Blanca Guillén

Tony is a young crook preparing for a bank robbery with her boyfriend Juanjo and their low-life partners Maxi and Moco. Right before they commit the crime, Juanjo informs Tony that his prostitute sister wants him to take her young daughter Laura to visit the girl's father, a flamenco singer in the Spanish southern coastal town of Tarifa. Juanjo persuades the initially reluctant Tony that Laura will provide the couple with a perfect cover after they relieve their partners of the robbery's earnings. Unfortunately, though the robbery comes off without a hitch, the duplicitous Juanjo absconds with the cash, making Tony and Laura fugitives both from the law and from the psychotically angry Maxi and Moco.

Miguel Hermoso's Like Lightning offers a fresh take on a familiar scenario, the teenaged boy searching for his unknown father. Pablo is a typical teen, with a fondness for football and sneaking beers with his buddies. He enjoys a comfortable upper-middle class life with his mother (Assumpta Serna), a successful lawyer and former feminist rabble-rouser, but has a gaping hole at the core of his identity: he has no idea who his father is. Preoccupied with the question to the point of obsession, he sets out in search of answers, and finds himself on a trail that leads to the Canary Islands.

Comedy thriller directed by Miguel Hermoso.

A man of a certain social position falls in jail and request protection to a pickpocket and con man during his stay. On his release he promises to help his friend what then creates many problems.

Medieval erotic comedy in which a young man, played by Manolo Otero, comes to a town where he pretends to be tooth-puller and physician. This man is able to invent any potion to quench the sexual thirst of locals.

Kingdom of Castile, 15th century. A group of nobles, who question the dynastic legitimacy of Princess Juana, daughter of King Enrique IV, conspire with the purpose of overthrowing him.

Молодая пара английских туристов нанимает лодку, чтобы отдохнуть на острове Альманзора, недалеко от южного побережья Испании. Когда они прибыли, то нашли остров пустынным, там не было ни одного взрослого, только дети. Дети ведут себя странно - они молчат и только хихикают. Вскоре англичане выясняют, что в местных ребятишках сидит злая сила, которая заставляет их убивать взрослых. Теперь приехавшей чете предстоит борьба за собственные жизни. Дело осложняется тем, что их противниками являются хоть и психованные, но всё же дети. А кто способен убить ребёнка?

The day of his wedding, Carlos recibes the most unexpected present he coud receive, a son. Carlitos, makes the weadding a complete disaster and fails to place. Carlos to solve the misunderstanding, decides to follow the boy home to meet his mother and to find out what is going on. This will bring him more than one surprise.

A Spanish insurance company is absorbed by a multinational, so that, in order to modernize, its employees are obliged to carry out some training courses to adapt to the new situation and the new objectives. Given the relevance of what is at stake, the wives of these men will also be involved at work.

Carlos, a widower in his forties, lives with his daughter Lolita and his sister Merche. He is a candidate to Spanish Court's Proctor, so frequently travels outside Madrid. During one of those trips, he is forced to return at home precipitously, because his sister informed him that Lolita has left the house to live with some friends.

Although the title (which translates as "Murders in Chicago") promises a gangster story, this is more of a murder mystery that kicks off with the seemingly accidental death of a construction worker, followed shortly after by that of a noted publisher (an uneasy-looking Eduardo Fajardo). What follows is a very confusing story in which the police, a police coroner (José Campos) and a vagrant (Fernando Sánchez Polack) who witnessed Fajardo's death embark on separate inquests on what actually happened. Meanwhile, June (María Luisa Rubio), who works as a secretary for the publishing company, is under pressure by a blackmailer (Antonio Jiménez Escribano) who has pictures of her in the sack with the deceased publisher.

An Español gets transported to King Arthur's court.