Miguel Torres

Рождение : 1926-11-12, Curaçá, Bahia, Brazil

Смерть : 1962-12-31

Фильмы

Ружья
Screenplay
В крайне бедном районе на северо-востоке Бразилии группа солдат пытается удержать местное население от разворовывания запасов пищи
Os Vencidos
Story
Sol Sobre a Lama
Screenplay
Três Cabras de Lampião
Screenplay
Três Cabras de Lampião
The Unscrupulous Ones
Writer
Upon learning that his rich dad is on the brink of bankruptcy, spoiled Vavá summons his friend Jandir with a plan to get some quick cash: they will blackmail an uncle of Vavá by taking compromising photos of his lover, Leda.
Mandacaru Vermelho
Pedro
Despite being promised to another man, a young orphaned woman falls in love with man working at the farm she lives in , and together they escape. According tradition in Northeast Brazil, her aunt goes after them, in order to kill them for revenge.
As Pupilas do Senhor Reitor
Screenplay
The characteristic loves of Margarida and Clara, the distinct moral of Pedro and Daniel, the goodness of João Semana, and the dissidents, sensibility, tenderness, rituals and landscape involvement of the Minho.
Death Commands Brigandage
A man's farm is attacked and his mother gets killed. Looking for revenge, he goes about chasing the men who killed her.
Mulheres, Música e Carnaval
Роза ветров
Operário (Brazilian Segment)
В 1954-1956 гг. по просьбе Всемирной демократической федерации женщин было снято пять короткометражек для художественно-документального фильма «Роза ветров», в которых были показаны истории из жизни женщин в Бразилии, Китае, Франции, Италии и Советском Союзе. В сборник вошли новеллы: «УТРО КАК ДРУГИЕ» (Um matin comme les autres, Франция, 1956, реж. Янник Беллон); «ДЖОВАННА» (Giovanna, Италия, 1956, реж. Джилло Понтекорво); «АНА» (Ana, Бразилия, 1955, реж. Алекс Виани); «ЧЭНЬ ЛИН» (Chen Ling / 陳玲, Китай, 1956, реж. У Ю-ин); «НАДЕЖДА» (СССР, 1954, реж. Сергей Герасимов и Альберто Кавальканти). Художественным руководителем проекта выступил известный голландский режиссёр-документалист Йорис Ивенс.
Ana
A group of migrants from the drought areas of Northeastern of Brazil gets a truck "pau-de-arara" trying to move to São Paulo and have a better life. Along their travel, one of the women delivers a baby on the road. The driver, indeed, intends to carry them to the slave-work in the fields of a powerful "colonel", but the brave Ana faces the foreman of the farm and the driver, and the truck follows to the hired final destination.
O Primo do Cangaceiro
Rua Sem Sol
A poor girl must find the money to pay for her blind sister's eyesight operation.
Needle in a Haystack