Niles Atallah

Niles Atallah

Рождение : , California, USA

История

Niles Atallah lives and works in Santiago, Chile. Born in California in 1978, he is a dual citizen of both Chile and the U.S. He has a B.A. in Art from the University of California at Santa Cruz. Niles works as a writer and director in feature film, music videos, video art work, installations and short films. He also works as a director of photography and created Diluvio, a film production company in Chile. His first feature Lucía premiered at San Sebastián in 2010. Lucía was awarded the FIPRESCI Critics Prize, Prix Découverte de la Critique Française and Prix Spécial du Jury in Toulouse and Best Director at the Valdivia International Film Festival in Chile. Lucia, Luis y el Lobo, a series of two short films he co-directed with Cristóbal León and Joaquín Cociña, totaled over 1 million online views.

Профиль

Niles Atallah

Фильмы

Animalia Paradoxa
Writer
The list of fantastic, mythical animals compiled by Carl Linnaeus in his seminal 18th century work Systema Naturae could well be the seed of Niles Atallah’s Animalia Paradoxa – an eccentric tale set in a post-apocalyptic world that follows a strange creature struggling to survive. Dressed in rags and a gas mask, moving like an alien dancer, Animalia roams through an abandoned building – crawling and stretching across concrete, plastic, waste. She laboriously carries and fills up an array of empty bottles to enjoy a modest bath. The camera eye lingers on her with compassion and explores the architectures of trash at an agonising pace. We know in our hearts that Animalia is a human-amphibian longing for the sea…
Animalia Paradoxa
Director
The list of fantastic, mythical animals compiled by Carl Linnaeus in his seminal 18th century work Systema Naturae could well be the seed of Niles Atallah’s Animalia Paradoxa – an eccentric tale set in a post-apocalyptic world that follows a strange creature struggling to survive. Dressed in rags and a gas mask, moving like an alien dancer, Animalia roams through an abandoned building – crawling and stretching across concrete, plastic, waste. She laboriously carries and fills up an array of empty bottles to enjoy a modest bath. The camera eye lingers on her with compassion and explores the architectures of trash at an agonising pace. We know in our hearts that Animalia is a human-amphibian longing for the sea…
Burial: Subterranean Light
Sound Designer
Several reels of film are buried in a forest in sourthern Chile. Ten years later the films are unearthed from the soil and projected. Ghosts have appeared on the surface of the decaying celulloid, they are the protagonists of Niles Atallah's earlier feature films "Lucia" and "Rey". The fictional characters have returned to haunt the images, peering through the layers of earth, as if interested in us, the spectators who watch them. Who is looking at who? Why have these characters returned? What do they want? The film is a secret code written by the earth itself.
Burial: Subterranean Light
Editor
Several reels of film are buried in a forest in sourthern Chile. Ten years later the films are unearthed from the soil and projected. Ghosts have appeared on the surface of the decaying celulloid, they are the protagonists of Niles Atallah's earlier feature films "Lucia" and "Rey". The fictional characters have returned to haunt the images, peering through the layers of earth, as if interested in us, the spectators who watch them. Who is looking at who? Why have these characters returned? What do they want? The film is a secret code written by the earth itself.
Burial: Subterranean Light
Director of Photography
Several reels of film are buried in a forest in sourthern Chile. Ten years later the films are unearthed from the soil and projected. Ghosts have appeared on the surface of the decaying celulloid, they are the protagonists of Niles Atallah's earlier feature films "Lucia" and "Rey". The fictional characters have returned to haunt the images, peering through the layers of earth, as if interested in us, the spectators who watch them. Who is looking at who? Why have these characters returned? What do they want? The film is a secret code written by the earth itself.
Burial: Subterranean Light
Director
Several reels of film are buried in a forest in sourthern Chile. Ten years later the films are unearthed from the soil and projected. Ghosts have appeared on the surface of the decaying celulloid, they are the protagonists of Niles Atallah's earlier feature films "Lucia" and "Rey". The fictional characters have returned to haunt the images, peering through the layers of earth, as if interested in us, the spectators who watch them. Who is looking at who? Why have these characters returned? What do they want? The film is a secret code written by the earth itself.
