Raymond Blumenthal

Фильмы

Piaf: Without love we are nothing at all
Producer
The Dark Room
Producer
In 14th-century France, Aliénor breaks with the codes governing girls’ behavior and does as she wishes. The King of France grants her the hand of her childhood love, but her new husband deserts her immediately after the ceremony. Undeterred, she sets out after him, traveling to Siena to bring him back.
Тысячи
Producer
Лес Миллес, маленький городок в Провансе. В июне 1940 года французские власти в старом кирпичном заводе устроили лагерь для интернированных. Среди двух тысяч заключенных: немцы, австрийцы,поляки,чехи, люди, бежавшие во Францию в поисках убежища от фашизма. Комендант лагеря скрупулезно выполняет обязанности, возложенные на него, но он человек чести и это не позволяет ему вести себя недостойно в отношении людей, оставленных на его попечение. Получив известие о том, что в связи с изменившейся ситуацией интернированные должны быть выданы немцам, комендант решается на рискованный поступок, чтобы спасти своих подопечных..
The Children's Rebellion
Producer
In the 19th century, children -- particularly the children of the poor -- were considered to be an exploitable resource of docile and cheap labor. Anyone who had the effrontery to steal so much as a portion of a loaf of bread for any reason would (at the very least) go to prison, regardless of their age. However, people of conscience were beginning to protest against this situation. The story takes place in a prison for children where conditions are particularly harsh. The warden is a thick-headed martinet who demands complete compliance with the rules, or the children will be brutally dealt with. The assistant warden is a more modern man, and is appalled by the whole institution, but seeks to begin by reforming it. To that end, he has invited a journalist to come and see the conditions that prevail there, in the hopes that she will rouse public opinion against at least this one form of injustice.
Fortune Express
Producer
Following a climbing accident in the mountains, Pascal loses the use of his legs and is confined to a wheelchair. The film follows his gradual acceptance of this during his stay in a rehabilitation centre and, with the support of fellow residents, the return of his will to live.