Vladimír Holomek

Рождение : 1956-06-07,

Фильмы

Sama v čase normálnosti
Director of Photography
Kostýmy: Irena Greifová
Camera Operator
Ach, ta láska nebeská…
Director of Photography
Теория тигра
Director of Photography
В этой семье три поколения женщин делают всё, буквально всё, чтобы мужья их были счастливы. В том смысле счастливы, в каком это понимают они: здоровый образ жизни, семейный круг и строгое подчинение законам «идеального брака». Женщина, хранительница очага, все знает лучше, когда дело доходит до бытовых проблем. Вообще-то она знает лучше абсолютно всё. Яну Бергеру в голову не приходит подвергать это сомнению. Живет, как у Христа за пазухой, но почему-то несчастлив. Возможно потому, что живет не своей жизнью. Смерть тестя, погубленного неумолимой заботой тёщи, заставляет его понять это – и начать действовать. Он готовит побег, вот только довольно странным и диким образом. Симулируя болезнь Алцгеймера. И хотя все быстро выходит из-под контроля, его бунт подхватывает и молодое поколение.
Piknik
Camera Operator
Vůně kávy
Director of Photography
Princezna Ano
Director of Photography
Láska rohatá
Director of Photography
Láska In Memoriam
Camera Operator
Opravdová láska
Director of Photography
Kolotoč
Director of Photography
Krásný čas
Director of Photography
Smrt pedofila
Cinematography
In a Czech school friendship grows between a teacher and a student. The friendship turns into an intimate relationship. Till the student begin to blackmail the teacher.
Smrt pedofila
Camera Operator
In a Czech school friendship grows between a teacher and a student. The friendship turns into an intimate relationship. Till the student begin to blackmail the teacher.
Bankrot (2003)
Director of Photography
Můj otec a ostatní muži
Director of Photography
Убийство семьи Грин
Camera Operator
Únos domů
Director of Photography
Jak ukrást Dagmaru
Director of Photography
A crazy comedy about a czech version of the 007.
Otec neznámý aneb cesta do hlubin duše výstrojního náčelníka
Director of Photography
Comedy about soldiers.
Znásilnění
Director of Photography
A career woman's struggle and fight against a male dominated society.
The Story of the Shipwrecked from the Patria
Additional Camera
On November 25, 1940, the SS Patria sank in the port of Haifa killing 267 people. The ship was carrying almost 1,800 Jewish refugees from Nazi-occupied Europe whom the British authorities were deporting from Mandatory Palestine to Mauritius because they lacked entry permits. Opposed to the deportation, the Haganah planted a bomb intended to disable the ship to prevent it from leaving Haifa. However, they miscalculated the effects of the explosion and the bomb sank the ship in less than 16 minutes (Dir. Pavel Štingl, 2006, 45 min.). Pavel Stingl an award winning documentary filmmaker studied at the Film and Television Academy of the Performing Arts in Prague (FAMU). The screening is part of the ongoing “Docs in Salute” film series presented by the Library of Congress in collaboration with the Embassy of the Czech Republic.
Body Without Soul
Cinematography
Documentary look at doomed male prostitutes in Prague, ages 15 to 18, who troll at the public swimming pool, the train station, a video arcade, and a disco. After the boys talk about how they got in the game, the camera follows them to the home of Pavel Rousek. Under the name Hans Miller, he makes gay porno videos, primarily for German distribution. Intercut with a movie shoot chez Rousek is an interview that follows him to his day job at a morgue, where he performs an autopsy as he talks about his work. The sex is without protection; the boys are without family. They talk about their bodies and souls, money, their sexual orientation, AIDS, their dreams, and death.
Eine kleine Jazzmusik
Director of Photography
Byl jednou jeden polda
Camera Operator
Not Angels But Angels
Cinematography
Interviews with a procurer and with nineteen boys and young men who are prostitutes in Prague. The youths range in age from 14 to 19. They hustle at the central train station and at clubs. Most of their clients are foreign tourists, many are German. The youths talk about why they hustle, their first trick, prices, dangers, what they know about AIDS, their fears (disease and loneliness), and how they imagine their futures. The film's title, its liturgical score, much of it elegiac, and shots of the city's statues of angels underline the vulnerability and callow lack of sophistication of the young men.
Bludiště
Director of Photography
Ohnivé ženy mezi námi
Director of Photography
V novinách psali
Director of Photography
Svědek
Director of Photography
Ohnivé ženy se vracejí
Camera Operator
Už od ráje
Director of Photography
Střepy pro Evu
Assistant Camera