Бестия
Post Production Supervisor
История странной женщины Ингрид, которая работает в разведывательном управлении Чили в 1975 году. В какой-то момент в ее личной жизни наступает серия неприятных переломных моментов, совпадающих с глобальным кризисом всей страны.
Кости
Colorist
Используя человеческие трупы и призывая духов двух проклятых госсекретарей, девушка проводит ритуал, чтобы освободить Чили от его феодального наследия.
Кости
Director of Photography
Используя человеческие трупы и призывая духов двух проклятых госсекретарей, девушка проводит ритуал, чтобы освободить Чили от его феодального наследия.
Las mujeres de mi casa
Script Consultant
A family composed of three generations of women live in an old house in the neighborhood of Ñuñoa. On one hand, Leonor must decide her future, on the other hand, Monica must decide if she sells the house in which they have lived their entire lives while Emilia, must face her Alzheimer’s disease.
Las mujeres de mi casa
Editorial Consultant
A family composed of three generations of women live in an old house in the neighborhood of Ñuñoa. On one hand, Leonor must decide her future, on the other hand, Monica must decide if she sells the house in which they have lived their entire lives while Emilia, must face her Alzheimer’s disease.
Archivos del estallido
Editor
Archivos del estallido
Sound Designer
Archivos del estallido
Director
Lemebel
Director of Photography
Pedro Lemebel, the writer and visual artist, defeated a marginal childhood to become one of the first to shake up Chile’s conservative society during Pinochet’s dictatorship. Dressed in feather boas, stilettos and a sharp tongue, he staged revolutionary performances that defied the era’s terror, he said what no one wanted to hear in a homophobic, repressed and militarized country.
Дом волка
Producer
История Марии, молодой женщины, которая укрывается в доме на юге Чили после побега из немецкой колонии.
About the Dead
Thanks
Alicia and Damian are ghosts occupying a large empty house on Lake Riñihue. Unable to assimilate their condition as dead people, they wander the house during an eternal day, gradually discovering the rules of this strange world and the reason for their presence.
Король
Screenplay
Молодой французский адвокат Орели-Антуан де Тунан много лет мечтает о том, чтобы сбежать на другой конец света и стать королем Амазонии. В 1860 году он отправляется навстречу судьбе, находит индейцев-мапуче, которые признают его верховным правителем Патагонии и Араукании. Теперь осталось убедить весь остальной мир в том, что твой титул — это не шутка и не обман.
Король
Researcher
Молодой французский адвокат Орели-Антуан де Тунан много лет мечтает о том, чтобы сбежать на другой конец света и стать королем Амазонии. В 1860 году он отправляется навстречу судьбе, находит индейцев-мапуче, которые признают его верховным правителем Патагонии и Араукании. Теперь осталось убедить весь остальной мир в том, что твой титул — это не шутка и не обман.
Король
Executive Producer
Молодой французский адвокат Орели-Антуан де Тунан много лет мечтает о том, чтобы сбежать на другой конец света и стать королем Амазонии. В 1860 году он отправляется навстречу судьбе, находит индейцев-мапуче, которые признают его верховным правителем Патагонии и Араукании. Теперь осталось убедить весь остальной мир в том, что твой титул — это не шутка и не обман.
Король
Director
Молодой французский адвокат Орели-Антуан де Тунан много лет мечтает о том, чтобы сбежать на другой конец света и стать королем Амазонии. В 1860 году он отправляется навстречу судьбе, находит индейцев-мапуче, которые признают его верховным правителем Патагонии и Араукании. Теперь осталось убедить весь остальной мир в том, что твой титул — это не шутка и не обман.
La Isla de los Pájaros Sombra
Editor
In his travels through the southern sea of Chile, the privateer Francis Drake discovered a strange island. The extraordinary events that he lived there described in his travel diary have disappeared just like the island.
La Isla de los Pájaros Sombra
Director of Photography
In his travels through the southern sea of Chile, the privateer Francis Drake discovered a strange island. The extraordinary events that he lived there described in his travel diary have disappeared just like the island.
Como me da la gana II
Self
