Stoyan Aleksiev

Молодой медицинский работник Эдвард устраивается работать в психиатрическую лечебницу. Вскоре становится известно об исчезновении одного из лечащих врачей психушки. Эдвард обнаруживает, что его похитили пациенты больницы, а вскоре и вся психушка оказывается захвачена ими...

Природа наделила его силой. Гибель отца сделала его свирепым. Великий киммерийский воин Конан отправляется в дальнее странствие, чтобы совершить отмщение за кровь своего рода. Но поиски, которые начинаются как личная вендетта, вскоре оборачиваются эпической схваткой со сверхъестественными силами, поработившими народы великой Хайбории. Киммерийский воин — последняя надежда на спасение…

The film is a romantic comedy, inspired by the fairy-tale atmosphere of the Hofmann fantasies.

Рассказ о фотографе, который в современном мире, как человек, исчерпал ресурсы своего мастерства, разочаровался и пострадал от жизни, окружающей его. Случайно он оказывается в машине, которая по пути через лес сбивает зайца. Встреча с зайцем явилась для Тома Ватанена знаком с неба. Заяц стал для него проводником в новую жизнь. И в этой жизни, в лесу, он обретает то, чего ему не хватает в мире современных людей, — свободу. Среди природы, вбирая в себя её красоту, он учится чувствовать, любить. И, в конце концов, обретает сам себя...

This is a story of strange, impossible, inexplicable love between a Muslim Turk woman and a non-Muslim Bulgarian man. Ivan (the Bulgarian) is a pure and romantic young fellow, who gets caught up in the so-called "regeneration process" (when ethnic Turks' names were forcibly changed to Bulgarian ones). He is responsible for the official seals, which is required to issue the new identity documents after the forced name changes. The schoolteacher Ayten tries to steal the seals, thinking that this way she can slow down the ethnic genocide. Their unexpected and unusual meeting brings these two characters together and makes them fell close, forcing Ivan to take a fateful decision -he must either "rename" Ayten, or face the consequences if he does not.

Этот фильм основан на реальной истории Сорайи Исфандияри-Бахтиари - второй жены Мохаммеда Реза Пехлеви, последнего шаха Ирана, королевы Ирана. Шикарные персидские красавицы, великолепные наряды, дворцовый блеск и интриги завораживают. Потрясающий актерский состав, их чарующая игра и великолепные костюмы переносят нас в 1950 года, когда решалась судьба всего Востока. Тяжелые времена в стране, интриги близких, все это ложится на хрупкие плечи молодой жены. Сможет ли она выстоять, дать отпор судьбе?

Испания, XVII век. Пожилой чудак Дон Кихано грезит романами о рыцарях и подвигах. Все окружающие считают старика сумасшедшим, только пастух Санчо Пансе искренне верит в благородные порывы Дона Кихано. Однажды ночью Дон Кихано решает воплотить свою мечту и сбегает из города, прихватив с собой коня и Санчо Пансе верхом на осле. «Дон Кихот возвращается» — приключенческая комедия по мотивам романа «Хитроумный идальго Дон Кихот Ламанчский» Мигеля Сервантеса.

Edgar M. and his mother come abroad a small ship to Eden Sanatorium spa. It is here that the wife, wronged by her husband, will seek a cure for her bad headache, while the 13-year-old Edgar M. is fighting his first male impulses as well as 'enoresis nocturna', the prettier word for wetting one's bed. The boy's amazed gaze hungrily devours the diverse hotel guests, their love joys and sorrows, while passion lustfully penetrates the walls, carried by the voice of the enchanting opera singer.

A story about the Macedonian rebellion of 1901.

In the 17th century, a Bulgarian Christian region is selected by the Ottoman rulers to serve as an example of conversion to Islam. A Janissary who was kidnapped from the village as a boy is sent to force the reluctant inhabitants to convert. The Turkish governor seeks a peaceful solution, but ultimately torture, violence, and rebellion break out.

The 1960s was the time of Beatles and Rolling Stones, the time of sexual revolution. These events have their echo in Bulgarian English-learning school. The school order provokes a protest of the students due to the narrow-minded teachers.

In this comedy, a mathematician is so bored and burnt-out with his career that he rebels, first by crawling under a table during an interminable faculty meeting and then by throwing his telephone away, locking his wife out of their apartment, and running off on his own. At this point, the comedy takes a turn when the rebellious mathematician follows a strange wheel and meets a goatherd who shelters him in his humble abode. Events change from a bit odd to totally bizarre as the mathematician continues on his journey of escape.

Gallows is being raised in a prison yard. A moment before the execution the Girl brings a document of the young communist's temporary pardon. The chief of the prison, the Major, has a mandolin collection. He offers a fistfight to the young communist. The young man hits him. The Major and the young communist start playing the mandolins together. Girl is allowed to meet the young communist. The boy begins to play. The melody brings to the Major pleasant memories. He fought in the Spanish civil war, but after the defeat, he turned back on his beliefs. The Major receives a telegram that he needs to send the young communist to another prison. Death awaits him there. In is rage the Major breaks the mandolins. He orders the young communist to be taken out to work. The young man runs off. The Major shoots him himself.

Bay Ganyo is the national anti-hero. He personifies arrogance, insolence, greediness, and the absolute incapability to adopt any civilization principles of relationships. This protagonist was featured by great Bulgarian writer Aleko Konstantinov in the end of 19 c., both with an incredible sense of humor and anguish. Whether being in the Wiener Opera, or visiting a famous scientist at his home, or shopping, or just walking down the streets, this Bulgarian character, Bay Ganyo, is no more than a hopeless barbarian. The film makes new interpretation of this classical literature work. The comic adventures of Baj Ganjo are reconstructed in retro-nostalgic tonality. The final episode when the protagonist appears on the stage of the Wiener Opera among the singers participating in a Mozart's opera is the culmination of the transition of the farce into a tragic comedy.