Miguel Ángel Blanca

A portrait of the disenchanted youth of the city of Tolyatti, once a symbol of Soviet progress and the automobile, now devastated by economic decline. Laura Sistero encounters an aimless young generation, who express their dreams of escape through crazy races in old patched-up Ladas. A cinematic object is propelled by spectacular skids to the rhythm of an electro-rock soundtrack.

At the height of the summer tourist season, the Spanish beach town Magaluf turns into a hellscape of the low-cost travel industry. For eight weeks every year, over one million mostly British vacationers ride an alcohol-soaked tide of public urination, fisticuffs and ambulance sirens for recreation. Instead of assembling a clip-reel of "balconing," when drunk idiots jump into hotel pools from their balconies, filmmaker Miguel Ángel Blanca crafts a far deeper and atmospheric look at a place where visitors and locals alike are driven by pleasure. Long-time resident Maria has little time left, so she takes in a seasonal lodger who listens to her relive her glory days. An enterprising real estate agent peddles an extravagant development, while a young gay man drifts without any plans beyond robbing a tourist for kicks. Part ghost story, part foreboding parable, this is a stylish and vivid impression of people and a place dreaming of escape. Myrocia Watamaniuk (Hot Docs)

At the height of the summer tourist season, the Spanish beach town Magaluf turns into a hellscape of the low-cost travel industry. For eight weeks every year, over one million mostly British vacationers ride an alcohol-soaked tide of public urination, fisticuffs and ambulance sirens for recreation. Instead of assembling a clip-reel of "balconing," when drunk idiots jump into hotel pools from their balconies, filmmaker Miguel Ángel Blanca crafts a far deeper and atmospheric look at a place where visitors and locals alike are driven by pleasure. Long-time resident Maria has little time left, so she takes in a seasonal lodger who listens to her relive her glory days. An enterprising real estate agent peddles an extravagant development, while a young gay man drifts without any plans beyond robbing a tourist for kicks. Part ghost story, part foreboding parable, this is a stylish and vivid impression of people and a place dreaming of escape. Myrocia Watamaniuk (Hot Docs)

At the height of the summer tourist season, the Spanish beach town Magaluf turns into a hellscape of the low-cost travel industry. For eight weeks every year, over one million mostly British vacationers ride an alcohol-soaked tide of public urination, fisticuffs and ambulance sirens for recreation. Instead of assembling a clip-reel of "balconing," when drunk idiots jump into hotel pools from their balconies, filmmaker Miguel Ángel Blanca crafts a far deeper and atmospheric look at a place where visitors and locals alike are driven by pleasure. Long-time resident Maria has little time left, so she takes in a seasonal lodger who listens to her relive her glory days. An enterprising real estate agent peddles an extravagant development, while a young gay man drifts without any plans beyond robbing a tourist for kicks. Part ghost story, part foreboding parable, this is a stylish and vivid impression of people and a place dreaming of escape. Myrocia Watamaniuk (Hot Docs)

Sito hates the countryside, the smell of slurry and his village life, but he has never left the rural area where he was born, nor does it seem that the possibility of doing so can end his discomfort. Attracted by a strong desire towards the male erotic, Sito lives immersed in a crusade to destroy the stimuli that connect him with those repressed feelings that he has latent inside him. From these circumstances, violence appears uncontrollably.

Aragon, Spain. After living through her parents' divorce, Mar arrives in the summer in a mysterious town where she is fascinated by the horrifying stories about the Civil War and its terrible consequences told by members of a group of teenagers who seem to live according to rules that are strange to her.

The gang advances through the darkness of an abandoned city. While the world asks for help, they only seem troubled by destroying the past and burning the roots. They dream of being the primal generation and not belonging to anything. They want to be the new art, to find eternity and finally to disappear. Teenagers, lo-fi science fiction, nihilism, and to cross to the other side.

Suso and Manuel, two-parent family and lifelong friends, met fifty years, they become unemployed. When the situation is no longer tenable, an unusual fact: one day, while fishing, find a package with ten kilos of cocaine.

Claudia, a ten-year-old girl, leaves with her family to spend the weekend out of town. During their car trip, they decide to take a short rest at an abandoned gas station. The appearance of a strange woman will reveal her true fate to Claudia.

In this short film, M.A. Blanca, together with the co-director Jordi Díaz Fernández, continues to explore the visual style of Quiero Lo Eterno, and also partially retakes the reflection on the impact of the human being in the environment through technology, solitude, death... and taxidermy.