Onur Ünlü

Forty-year-old Günel, whose only passion in life is to photograph inanimate objects, meets an energetic and sympathetic Şefik during the free Cyprus holiday that she won in the company lottery. The holiday, which starts with a beer in a luxury villa, by the pool, becomes unpleasant when Günel breaks his leg. Her only solace is meeting Nazli, who has the same name as her neighbor in Istanbul and is a nurse just like her. Watching Şefik in the neighboring villa out of distress, Günel witnesses an unexpected… murder? He can't be sure because of the hot weather and the drugs he takes.

Forty-year-old Günel, whose only passion in life is to photograph inanimate objects, meets an energetic and sympathetic Şefik during the free Cyprus holiday that she won in the company lottery. The holiday, which starts with a beer in a luxury villa, by the pool, becomes unpleasant when Günel breaks his leg. Her only solace is meeting Nazli, who has the same name as her neighbor in Istanbul and is a nurse just like her. Watching Şefik in the neighboring villa out of distress, Günel witnesses an unexpected… murder? He can't be sure because of the hot weather and the drugs he takes.

Yılmaz is the dealer and close friends of famous filmmakers and actors. With the increasing drug operations in Istanbul, Yılmaz is getting paranoid about not being loved by them anymore. This paranoia makes him take bigger risks day by day and he will be destroyed by the desire for being loved.

A none dialogue film about a young woman called Sukran, who has an accident when she is 10 years old and stays crippled for the rest of her life. Throughout the film, she seeks to create a common ground with other people. Despite her hunger to do so, she fails with people of the opposite sex, and so turns to her own gender. Again, she meets with failure; and again, she is knocked sideways. Just like all of us, Şükran keeps looking helplessly for ways to communicate with other people until the bitter end. Her helplessness may not be the exact same to our own helplessness as spectators, but they are indeed in very close proximity.

A none dialogue film about a young woman called Sukran, who has an accident when she is 10 years old and stays crippled for the rest of her life. Throughout the film, she seeks to create a common ground with other people. Despite her hunger to do so, she fails with people of the opposite sex, and so turns to her own gender. Again, she meets with failure; and again, she is knocked sideways. Just like all of us, Şükran keeps looking helplessly for ways to communicate with other people until the bitter end. Her helplessness may not be the exact same to our own helplessness as spectators, but they are indeed in very close proximity.

The already complex connections of a group of artists living in İstanbul’s Cihangir district are becoming bizarre because of a camcorder entering their lives. A narcissistic director in which all the women are in love, two roommates connected by cable, a theater scene that can turn into a morgue concurrently, a nurse who resurrects the dead people, and a drug dealer who has no arms, sometimes the right, sometimes the left, sometimes both arms; these are protagonists of the experimental narrative that Onur Ünlü plays with time and space.

The already complex connections of a group of artists living in İstanbul’s Cihangir district are becoming bizarre because of a camcorder entering their lives. A narcissistic director in which all the women are in love, two roommates connected by cable, a theater scene that can turn into a morgue concurrently, a nurse who resurrects the dead people, and a drug dealer who has no arms, sometimes the right, sometimes the left, sometimes both arms; these are protagonists of the experimental narrative that Onur Ünlü plays with time and space.

The already complex connections of a group of artists living in İstanbul’s Cihangir district are becoming bizarre because of a camcorder entering their lives. A narcissistic director in which all the women are in love, two roommates connected by cable, a theater scene that can turn into a morgue concurrently, a nurse who resurrects the dead people, and a drug dealer who has no arms, sometimes the right, sometimes the left, sometimes both arms; these are protagonists of the experimental narrative that Onur Ünlü plays with time and space.

Riza, a garbage man becomes obsessed in her old mother when he finds a woman's corpse in a garbage can. But someday he meets with his new neighbor,a beautiful widow and starts to lose track of reality, stuck between his love and her mother.

Riza, a garbage man becomes obsessed in her old mother when he finds a woman's corpse in a garbage can. But someday he meets with his new neighbor,a beautiful widow and starts to lose track of reality, stuck between his love and her mother.

«Благородный вор» Джингёз Реджаи спустя много лет вновь выходит на дело. Однако решает совершить кражу не со своей командой. Он присоединяется к одной темной банде, и начнет менять образы, чтобы обокрасть дом одного гения технологий. Он приближается к своей цели, о которой никто не знает.

Салим — детектив из отдела убийств. Тридцатилетний мужчина, живущий в своем собственном мире. Разведен, есть маленькая дочь. Он узнает, что длительное лечение глаз не приносит результатов, и в конечном счете он полностью ослепнет.

Салим — детектив из отдела убийств. Тридцатилетний мужчина, живущий в своем собственном мире. Разведен, есть маленькая дочь. Он узнает, что длительное лечение глаз не приносит результатов, и в конечном счете он полностью ослепнет.

Based on William Shakespeare's Romeo and Juliet, set in Istanbul, the tragic story of three heroes chasing an unlikely dream, running towards their sad end in a Shakespearean manner.

Based on William Shakespeare's Romeo and Juliet, set in Istanbul, the tragic story of three heroes chasing an unlikely dream, running towards their sad end in a Shakespearean manner.