Just like in 1985, today Ignacio Agüero is back interrupting filmmakers during shooting, but not to ask what he did thirty years ago, but to find out what is purely cinematographic in what they film. These conversations are related to images in the director's personal archive, as if what is truly cinematographic was found among bits that were never made for the screen.
See and Listen
Director of Photography
Blind and deaf people converse, question, surprise and educate each others. Fingers move about quickly, translation follows promptly, both visible and audible, hands get touched and squeezed, and out of their tactfulness, sentences, stories, reserve and emotions arise
The Island
A group of people gather for a family reunion in a house on an isolated island. They are waiting for the last person to join them, but as the evening arrives and he doesn’t arrive, a strange anxiety overwhelms them. The group dismantles and the family members wander away from the house separately, confronting the sea and an unspoken fear that slowly consumes them.
Quiero entrar
Director of Photography
A man wants to become a TV-star and he will try anything despite his advanced age and what everyone says about him and his lack of talent and charisma for the job. But while he starts getting closer to his goal, his house starts crowding with unwanted guests.
Lucia
Director of Photography
Lucía is a young woman who works as a seamstress in a factory and lives with her father in an old house in Santiago, Chile. The film occurs in December 2006 during the weeks that take place from the ex-dictator Pinochet’s funeral to Christmas Eve. Through the simple observation of Lucía’s daily life, the spectator is allowed access into a hidden and neglected world of a generation of Chileans striving to recover from the military dictatorship.
Lucia
Producer
Lucía is a young woman who works as a seamstress in a factory and lives with her father in an old house in Santiago, Chile. The film occurs in December 2006 during the weeks that take place from the ex-dictator Pinochet’s funeral to Christmas Eve. Through the simple observation of Lucía’s daily life, the spectator is allowed access into a hidden and neglected world of a generation of Chileans striving to recover from the military dictatorship.
Lucia
Writer
Lucía is a young woman who works as a seamstress in a factory and lives with her father in an old house in Santiago, Chile. The film occurs in December 2006 during the weeks that take place from the ex-dictator Pinochet’s funeral to Christmas Eve. Through the simple observation of Lucía’s daily life, the spectator is allowed access into a hidden and neglected world of a generation of Chileans striving to recover from the military dictatorship.
Lucia
Director
Lucía is a young woman who works as a seamstress in a factory and lives with her father in an old house in Santiago, Chile. The film occurs in December 2006 during the weeks that take place from the ex-dictator Pinochet’s funeral to Christmas Eve. Through the simple observation of Lucía’s daily life, the spectator is allowed access into a hidden and neglected world of a generation of Chileans striving to recover from the military dictatorship.
Primer día de invierno
Cinematography
Trance
Director of Photography
Ten segments linked to a primary idea: an evocation of the early cinema images.
Luis
Screenplay
Luis talks about his life in the forest and how he fell in love with Lucia.
Luis
Director
Luis talks about his life in the forest and how he fell in love with Lucia.
Черная гвоздика
Continuity
В 1972 г. Харальда Эдельстама назначают на пост Посла Швеции в Чили. Он открыто поддерживает всенародного избранного президента от социал-демократов Сальвадора Алленде и принимает участие в ряде социальных проектов страны. Но в один день изменилось всё. Военные, под руководством Августа Пиночета, смещают Алленде и начинают кровавую охоту за своими политическими оппонентами. Сотни активистов подверглись пыткам, а затем были казнены на государственном стадионе в Сантьяго. Рискуя своей собственной жизнью, Эдельстам принимает решение использовать все возможные свои дипломатические привилегии и предоставляет политическое убежище для активистов, чьей жизни угрожает опасность. Неординарный дипломат играет по-крупному. В это тревожное время Эдельстам начинает любовные отношения с молодой активисткой по имени Консуэло…
Lucía
Screenplay
Lucia remembers the summer when she felt in love with Luis and her fear of the dark.
Lucía
Director
Lucia remembers the summer when she felt in love with Luis and her fear of the dark.
The Fire Doll
Director