Johannes Allen

Sonja, 16 is a porn model, and her middle aged lover is obsessed with her. Sonja knows how to benefit from this, and as he spies on her, he finds out that there's more to her than he would expect.

On the idyllic Birkø lives Christian a parish executive officer. He is a brave and honest man, happily married to Martha, and this couple has a son called Theo and he will once take over the farm.

A whirlwind romance between a Danish storeclerk and an American G.I. in Copenhagen takes them to a dance club base for prostitutes, whom she befriends and whose pimp he antagonizes.

A whirlwind romance between a Danish storeclerk and an American G.I. in Copenhagen takes them to a dance club base for prostitutes, whom she befriends and whose pimp he antagonizes.

A tale of wealthy youth in post-WWII Copenhagen.

A tale of wealthy youth in post-WWII Copenhagen.

The two alcoholics Rudolf and Bertil gets fired from their jobs. For Bertil the story ends happily. He quits drinking and takes a job on a ship. For Rudolph it is worse. He can't kick the booze.

Egon, a young man from Jutland living with relatives in Copenhagen, meets sensible young girl Ruth and falls in love. But Egon is involved with a gang of criminals, and when they assault a man they meet in a bar they are caught by the police. Egon is sent to a juvenile home, but can he stay out of trouble?

Lau Lauritzen plays an ordinary architect, with a wife and a son. He gets accused for killing a 10-year old girl, and of course nobody doubts he's the one. Even his wife and his uncle has trouble believing him, but at least they don't tell him.

Café Paradis is an award-winning Danish film made in 1950, directed by Bodil Ipsen and Lau Lauritzen Jr., and written by Johannes Allen. The film received the Bodil Award for Film of the Year, and Ib Schønberg, for what is regarded his finest performance, received the Bodil Award for Best Supporting Actor.

Двое актёров путешествуют по миру, выступая в роли профессиональной танцевальной пары, которая с трудом сводит концы с концами. Йон — мечтатель, а Ирена — приземленный реалист. Ирена расширяет свой образ, изображая разочарованную женщину, отражающую тяжелую жизнь, через которую она прошла. Разочарованный оптимизм Йон переходит к насилию, что приводит к драматическим последствиям.