Luís Branquinho

A homage to all Portuguese actors. The news that Olga Drummond, the greatest Portuguese actress of all-time, is arriving to a nursing home for performers provokes agitation between residents and workers.

Inspired by Bernardo Santareno's “The Lugger” and “In the Seas of the End of the World”, this is the story of a captain of a codfish lugger, fishing in the banks of the Newfoundland who decide to risk sailing to Greenland in search of more fish. Along the way, he has to face storms, crew revolt and deal with the best and the worst of humanity when tested in extreme circumstances.

In 2016, Edgar Pêra released The Amazing Spectator, a playful investigation into cinema’s disquieting essence that had everything from negative film images of boobs and positively splendid interviews to a donkey hand puppet. The film and an accompanying book formed his PhD thesis. But as so often with him, projects turn into obsessions – especially when there are masses of notions not pondered, thoughts not elaborated upon. And so KINORAMA - Beyond the Walls of Cinema was born, a stand-alone continuation of The Amazing Spectator that looks at cinema’s future in cyberspace and, accordingly, perhaps the end of its enslavement to figurative representation, the 'stupid sacred in narrative cinema' (to use a Pêra’ism), realism and artificiality in 3D cinema, and many other aspects.

Франсишку, успешный архитектор, приглашает трех лучших друзей, Марию, Симона и Вашку, на выходные отдохнуть вдали от города. Но когда Давид, старый друг, который оставил неизгладимые следы в жизни каждого, объявляет о желании посетить их после долгого отсутствия в стране, угрожающая атмосфера поселяется в этом модернистском убежище..

Inês is a teenager from a wealthy family. However, after classes, he participates in risky sexual games, compulsively uses the internet and attends the nightlife of Lisbon, entering a spiral of total destruction.

Adventurer, pilgrim, penitent but above all outstanding writer, Fernão Mendes Pinto left us an unparalleled romance, the living and human palpitation of one of the greatest historical adventures of man.

Helen, 30 years-old, decides she is going to change the rest of her life. Her biggest mistake, she asks God for some precious help.

Daniel had a plan, a sort of journal of the future, written in a notebook. Sometimes he went back to rectify small things, but still, life seemed pretty easy and happiness too. But, all of a sudden, everything changed for the worse: Portugal collapsed and Daniel lost his job. He couldn't afford to pay the mortgage for his house any more. His wife, also unemployed, left with his children, searching for better opportunities.

New film directed by Edgar Pêra.

The family of Ana Luisa meets at home to celebrate her father's birthday. As the guests sit around the table they will share memories of the past, in which all have a common denominator: the late Josefa, Ana Luisa's mother. Hearing the stories, Ana Luisa realizes the impact that his late mother had on their life choices and imagines what would have happened if she had followed other paths, taken other options and said what was unsaid. At the same time, an event of unknown origin causes a change in space and time, enabling people all over the world the access to parallel universes. Ana Luisa will thus have the opportunity to change the past...

A bunch of spectators trapped in a cinema theatre.

A dreamlike journey seen through the eyes of a trans-human as well as a kino-symphony of voices from the multiple personas of Fernando Pessoa, Lisbon Revisited shows alternative ways of looking at and hearing the city. Celebrating its greatest phantom and confronting his ambiguous and pervasive sexuality, the film is spoken in the three languages in which Pessoa wrote, Portuguese, English and French.

A triptych of short stereoscopic films by Peter Greenaway, Jean-Luc Godard and Edgar Pêra. Includes "The Three Disasters" by Godard, "Cinesapiens" by Pêra and "Just in Time" by Greenaway.

Shaken by a divorce in the 1920s, Portuguese poetess Florbela Espanca uses her writing to deal with her tumultuous relationship with men, eroticism and love.

Инспектор начальных школ приезжает в деревушку в горах Баррозу для проверки, но даже не успевает толком приступить к работе - правитель этих земель, зловещего вида Барон приглашает его в свой замок в горах, события в котором изменят жизнь инспектора навсегда.

A bizarre and tragic ballad of an impossible love between a nameless topographer and Leonor in a swamp soon to be destroyed by the forces of Man. She (Teresa Salgueiro, ethereal voice of Madredeus) is the “swamp-flower”, protégée of a Socratic Director (and his goat Plato). In a world without women, she is kept safe from the temptations of the flesh by her strict and grotesque Aunt. The sound-track entirely played by the workers (fado and bossa nova singers) reveals parallel narratives of suspicion and conspiracy that unfold to the pace of the unconscious leading to a confrontation between Man and River. Inspired by a hypnotic story by Branquinho da Fonseca (1905-1974).

Summer of 1870. Two writers, Eça de Queiroz and Ramalho Ortigão, decide to write a four-handed whodunit for the daily "Diário de Notícias". Could it be that the story they wrote as fiction is based on a real case? This question fuels the conflict between the two writers and drives them to a nearly fatal duel. Lisbon is in commotion. One crime follows another in a story in which love is stronger than tradition. Everything happens at frenzied pace, as in a game.

When a football agent acquires the rights of two young Mozambican players, he tries to transfer them to Benfica, his favorite club.