Turkish film industry has been experiencing a breakthrough in the last ten years. According to 2015 figures, there is a bold uptrend in terms of viewers and film production. Yet without any regulations at work, this growth only made injustices in distribution bigger. While a single cinema chain controls more then 50% of the market, it also started to control distribution and production. In this monopolized environment, there seems to be no country for independent production. With the guidance of producers, distributors, and economists, the film traces the distortion created by the bad economy that has become an obstacle for freedom of choice.

В мечети происходит убийство. Имаму придётся сильно постараться, чтобы распутать это преступление самому. Ведь он теперь для полиции является главным подозреваемым.

В мечети происходит убийство. Имаму придётся сильно постараться, чтобы распутать это преступление самому. Ведь он теперь для полиции является главным подозреваемым.

В мечети происходит убийство. Имаму придётся сильно постараться, чтобы распутать это преступление самому. Ведь он теперь для полиции является главным подозреваемым.

In a small town in Anatolia, whose inhabitants possess various supernatural powers but still have to deal with ordinary problems, Cemal helps out in his father’s barbershop and, in his free time, acts as a football referee.

In a small town in Anatolia, whose inhabitants possess various supernatural powers but still have to deal with ordinary problems, Cemal helps out in his father’s barbershop and, in his free time, acts as a football referee.

Celal Tan is a well-respected constitutional law professor who lives in a provincial city has two children from his first marriage. Many years after the death of his first wife, he married a woman much younger than him, a university student, whose life he has saved in some way. In the third year of their marriage, the extremely tragic story of Celal Tan and his family begins after a big crisis happened in front of the whole family. While trying to hide the secret, the family falls into absurd and tragicomic positions. Regardless of all happenings, Celal Tan tries to keep the family together.

Celal Tan is a well-respected constitutional law professor who lives in a provincial city has two children from his first marriage. Many years after the death of his first wife, he married a woman much younger than him, a university student, whose life he has saved in some way. In the third year of their marriage, the extremely tragic story of Celal Tan and his family begins after a big crisis happened in front of the whole family. While trying to hide the secret, the family falls into absurd and tragicomic positions. Regardless of all happenings, Celal Tan tries to keep the family together.

Orhan, who works as a literature professor at a university in Eskisehir, unexpectedly ends his relationship with Ayse whom he was planning to marry, and comes to Istanbul where he meets Oya. After living possibly the happiest days of his life with Oya, who is a photographer, Orhan finds himself in the midst of a challenging love triangle as a result of the horrible things they encounter the first days of their marriage.

Aydın is a policeman recently appointed to a new post in Istanbul. While trying to get used to life in the big city, Aydın stumbles upon Mehtap, a young woman who works at a candy shop in Beyoğlu, and he falls for her. But there is no way that Aydın can make Mehtap realize that he even exists, just as Şevket, a young man who has dropped out of law school before starting to sell toy trains on the streets to make a living, cannot make Dilek, another girl who works at the same store, realize his feelings for her. When Dilek and Aydın meet, Aydın diverts his uncontrollable feelings toward Dilek.

Aydın is a policeman recently appointed to a new post in Istanbul. While trying to get used to life in the big city, Aydın stumbles upon Mehtap, a young woman who works at a candy shop in Beyoğlu, and he falls for her. But there is no way that Aydın can make Mehtap realize that he even exists, just as Şevket, a young man who has dropped out of law school before starting to sell toy trains on the streets to make a living, cannot make Dilek, another girl who works at the same store, realize his feelings for her. When Dilek and Aydın meet, Aydın diverts his uncontrollable feelings toward Dilek.

Although it sounds good in theory, the miracle of becoming the Son of the Sun doesn't in practice turn out the way Fikri Şemsigil expects. His whole life depends on this one "big" day, but the consequences of this miracle disappoint Fikri as his life is turned upside down. To rid himself of this so-called miracle, Fikri decides to explore its source but there's still the big problem with the woman in the building across the street!

Although it sounds good in theory, the miracle of becoming the Son of the Sun doesn't in practice turn out the way Fikri Şemsigil expects. His whole life depends on this one "big" day, but the consequences of this miracle disappoint Fikri as his life is turned upside down. To rid himself of this so-called miracle, Fikri decides to explore its source but there's still the big problem with the woman in the building across the street!

Musa Rami, who has become a legend with his struggle against the mafia, is a police officer at homicide division. One day prior to celebrating his 63rd birthday, with a surprise party arranged by his family, he finds out that he has cancer and two months left before his death. In these two months, will he be able to fight against the mafia that has intensified its threats against his family and simultaneously reveal his deep love to Funda, who is a university student 40 years younger than him?

Musa Rami, who has become a legend with his struggle against the mafia, is a police officer at homicide division. One day prior to celebrating his 63rd birthday, with a surprise party arranged by his family, he finds out that he has cancer and two months left before his death. In these two months, will he be able to fight against the mafia that has intensified its threats against his family and simultaneously reveal his deep love to Funda, who is a university student 40 years younger than him?

Musa Rami, who has become a legend with his struggle against the mafia, is a police officer at homicide division. One day prior to celebrating his 63rd birthday, with a surprise party arranged by his family, he finds out that he has cancer and two months left before his death. In these two months, will he be able to fight against the mafia that has intensified its threats against his family and simultaneously reveal his deep love to Funda, who is a university student 40 years younger than him?

In this lush police mystery, the love of three different men for one woman spans five decades and results in one man's death.