Lola Lemos

A gypsy girl, when her grandmother dies, goes in search of his mother who abandoned her as a baby

Sister Angela and Sister Mary park his van in front of a bank branch. They enter the bank and with the weapons hidden under their habits, commit the robbery of the century, to the astonishment of all employees and customers. After thorough police investigation the two nuns are arrested, but then appears Trini, twin sister of one of them and now all is not so clear. Were the nuns who committed the robbery?

This 1985 Spanish film reveals one of the many terrible aspects of 16th century Spain, still plagued by the radical Christian Inquisition, one of a plethora of difficulties Spaniards faced at the time. Spanish super star Carmen Maura plays a nun who agrees to a selfless scam, a fake stigmata, only to avoid separation from her lover, another nun. It's a serious and passionate work, highlighting the theme of outspoken women-against-repression, seen in other good gay and lesbian films. This is not a lesbian "Nun sense" or another "Dark Habits" (by Almodovar, which also starred Carmen Maura, and also set in a Spanish convent, with some lesbian nuns). Perhaps, best of all, 'Extramuros' is realistic and frank. It isn't shy about its characters' sexuality. Their sexuality, and the film as a whole are genuine.

A spaceship connects with a singer's son and makes his dreams and those of two of his friends come true.

A small village in Navarre, Spain, XVII century. Garazi's grandmother is burned at the stake when accussed of being a witch and convicted by an inquisitor, something that brings Garazi under suspicion and eventually into prison, where she is atrociously tortured and humiliated.

The Eternal Spain, birthplace of the Cid, Hammer of Heretics... and other deserved historical appellations, is suddenly transformed, through democratic elections, in a chaotic Tower of Babel where every province, every town, each village wants to have its own opinion. Comedy about the rise of nacionalism in the different Spanish regions with the arrival of democracy.

This satirical comedy follows the strict older generation pitting themselves against the pleasure-seeking youths, both in 1947 and in 1978.

Sebastian (Alfredo Landa), dressmaker of great prestige, is aware of the boredom that produces sexual routine with his wife. Is then made with a good amount of erotic material, including books and magazines and catching up on what is current in the sexual aspects. His wife, alarmed at the new attitude of Sebastian, there is even the possibility to enter. Sebastian, determined to modernize the extreme, organize a parade with new models essentially erotic.

Adaptation of the comics by Alfonso Iglesias

Javier lives with his mother in a modest apartment. He conducts surveys on the effectiveness of ads. This work provides a humble earning for the two of them. One day he meets Juna at a bus stop. He tries to ask her out, but she refuses. A few days later, they meet again. Slowly a relationship develops, but her plan is to marry someone rich. Javier's wealthy uncle included him in his testament, so Juna talks Javier into killing the uncle.

The brain of a male engineer is transplanted into a female’s body. He soon finds it very frustrating to cope with the daily sexist discrimination most women deal with. For example, he is surprised when no one will hire a female engineer. When he is faced with dealing with female sexuality, he quickly begins exhibiting lesbian tendencies.

Peter is a widower who writes crime novels, signing as Peter P. Peter, and is about to marry Beatriz (Analia Gade), a widow who proves to be a ruthless woman who makes his life miserable. As an expert in inventing crimes committed by his characters, he imagines a plan to get rid of his new wife. The trouble is that she also plans to kill him.

Lorenzo is a handsome, intelligent, charming, elegant and liberal man. All he asks for is total devotion. And Margarita, foolishly, falls in love with him…

Several stories about marriages that receive the news that they will be parents. Alejandro and Mercedes are newly married and receive the news with enthusiasm; Margarita and Enrique have been married for a while, but it will also be their first offspring; Ines and Luis have been in this situation several times, but this is the first time that the pregnancy is real. The reaction of the parents, the cravings of the pregnant women, the name search for the child, everything is always the same and always different. None of the couples resembles the others, but when the moment of delivery arrives, the nerves will be the same.

Isabel returns to Spain, after several years of absence, to be cured of a neurosis. His daughter Ana, whom he has not seen in all this time, decides to spend the holidays with her, taking advantage of the fact that her boyfriend has gone to study in Germany. During her stay in the sanatorium, Ana meets Mario, an attractive young man somewhat unbalanced, who tries to seduce her. Although at first she does not show any interest, little by little she becomes attracted to him.

The driver Antonio, boasts of his sons: John, who shares his work as a taxi driver, Luisa, ladies hairdresser, Antonito, studying to be a lawyer, and Paloma, to be a housewife. But Antonio does not know that their children are not exactly as he thinks. The day Antonio finds out, confronts his wife and children and suffers a big disappointment. Since then no one in the family speaks to Antonio, and he believes that it is best to let them see for themselves that they made a mistake, but this does not result, since each will see their problems increased.

Guadalupe is an orphan as a child by Eulalio host and Euphrasia, who incite to steal and commit crimes. She opposes and decides to leave the house to avoid it in the company of a goldfinch and his trusty cat. The girl comes to live independently but failures will accumulate, until he accidentally meets Baby, a lady of good family, and among them emerges a sincere friendship.