The Mother
At 40 years old, Leila has spent her whole life taking care of her parents and her four brothers. The family argues constantly and is crushed by debts, in a country caught in the grip of international economic sanctions. As her brothers are trying to make ends meet, Leila formulates a plan: to start a family business that would save them for poverty. While they are in desperate need of financial support, Leila finds out that their father Esmail has secretly been hiding a family heirloom. He had been saving it as an offering to become the new Patriarch of the clan, the highest honor in the Persian tradition. This uncovering will bring chaos to the already fragile family dynamics. As the father's health deteriorates, the actions of each family member will gradually lead the family one step closer to implosion.
A man, who has some kind of a disease and eats a lot, enters a poor and large family to marry their mother.
Rahman (Parviz Parastuyi) falls in love with a Christan woman from Lebanon. She was a Christan but she becomes Muslim before her second meeting with Rahman. So he decides to marry her.
Niloofar is a twelve-year-old girl whose dream is to read and write, but she lives in a village where education is only for boys. Her mother, a well-known midwife, insists that Niloofar become her apprentice. While assisting her mother during a delivery, Niloofar meets a feminist woman who undertakes to teach her in secret. Unfortunately, in exchange of a palm tree field, Niloofar's father promises her in marriage to an older man once she becomes a woman. Horrified by this notion, Niloofar does everything in her power to postpone her first periods. Eventually, the inevitable occurs. HOwever, Niloofar, who is determined to keep her freedom as long as possible, arranges to conceal the fact from her family for another two years until the truth can no longer be hidden. Then, rather than live in a marriage without love, Niloofar runs away with her friend. Shocked, her family considers itself dishonored and sends her step-brother to track her down
A mother and wife is on the brink of an attack. Hengameh Tahareh Ghaziani lives with her husband, her son and daughter in a middle class neighborhood, and spends his days taking care of their needs.
As the days of several different people unfold, their separate lives are about to become linked by a tragic car crash which kills two women. Affected by their involvement in the accident in different ways, neither Amir or Mr Naseri will ever be the same again. How will the tragedy affect their relationships with those around them in this absorbing drama? Written by IMVBox.com
Ирано-иракская война. Тегеран в канун нового года подвергается ракетным ударам. Одинокая деревенская жительница Гиланех отправляет сына на войну. Ее дочь уходит на поиски мужа-дезертира. Пятнадцать лет спустя. Снова Тегеран и снова канун нового года. Гиланех ухаживает за сыном, пострадавшим на войне. У нее почти не осталось сил, она больше не в состоянии заботиться о нем, а ее дочь далеко. Гиланех ждет женщину с юга, обещавшую выйти замуж за ее сына.
Киофа - кинорежиссер, которая развелась со своим мужем много лет назад и сейчас живет со своим сыном Маани. Она решает снять документальный фильм о идеальных мамах. Для этого она встречает многих матерей, чтобы выбрать среди них идеальную маму. Наконец она решает прекратить снимать этот фильм из-за усталости, но доктор Рахбар хочет, чтобы она продолжила. Маани каждый день дразнит ее, не давая ей выйти замуж за доктора Рахбара, но она наконец решает, что хочет выйти за него замуж.
Пожилой владелец томатной фермы и фабрики соусов после смерти своей жены влюбляется в одного из работников фабрики, ставя под угрозу его отношения с дочерьми и родственниками. В то время как все в большой семье убеждают старика отказаться от отношений с бедной девочкой, старик делает свой последний выбор любви.
A sharp-edged look at people who live outside the constraints of Islamic law.
