Marlene França

A short film made for City Life (1990)

Based on a book by Machado de Assis (1839-1908) and adapted to the present time. After the death of the philosopher Quincas Borba, his friend and disciple Rubiao inherits all he possessed: his fortune, his dog, his philosophy and the germ of his madness. Rubiao's passion for Sofia, a friend's wife, places him at the center of a game in which she is the main piece while he is the only one who ignores the rules. The story of a dreamer and delirious man facing a reality to which he is not prepared.

On Jo's birthday, her mother, and later, her father, discover that she is not a virgin anymore - she is taking pills. The birthday party turns into a complete mess, since Jo's mother can not hold herself and accuses her daughter in front of all guests of not being a child that everyone thought she still was. Jo rebels and leaves the house, and discovers that her boyfriend listened to everything and did not help her. She decides to leave him, and to start her life again. As a woman, now.

35mm, Color, 95min42seg, 2.624m, 24q, Eastmancolor

Первоначально Элисео Субиела хотел экранизировать роман кубинского писателя Алехо Карпентьера «Потерянные следы», но не смог купить права на текст. И только через два года режиссёр написал оригинальный сценарий, по которому в 1981 году был снят фильм «Завоевание рая», ставший первой полнометражной картиной Субиелы и заложивший основу его неповторимого стиля. С той поры в каждом своём фильме режиссёр говорит о любви и смерти, о невероятном переплетении прошлого и будущего. И непонятно, чего в этих фильмах больше: музыки, поэзии или космоса.

About English photographer Chick Fowle. Statements by Anselmo Duarte, Leonardo Vilar, Marlene França, Vanja Orico. A film about directors, actors and teams that Chick Fowle worked and works with, also showing the possibility of renewal that Brazilian cinema can and must have.

Tenement women from the Bexiga neighborhood become prostitutes, induced by a mulatto woman.

Shy countryboy from Itu (a town in Brazil where everything is unusually big) is invited to work in the house of a rich woman, who ends up discovering the boy's hidden (and big) qualities...

Saul and Mônica return to São Paulo after three years and find his family's colonial mansion abandoned, inhabited only by his old nanny, Bá, and his brother, Domício.

Man leaves his family behind and moves to Nova Iguaçu, a poor and violent city in the outskirts of Rio de Janeiro. He tries to rebuild his life, but falls in love with a woman who despises him, which drives him mad.

During the rehearsals of a play four actresses are poisoned.

"Jaws" spoof. The title means "Cod". A terrible monster threatens the beach season: the cod from Guinea. To catch the fish, local authorities count on the expertise of a Portuguese oceanographer, a fearless fisherman and baits made with Amália Rodrigues's records.

A sculptor, protected by a millionaire woman, becomes suspect of her murder. He flees to the country, where a violent pursuit takes place.

Two factory workers decide to spend all of their pay on a Saturday night with two prostitutes, but things don't go as planned.

Erotic comedy in two segments: in the first, a candidate running for mayor of a small town pays a visit to the most coveted woman in town, just to show off his manhood. In the other, three couples have fun in a different sort of New Year's eve party, but not according to their plans.

Paulo, an engineer, adopts shoe-shining teenage boy Darci, and slowly realizes he has more than just paternal feelings for him. Many twists follow, regarding Darci's true identity.

Bums find $15,000 in trash, but the money belonged to criminals.

Western spoof. Depicts the conflict between the leader of a gang of country bandits and his former protégé, now a police officer.

Based on the novel by Franklin Távora, the film follows the adventures of a father and a son in 18th century Brazil.

Three men who never met each other are hired by a mysterious client to carry out a daring bank robbery.

A man's farm is attacked and his mother gets killed. Looking for revenge, he goes about chasing the men who killed her.

Jeca Tatu is a lazy, simple-minded guy who has his property threatened by the greed of a landowner.

В 1954-1956 гг. по просьбе Всемирной демократической федерации женщин было снято пять короткометражек для художественно-документального фильма «Роза ветров», в которых были показаны истории из жизни женщин в Бразилии, Китае, Франции, Италии и Советском Союзе. В сборник вошли новеллы: «УТРО КАК ДРУГИЕ» (Um matin comme les autres, Франция, 1956, реж. Янник Беллон); «ДЖОВАННА» (Giovanna, Италия, 1956, реж. Джилло Понтекорво); «АНА» (Ana, Бразилия, 1955, реж. Алекс Виани); «ЧЭНЬ ЛИН» (Chen Ling / 陳玲, Китай, 1956, реж. У Ю-ин); «НАДЕЖДА» (СССР, 1954, реж. Сергей Герасимов и Альберто Кавальканти). Художественным руководителем проекта выступил известный голландский режиссёр-документалист Йорис Ивенс.

A group of migrants from the drought areas of Northeastern of Brazil gets a truck "pau-de-arara" trying to move to São Paulo and have a better life. Along their travel, one of the women delivers a baby on the road. The driver, indeed, intends to carry them to the slave-work in the fields of a powerful "colonel", but the brave Ana faces the foreman of the farm and the driver, and the truck follows to the hired final destination.