Hugo Bidet
Рождение : 1934-04-05, Rio de Janeiro, Rio de Janeiro, Brazil
Смерть : 1977-04-20
Erotica/Wip/Brazil: Also known as "Le Porno Detenute" in Italy...Fans of the legendary Brazilian Women-in-Prison send-up will be instantly at home with this sexploitation masterpiece.Plot-Our heroine is wrongly set up for a heist by her boyfriend...she is found guilty sent to prison where living conditions are intolerable.Added to that all jail female staffs are lesbian by default trying to lay the poor inmates.The male staffs are also trying to sneak in their snake in some hole too...Hence the inmates rebel...enjoy!
Lucindo
When Daniela, a famous actress, decides to return to her hometown to reconnect with a simpler lifestyle, local politicians decide to exploit her influence in order to get ambiguous deeds done.
A band of criminals attempt to capture King Mong, a giant gorilla who lives in the jungle, where a tribe worships him as a god. The criminals offer Costinha, the king of the jungle, as a gift to please the god. A mess ensues and all of the inhabitants of the jungle end up in a Brazilian circus. A parody of the 1976 King Kong remake.
Michael Tracy
After producing a successful underground snuff movie, were the lead actress is raped and killed, the Brazilian Miguel returns to São Paulo pretending to be the American director Michael Tracey and convinces his partner Bob Channing to cast and hire a crew to produce another movie. With attractive salaries, they hire the broken cinema technician Edson Lima and his assistant Juarez. Together, they cast the stripper and hooker Lia de Souza; the decadent and former famous actress Taty Ibanez; the aspirant actress Glória Verdi; the candidate of Miss Contest, the Miss São Paulo Maria Rosa; and an actor interned in a mental institution, Sérgio Bandeira. The group believes that they are going to secretly shoot porn, and moves to the small town of Limeira. When Bob falls in love for Lia, he tries to convince Michael to forget the snuff and avoid her death. But Michael is reluctant and does not want to give up his project. Written by Claudio Carvalho, Rio de Janeiro, Brazil
Writer
A brazilian film about a doctor that finds the cure for madness.
Médico
A brazilian film about a doctor that finds the cure for madness.
Florindo Bocão
Dr. Brochard, the owner of the massage clinic "Academia Mãos de Ouro" in Rio de Janeiro, fires two employees for prostituting themselves on the side to the customers. In their place he hires two virgins, Virgem and Berta who are both immediately set upon by the womanizing driver Duda de Almeida.
In Petrópolis, sex maniac Severino Barba de Bode flees the forensic asylum, leaving the city in an uproar.
Louco
Reg owns the store "Tem Tudo... E Muito Mais" (Has Everything... And Much More). To satisfy his customers, he is forced to perform the most strange functions.
Dr.Sampaio
Mágico
Tatá is a typical Rio de Janeiro guy, easy living, hedonistic, living in an apartment in one of those buildings where everything goes, in Copacabana, near the beach. One day a beautiful new neighbor, Teresa, moves into the apartment in front of his, and he falls in love.
Rouboult
A tireless and incorrigible seducer looks for - and seems to find - the woman of his life.
Teleco
Pra Quem Fica, Tchau tells the story of a teenager from the interior who comes to Rio, financed by an uncle, and goes to live with a womanizer cousin.
Chronicles the life of a 17 year-old girl living in the upper-class Rio de Janeiro neighbourhood of Ipanema. Márcia lives a life of parties and spend her days among bohemians, musicians and intellectuals. While seeming happy in the outside, she's extremely anguished inside. Based on the famous song by Antonio Carlos Jobim and Vinicius de Moraes.
A shockingly irreverent follow-up to the rural austerity of Barren Lives, dos Santos’ Godardian social satire owes more than a nod to the self-conscious antics of the French New Wave. The pampered son of a general, El Justicero is a hipster playboy who fancies himself a James Bond/Jean Paul Sartre urban hero. “Archetypical” yet “full of contradictions,” he sees that justice is achieved for the disadvantaged while taking advantage of certain bourgeois perks. His exploits are closely followed and eventually directed by his biographer who decides a film is not only more lucrative than a book, but it gives him the luxury of reviewing previous scenes. Unlike Bond, El Jus eventually experiences an awakening which threatens to compromise the entertainment value and glamour of his life story. - Harvard Film Archive