Pia Vieth

Pia Vieth

Профиль

Pia Vieth

Фильмы

Lost Generation
Tilde Gregersen
The film is based on Christian Kampmann's novels: "Certain Considerations", "Solid Relationships", "Clean Lines" and "Other Ways" (1973-75). The Gregersen family is a picture of inner and outer Denmark from the mid 50's to the 70's. The story begins in 1954 in the well-behaved, but not just successful, Gregersen family from the best part of the whiskey belt on the right side of Strandvejen.
Rene Linier / Andre Måder
Tilde Gregersen
Visse Hensyn / Faste Forhold
Tilde Gregersen
A Place Nearby
Pædagogen
The city is gasping for air in the scorching summer heat; everyone is under suspicion; a persistent detective superintendent is burrowing for the truth. A fiercely penetrating drama about a mother's love for her autistic adult son, who is suspected of murdering a local girl. The mother knows her son could have committed the murder, but she conceals her knowledge, and gradually becomes entangled in a thicket of lies. How far is she prepared to go to protect her son who is helpless in so many ways? Does she have it within her to give up the only person she loves?
Motello
Miranda
It all begins when ex-boxer and motel owner Ford Fordson wants to get a little workout Rocky-style in the kitchen meat locker. But the door falls shut, and only opens from the outside. Fordson deep-freezes to death. So his son Willy, who is also a boxer, comes home and finds his childhood sweetheart Julie again. But their romance is short-lived, for the ghost of Ford appears to Willy and orders him to find out who slammed the meat locker door shut on him. It turns out the list of possible suspects is a long one indeed.
Isolde
Isolde
After librarian Isolde attempts suicide, she leaves her politician husband for a younger student with a dark past. Isolde's former husband, however, has something else in mind for the young man.
Hip Hip Hurrah!
Marie Kröyer
The life and times of the Scandinavian artists' colony who lived in Skagen on the Danish coast during the 1890s. Not so much a biographical account, rather a portrait of a way of life. The painters became famous for the way they used the light in their work, and this has also been mirrored in the cinematography.
Den ubetænksomme elsker
Sanna Krebs