The Ysbreeker family: mother Jolien, father Frank, daughter Roos, and son Teun enjoy their annual holiday on a campsite in France. Teun is at the beginning of his puberty and notices that his mind thinks his own way, he can't control his hormones. The camping is the perfect place for this. Roos, a young woman in the middle of her puberty, is more interested in her first camping love, than in her family. Teun notices that his sister is becoming a woman, in all different ways. How does he react? What does he do with his feelings? Does it have any influence on the brother-sister relationship?
Дебютная университетская режиссерская работа 17-летнего голландского актера Хэйса Блёма рассказывает о двух подростках, решивших сбежать из дома в поисках свободы...
Дебютная университетская режиссерская работа 17-летнего голландского актера Хэйса Блёма рассказывает о двух подростках, решивших сбежать из дома в поисках свободы...
Йохем — главный герой фильма, учится во втором классе, и этот мальчик может смело сказать, что он не счастлив, потому что в школе ему постоянно приходится терпеть издевательства. Его лучший друг Дэвид, хоть и видит все это, но ничего не может изменить, а классный руководитель и вовсе не лезет в отношения, которые складываются внутри класса. Ситуация накаляется с каждым днем, пока однажды вечером Йохем не возвращается домой после школы…
Preston is an indecisive film school lecturer who dreams of being a great film director like the European directors whose work he teaches - Bergman, Fellini, Truffaut, Antonioni, Godard and Buñuel. One day his wife leaves him, telling him that she believes he will never be anything more than a teacher. Depressed, Preston is visited by the ghost of Ingmar Bergman who tells him to use his misery as the material for a great film just as he did in his 'Scenes from a Marriage'. Taking Bergman's advice, Preston decides to make a film, in an attempt to prove his wife wrong and in the hope of winning her back. Using the facilities of the school and the students as his crew, Preston shoots his film but soon finds that he is visited by the ghosts of series of famous, dead European directors who offer him advice on how to improve his film. Following their wise but disparate counsel his film goes wildly out of control and becomes a huge, sprawling, incoherent mess.
