The film records a day in a supermarket in the Brussels region. The story of this day's little events, both comic and touching, provides the general framework of the film. The situations which are conveyed through an accumulation of quick, light touches, highlight some of the ways we behave in connection with food, the repetitive element in our gestures and movements in this everyday, enclosed world which is so familiar. The film is based on the observation of a supermarket and the people who shop or work there. More and more of their various personalities emerge in the course of the day. They all have their importance: we get to know them from the outside, like people in a group photo where each has his own place. All these individuals cross each other's paths, meet each other, bump into each other again and fill in the framework of the film with a many-sided tableau.
Writer
After a computer operator has been through a painful relationship, he is determined to look the other way every time any interesting woman enters his life. He has his other loves - photography and model planes - to challenge him anyway. However, one day a car breaks down in front of his house, and a young mother with her 10-year-old daughter come in looking for assistance. The daughter is endearing and would make a terrific subject for a photo contest. As both the young mother and the computer operator studiously ignore the flicker of romantic sparks, it is only a matter of time before the flame either grows or is extinguished.
Director
After a computer operator has been through a painful relationship, he is determined to look the other way every time any interesting woman enters his life. He has his other loves - photography and model planes - to challenge him anyway. However, one day a car breaks down in front of his house, and a young mother with her 10-year-old daughter come in looking for assistance. The daughter is endearing and would make a terrific subject for a photo contest. As both the young mother and the computer operator studiously ignore the flicker of romantic sparks, it is only a matter of time before the flame either grows or is extinguished.
Writer
The love story between a withdrawn and taciturn teenager and a lonely woman of 20 years older. An endearing painting of an awakening to sensuality, against the backdrop of everyday life of the small provincials: Fernand, fifteen the age of stealthy glances, lies and infinite dreams is a solitary, observant, different boy from other teenagers of his age while being so close to them. Locked in his room, he collects pictures of beautiful naked actresses to drown his boredom. His desire will come true in the presence of Catherine, a rich and mysteriously lonely woman next door. As a worker's son, withdrawn and taciturn, will discover a world that is new to him. He watches, spies, observes the comings and goings of the body of hers who, in certain circumstances ignores him. Through their encounters and helping jealousy, this almost filial love will turn into an irresistible physical attraction.
Director
The love story between a withdrawn and taciturn teenager and a lonely woman of 20 years older. An endearing painting of an awakening to sensuality, against the backdrop of everyday life of the small provincials: Fernand, fifteen the age of stealthy glances, lies and infinite dreams is a solitary, observant, different boy from other teenagers of his age while being so close to them. Locked in his room, he collects pictures of beautiful naked actresses to drown his boredom. His desire will come true in the presence of Catherine, a rich and mysteriously lonely woman next door. As a worker's son, withdrawn and taciturn, will discover a world that is new to him. He watches, spies, observes the comings and goings of the body of hers who, in certain circumstances ignores him. Through their encounters and helping jealousy, this almost filial love will turn into an irresistible physical attraction.
"It's a very simple story, shot in a quiet street in Brussels. People waiting for the bus that is late, talking to each other, trusting each other, talking about the weather and giving each other practical tips. It is life as it is, in its troubling banality, that Van Antwerpen shows us. " (Luc Honorez, Le Soir, 1974).
