Yoko Oguchi

8mm film by Yoko Oguchi, 2013. Yamada (Sato Taketo) falls in love in first sight with a girl named Maki (Shimano Hozo) sitting on the side of the road. However, Maki is a rather eccentric individual who acts in accordance with orders picked up by her brain. Paying no heed to the warnings of a friend, the simpleminded Yamada falls deeper in love with Maki.

Don’t Dare to Stop Love follows the conflicted and delusional life of a single mother and cancer victim. An abstract exploration of her relationships with both her young lover and teenage daughter, the film shows us the tortures of a self-indulgent mind. In a plea for affection, she devotes the last months of her life taking care of "Pet," her boyfriend. This, however, turns sour when her excessive need for pity becomes too much for him to bear. Intercut with sketches of her teenage daughter gossiping about her mother’s strange behaviour, we develop a compassion for the lead. Will she succumb to the darkness of her own mind or will she be inspired to overcome her fate? © Julia Wiese

My Favourite Grassy Plain. Oguchi Yoko belongs to that special category of film makers for whom life, work, documentary and fiction are basically one and the same thing. She is her film, her films are her. There is one significant theme that keeps returning, her masochistic tendencies. Here she returns to a relationship with someone who deceived her. A true story, of course.

The films of Oguchi Yoko are extremely personal. In addition, Oguchi herself has a special personality that makes her films very special. She is an outspoken masochist and experiments in life and work with her sexual proclivities. She can get surprised about what people think is normal in the field of love and could find little understanding for her own norms. That's why she made a film about it.

The films of Oguchi Yoko are extremely personal. In addition, Oguchi herself has a special personality that makes her films very special. She is an outspoken masochist and experiments in life and work with her sexual proclivities. She can get surprised about what people think is normal in the field of love and could find little understanding for her own norms. That's why she made a film about it.

Oppressive mixture of diary and (sexual) fantasy. The film maker also literally bares herself when she repeatedly stands in a corridor waiting for the inevitable. She is fascinated by the true story of a sadistic kidnapper, whom she links with her own Prince Charming. Sadomasochism without whips. The master rules with the spirit. Won the grand prix at the Image Forum Festival.

Oppressive mixture of diary and (sexual) fantasy. The film maker also literally bares herself when she repeatedly stands in a corridor waiting for the inevitable. She is fascinated by the true story of a sadistic kidnapper, whom she links with her own Prince Charming. Sadomasochism without whips. The master rules with the spirit. Won the grand prix at the Image Forum Festival.

Indie film by Fujiwara Sho, 2001.

8mm film by Oguchi Youko

A man (Masahiro Sugiyama), an idol otaku, picks up a monster fish and starts to raise it at home. At the same time, he moves in with a runaway girl (Yoko Oguchi), and the friction between them becomes more intense. The film was made at the end of the eighties, in response to the sense of stagnation in the provincial cities. It's a film with a darker side than my previous film "Love on the Street". It also has the strongest theatrical colour of all the films so far, but it shows the bankruptcy in a different way to "Street Corner of Love -".

The film is divided into two chapters, "First Love" and "Endless Love", in which the author, Yoko Oguchi, chases after a different man, each saying "I love you! and chases after another man. In the second chapter, she screams in public, has sex with a man, shaves her hair and gets (really) yelled at by her parents. Beyond the fictionality and perfection of the drama, the author's daring and daredevil performance have a strong impact on the viewer.

The film is divided into two chapters, "First Love" and "Endless Love", in which the author, Yoko Oguchi, chases after a different man, each saying "I love you! and chases after another man. In the second chapter, she screams in public, has sex with a man, shaves her hair and gets (really) yelled at by her parents. Beyond the fictionality and perfection of the drama, the author's daring and daredevil performance have a strong impact on the viewer.

The film is divided into two chapters, "First Love" and "Endless Love", in which the author, Yoko Oguchi, chases after a different man, each saying "I love you! and chases after another man. In the second chapter, she screams in public, has sex with a man, shaves her hair and gets (really) yelled at by her parents. Beyond the fictionality and perfection of the drama, the author's daring and daredevil performance have a strong impact on the viewer.

The film is divided into two chapters, "First Love" and "Endless Love", in which the author, Yoko Oguchi, chases after a different man, each saying "I love you! and chases after another man. In the second chapter, she screams in public, has sex with a man, shaves her hair and gets (really) yelled at by her parents. Beyond the fictionality and perfection of the drama, the author's daring and daredevil performance have a strong impact on the viewer.

Kenji Murakami seeks out legendary wildman director Kenji Onishi and arranges a meeting with director Yoko Oguchi. The meeting turns unexpectedly intense...