Cristiano Burlan

Мать-одиночка живет со своим единственным сыном. Она не может найти его, когда возвращается с работы. После неустанных поисков она узнает, что он был убит полицией, а его тело пропало. Она начинает путешествие за право похоронить его тело.

Мать-одиночка живет со своим единственным сыном. Она не может найти его, когда возвращается с работы. После неустанных поисков она узнает, что он был убит полицией, а его тело пропало. Она начинает путешествие за право похоронить его тело.

Мать-одиночка живет со своим единственным сыном. Она не может найти его, когда возвращается с работы. После неустанных поисков она узнает, что он был убит полицией, а его тело пропало. Она начинает путешествие за право похоронить его тело.

Мать-одиночка живет со своим единственным сыном. Она не может найти его, когда возвращается с работы. После неустанных поисков она узнает, что он был убит полицией, а его тело пропало. Она начинает путешествие за право похоронить его тело.

A projectionist at a porn cinema in downtown São Paulo, makes his first film in Super8, an essay about the failure of a lifetime. The scenes from the films you watched intersect with the new images they capture, fiction and reality blending together, weaving a bridge between the past and the present.

At the eastern side of the city of São Paulo, poetry is a reality.

At the eastern side of the city of São Paulo, poetry is a reality.

At the eastern side of the city of São Paulo, poetry is a reality.

A Political Movie

Uberlândia, Minas Gerais, Brazil, February 24th 2011. Isabel Burlan da Silva, the director’s mother, is brutally murdered by her partner. “Elegy of a Crime” is the final chapter of Cristiano Burlan’s “Mourning Trilogy, about the tragic family history. Faced with impunity, the film plunges into a dizzying journey to rebuild Isabel's image and life.

Uberlândia, Minas Gerais, Brazil, February 24th 2011. Isabel Burlan da Silva, the director’s mother, is brutally murdered by her partner. “Elegy of a Crime” is the final chapter of Cristiano Burlan’s “Mourning Trilogy, about the tragic family history. Faced with impunity, the film plunges into a dizzying journey to rebuild Isabel's image and life.

Uberlândia, Minas Gerais, Brazil, February 24th 2011. Isabel Burlan da Silva, the director’s mother, is brutally murdered by her partner. “Elegy of a Crime” is the final chapter of Cristiano Burlan’s “Mourning Trilogy, about the tragic family history. Faced with impunity, the film plunges into a dizzying journey to rebuild Isabel's image and life.

Uberlândia, Minas Gerais, Brazil, February 24th 2011. Isabel Burlan da Silva, the director’s mother, is brutally murdered by her partner. “Elegy of a Crime” is the final chapter of Cristiano Burlan’s “Mourning Trilogy, about the tragic family history. Faced with impunity, the film plunges into a dizzying journey to rebuild Isabel's image and life.

Jean feels trapped in the logic of longevity that the pharmaceutical industry imposes on him and decides to plan a conscious suicide. He invites Helena to commit suicide to two. She, on the other hand, hesitates, knows that she will live well even if she needs to live alone, but she helps him in his intentions. The silence between them does not reveal distance, but intimacy. These are years of shared affection. Together, they will prepare all the details for the funeral. He dances death while she continues rehearsing life. In the process, the two realize that before the end, there is still a lifetime.

Jean feels trapped in the logic of longevity that the pharmaceutical industry imposes on him and decides to plan a conscious suicide. He invites Helena to commit suicide to two. She, on the other hand, hesitates, knows that she will live well even if she needs to live alone, but she helps him in his intentions. The silence between them does not reveal distance, but intimacy. These are years of shared affection. Together, they will prepare all the details for the funeral. He dances death while she continues rehearsing life. In the process, the two realize that before the end, there is still a lifetime.

Jean feels trapped in the logic of longevity that the pharmaceutical industry imposes on him and decides to plan a conscious suicide. He invites Helena to commit suicide to two. She, on the other hand, hesitates, knows that she will live well even if she needs to live alone, but she helps him in his intentions. The silence between them does not reveal distance, but intimacy. These are years of shared affection. Together, they will prepare all the details for the funeral. He dances death while she continues rehearsing life. In the process, the two realize that before the end, there is still a lifetime.

Jean feels trapped in the logic of longevity that the pharmaceutical industry imposes on him and decides to plan a conscious suicide. He invites Helena to commit suicide to two. She, on the other hand, hesitates, knows that she will live well even if she needs to live alone, but she helps him in his intentions. The silence between them does not reveal distance, but intimacy. These are years of shared affection. Together, they will prepare all the details for the funeral. He dances death while she continues rehearsing life. In the process, the two realize that before the end, there is still a lifetime.

