history.
His cinematic style borrows from Luchino Visconti's spectacular mise en scene and is permeated by sometimes heavy melodrama. He started making shorts at a very young age, before directing his first medium length film Manuela, in 1966. The success of this film led him to direct Lucía, an ambitious period piece told in three stories in different moments of Cuban history, all as seen through the eyes of a different woman, each named Lucia. He later directed many different projects with a degree of success, but he never matched again the international acclaim of his first feature.
Solás has won 13 awards for filmmaking and been nominated for an additional 9. His 1968 film Lucía won the Golden Prize and the Prix FIPRESCI at the 6th Moscow International Film Festival. His 1985 film A Successful Man was entered into the 15th Moscow International Film Festival.
In 1977 he was a member of the jury at the 10th Moscow International Film Festival. He has twice served on the jury at the Berlin International Film Festival, in 1977 and 1997. In 2003, he founded Gibara's Poor Cinema Festival, "open to filmmakers with limited funds". Solás was awarded Cuba's National Film Prize in 2005.
Humberto Solás died of cancer on September 18, 2008, at the age of 66.
A documentary about the 1968 film Lucía, featuring its director, Humberto Solás, and members of his cast and crew.
Interviewee
A look at the life and work of Cuban filmmaker Tomas Gutierrez Alea.
Director
Over several years, we follow three households and their emotions in a barrio of Havana. Magalis is a nurse, rarely happy. An older man, Ignacio, professes his love for her; her father and her brother quarrel over her brother's sexual orientation; she thinks about leaving Cuba. Santo's wife Maria is expecting their first child. Tragedy strikes and Santo leaves, drowning sorrows in alcohol and crime while his son grows up in the care of an aunt wondering where dad is. Vivian and Chino are in love, passionate, but childless. The pressures of a society that demands grandchildren strain their relationship.
Director
When his father dies, a Cuban man who was raised in the United States, learns that he was not abandoned by his mother but illegally taken out of Cuba. He goes back to the island and is helped in his search by a cousin and a taxi driver.
Director
Follows the story of three privileged Creole orphans from Havana, as they meet French adventurer Victor Hugues and get involved in the revolutionary turmoil that shook the Atlantic World at the end of the eighteenth century. The main characters are all members of one family: two siblings, Carlos and Sofia, and their cousin Esteban.
Director
The music band Síntesis recreates the Yoruba music, a key part of Cuban cultural heritage, and fuses it with rock sounds. The result is a new rhythm with a contagious dancing character.
Director
Javier Argüelles, an opportunistic young man from Cuban middle class, survives all kind of political changes in Havana, from 1932 to 1959, while his brother Darío is persecuted and killed because of his leftist ideas.
Screenplay
In 1914, during World Ward I, Amada, a bourgeois wife, falls in love with her cousin Marcial, a young idealist who is fighting against the Cuban regime in power.
Director
In 1914, during World Ward I, Amada, a bourgeois wife, falls in love with her cousin Marcial, a young idealist who is fighting against the Cuban regime in power.
Writer
The story of Cecilia is a story of the society that dominated 19th-century Cuba, a society divided between whites, blacks, and those who were mixed, the mulattos. (Since the Spanish conquistadors killed off the Indian population in Cuba not long after they took over the island, there are no mestizos, or those of mixed-Indian blood in Cuba as in other Caribbean nations.) At any rate, the drama about the life and loves of Cecilia (Daisy Granados) takes place against the backdrop of graphically violent mistreatment of slaves and the rumors of a slave rebellion after the Cubans hear of slaves turning against their captors in Haiti.
Director
The story of Cecilia is a story of the society that dominated 19th-century Cuba, a society divided between whites, blacks, and those who were mixed, the mulattos. (Since the Spanish conquistadors killed off the Indian population in Cuba not long after they took over the island, there are no mestizos, or those of mixed-Indian blood in Cuba as in other Caribbean nations.) At any rate, the drama about the life and loves of Cecilia (Daisy Granados) takes place against the backdrop of graphically violent mistreatment of slaves and the rumors of a slave rebellion after the Cubans hear of slaves turning against their captors in Haiti.
Writer
Birth registration ceremonies in Leningrad, in which representatives of the city's Supreme Soviet present medals and allegorical documents.
Director
Birth registration ceremonies in Leningrad, in which representatives of the city's Supreme Soviet present medals and allegorical documents.
Writer
The story of the Santa María School massacre of miners in 1907.
Director
The story of the Santa María School massacre of miners in 1907.
Writer
It is the story of a young man named Esteban, who was totally devoted to the cause of the Revolution against Fulgencio Batista. One day, Esteban is diagnosed with a cerebral aneurism, which causes him to take stock of his life as a revolutionary and to reconsider his relationships to his family--to his mother and brother, particularly--and his friends.
Director
It is the story of a young man named Esteban, who was totally devoted to the cause of the Revolution against Fulgencio Batista. One day, Esteban is diagnosed with a cerebral aneurism, which causes him to take stock of his life as a revolutionary and to reconsider his relationships to his family--to his mother and brother, particularly--and his friends.
Writer
История борьбы кубинского народа за свою независимость показана через судьбы трех женщин. Героиня первой новеллы вынуждена предать родных ради любви к испанскому солдату. Героиня второй новеллы вынуждена уйти из семьи ради любви. И, наконец, героиня третьей истории пытается отстоять свое право работать в колхозе.
Director
История борьбы кубинского народа за свою независимость показана через судьбы трех женщин. Героиня первой новеллы вынуждена предать родных ради любви к испанскому солдату. Героиня второй новеллы вынуждена уйти из семьи ради любви. И, наконец, героиня третьей истории пытается отстоять свое право работать в колхозе.
Writer
A young girl joins the guerrilla
Director
A young girl joins the guerrilla
Script
A mercenary from the Bay of Pigs invasion escapes in search of protection and is taken in by a peasant woman who ignores his identity.
Director
A mercenary from the Bay of Pigs invasion escapes in search of protection and is taken in by a peasant woman who ignores his identity.
Director
A short 1962 black & white gem by Cuban director Humberto Solás, with Hector Veita, about creating the Escuelas Nacionales de Arte (National Schools of Art) during the euphoric period after the victory of the Cuban Revolution. These art schools are the most outstanding architectural achievement of the Cuban Revolution. But for many years, and up to recently, stood abandoned, consumed by the jungle, outside the western suburbs of Havana. For more about the story of the schools see revolutionofforms.com. Solás' remarkable, taut, little film nevertheless captures the spirit of utopian optimism that characterized the early years of the Revolution.
Director
A painter in search of inspiration pursues an imaginary woman whose portrait he finds in an abandoned house.
Director
