Buster Franco

Spain at the end of the 50s. Miguel and Antonio, both single and in their early 30s, go on a trip to Ibiza, lured by the European sexual myth and the illusion of freedom. But on the island, nothing will be as they expected.

A look at the different masculinities portrayed in Spanish cinema through time. (A sequel to “Barefoot in the Kitchen,” 2013.)

Twelve short films, twelve portraits of the city of San Sebastian.

A love story between a terrorist and his victim.

Андалусия 50-х годов — там разворачивается история молодой супружеской пары: Энрике и Кармен. Кармен просит своего дядю, являющегося судьей, пристроить Энрике на работу. Когда Энрике начинает свою военную службу в суде города, и смотрит на несправедливости, совершающиеся каждый день в суде, он понимает, что для того, чтобы изменить изменить ход вещей, он должен действовать. Но пострадает не только он, но и его близкие...

Documentary film about visual effects master Emilio Ruiz del Rio. From his early works on films at 1942, to his last contribution at 2007, Emilio Ruiz talks on his film experiences and traditional trickery, using foreground miniatures, glass shots, and painted cut out miniatures. It shows interviews with some of the professionals he has worked with, like, Rafaela de Laurentiis, Ray Harryhausen, Guillermo del Toro, or Enzo Castellari

Marina, a woman with a glass eye, has the bad luck to be the victim of an assault witnessed by Rafael, a goodhearted butcher, who rescues her from her attacker, a man named Daniel. Rafael has physical problems of his own, but the two stay together as a couple. A baby not Rafael's, for he lost his testicles in an accident is born. Rafael looks forward to raising the child as his own if Marina will consent.