Plagued by the insomnia thoughts that leads one man to a dizzying journey into the night, he keeps wandering the paths of a metropolis on a path of no return. The man travels into a journey from the verb to the dust in the São Paulo night. The question is how to escape from this place that stroke and houses in the same time that dilacerate?

Jean-Claude Bernardet, Brazil’s most important living film critic, is old and sick, but tries to reinvent himself through his long disintegration. Shifting between fiction and documentary, A Destruição de Bernardet uses unusual tools to trigger his memory and to make him tell his story.

From the murder of his father by his uncle, Hamlet is forced to confront its own contradictions and the world around him. In a deconstruction of itself, Hamlet delves into the eternal question of the meaning of existence. Set in a large metropolis, Hamlet is a free adaptation of William Shakespeare's tragedy.

From the murder of his father by his uncle, Hamlet is forced to confront its own contradictions and the world around him. In a deconstruction of itself, Hamlet delves into the eternal question of the meaning of existence. Set in a large metropolis, Hamlet is a free adaptation of William Shakespeare's tragedy.

Henrique is a filmmaker who has made films that hardly anyone saw. A marginal for lack of choice.

Henrique is a filmmaker who has made films that hardly anyone saw. A marginal for lack of choice.

Reconstructing the details of the death of his brother, Rafael Burlan da Silva, twelve years ago, the filmmaker Cristiano Burlan launches a personal journey that leads to the heart of a cycle of violence in the outskirts of São Paulo — like the neighborhood Capão Redondo, where his family lived and where his 22 year-old brother was killed with 7 shots in 2001. Exploring his brother’s reasons for involvement with drugs and car theft, the director exposes parts of his own family history, listening to relatives and friends, whose testimonies bring to light the fates of several characters, mapping the history of painful emotional wounds.

Inspired by the masterpiece of concrete music "Symphony for one man" Pierre Henry (1950), the film tells the story of a common man leaving the interior of Brazil to try life in São Paulo. The city, in its perpetual process of construction and deconstruction view from the microcosm of a construction site, its workers and a profusion of machines in full swing. The metaphysical revolt of this character is the revolt against his condition and against everything that humiliates him.

In 1835, the revolt known as Cabanagem began in the province of Grão-Pará (Brazil), in which blacks, indigenous people, and mestizos rose up against the political elite and took power. The documentary Cuipiranga is a quest to record the testimonies of the descendants, in the lower Tapajós region, of this revolt that is considered the first popular insurrection that went from simple agitation to an effective seizure of power.

In 1835, the revolt known as Cabanagem began in the province of Grão-Pará (Brazil), in which blacks, indigenous people, and mestizos rose up against the political elite and took power. The documentary Cuipiranga is a quest to record the testimonies of the descendants, in the lower Tapajós region, of this revolt that is considered the first popular insurrection that went from simple agitation to an effective seizure of power.

In 1835, the revolt known as Cabanagem began in the province of Grão-Pará (Brazil), in which blacks, indigenous people, and mestizos rose up against the political elite and took power. The documentary Cuipiranga is a quest to record the testimonies of the descendants, in the lower Tapajós region, of this revolt that is considered the first popular insurrection that went from simple agitation to an effective seizure of power.

In 1835, the revolt known as Cabanagem began in the province of Grão-Pará (Brazil), in which blacks, indigenous people, and mestizos rose up against the political elite and took power. The documentary Cuipiranga is a quest to record the testimonies of the descendants, in the lower Tapajós region, of this revolt that is considered the first popular insurrection that went from simple agitation to an effective seizure of power.

Between the light and the dark of the projection rooms, there is a professional little known by the cinema audience: the projectionist. Based on the microcosm of a projection room, the documentary records the routine of these workers, who have a long and lonely workday.

Between the light and the dark of the projection rooms, there is a professional little known by the cinema audience: the projectionist. Based on the microcosm of a projection room, the documentary records the routine of these workers, who have a long and lonely workday.

The city of São Paulo in its continuous process of construction and deconstruction, seen from the microcosm of a construction site, its workers and as several machines in full activity.

The city of São Paulo in its continuous process of construction and deconstruction, seen from the microcosm of a construction site, its workers and as several machines in full activity.

The city of São Paulo in its continuous process of construction and deconstruction, seen from the microcosm of a construction site, its workers and as several machines in full activity.

A sensory journey that over the course of hours, passes through crises. The constant non-communicability, even so, conceals carnal desire by the two human beings.