Mansur Madavi

Cinema essayist Mansur Madavi returned to the director's chair for the first time in nine years with this meditation on growing up in a small village in Chile. An elderly man (Lorenzo Montalban) looks back on the town where he grew up and recalls the mysteries of his youth, as well as the disappointments that led him to seek his fortune elsewhere. As the past travels by him, he recalls buildings that fell to dust, the arrest of his teachers, adventures with his schoolmates, watching a close friend catch pigeons, and discovering a boy who lived in tunnels he dug under the earth.

Cinema essayist Mansur Madavi returned to the director's chair for the first time in nine years with this meditation on growing up in a small village in Chile. An elderly man (Lorenzo Montalban) looks back on the town where he grew up and recalls the mysteries of his youth, as well as the disappointments that led him to seek his fortune elsewhere. As the past travels by him, he recalls buildings that fell to dust, the arrest of his teachers, adventures with his schoolmates, watching a close friend catch pigeons, and discovering a boy who lived in tunnels he dug under the earth.

Cinema essayist Mansur Madavi returned to the director's chair for the first time in nine years with this meditation on growing up in a small village in Chile. An elderly man (Lorenzo Montalban) looks back on the town where he grew up and recalls the mysteries of his youth, as well as the disappointments that led him to seek his fortune elsewhere. As the past travels by him, he recalls buildings that fell to dust, the arrest of his teachers, adventures with his schoolmates, watching a close friend catch pigeons, and discovering a boy who lived in tunnels he dug under the earth.

Cinema essayist Mansur Madavi returned to the director's chair for the first time in nine years with this meditation on growing up in a small village in Chile. An elderly man (Lorenzo Montalban) looks back on the town where he grew up and recalls the mysteries of his youth, as well as the disappointments that led him to seek his fortune elsewhere. As the past travels by him, he recalls buildings that fell to dust, the arrest of his teachers, adventures with his schoolmates, watching a close friend catch pigeons, and discovering a boy who lived in tunnels he dug under the earth.

Cinema essayist Mansur Madavi returned to the director's chair for the first time in nine years with this meditation on growing up in a small village in Chile. An elderly man (Lorenzo Montalban) looks back on the town where he grew up and recalls the mysteries of his youth, as well as the disappointments that led him to seek his fortune elsewhere. As the past travels by him, he recalls buildings that fell to dust, the arrest of his teachers, adventures with his schoolmates, watching a close friend catch pigeons, and discovering a boy who lived in tunnels he dug under the earth.

Cinema essayist Mansur Madavi returned to the director's chair for the first time in nine years with this meditation on growing up in a small village in Chile. An elderly man (Lorenzo Montalban) looks back on the town where he grew up and recalls the mysteries of his youth, as well as the disappointments that led him to seek his fortune elsewhere. As the past travels by him, he recalls buildings that fell to dust, the arrest of his teachers, adventures with his schoolmates, watching a close friend catch pigeons, and discovering a boy who lived in tunnels he dug under the earth.

Amir and his friends have a righteous anger against the Ayatollah state, and a rather eccentric plan for how they can give it shape: They cobble together a really trashy, scruffy anti-Khomeini video, which should then be secretly distributed around Iran and carry out its subsersive effects. When the Iranian secret service gets wind of this tape, the hunt begins, blood will flow. Battle zone cinema.

Amir and his friends have a righteous anger against the Ayatollah state, and a rather eccentric plan for how they can give it shape: They cobble together a really trashy, scruffy anti-Khomeini video, which should then be secretly distributed around Iran and carry out its subsersive effects. When the Iranian secret service gets wind of this tape, the hunt begins, blood will flow. Battle zone cinema.

Amir and his friends have a righteous anger against the Ayatollah state, and a rather eccentric plan for how they can give it shape: They cobble together a really trashy, scruffy anti-Khomeini video, which should then be secretly distributed around Iran and carry out its subsersive effects. When the Iranian secret service gets wind of this tape, the hunt begins, blood will flow. Battle zone cinema.

Amir and his friends have a righteous anger against the Ayatollah state, and a rather eccentric plan for how they can give it shape: They cobble together a really trashy, scruffy anti-Khomeini video, which should then be secretly distributed around Iran and carry out its subsersive effects. When the Iranian secret service gets wind of this tape, the hunt begins, blood will flow. Battle zone cinema.

Molly wants to hear a story so Leo tells her about how he lost his reflection that morning while shaving. Austria's submission to the Academy Award foreign film competition in 1984.

Molly wants to hear a story so Leo tells her about how he lost his reflection that morning while shaving. Austria's submission to the Academy Award foreign film competition in 1984.

Molly wants to hear a story so Leo tells her about how he lost his reflection that morning while shaving. Austria's submission to the Academy Award foreign film competition in 1984.

Molly wants to hear a story so Leo tells her about how he lost his reflection that morning while shaving. Austria's submission to the Academy Award foreign film competition in 1984.

An old man is to be evicted from his home. He is the last tenant in an old house. He refuses to leave the flat in which he has passed his whole life. All appeals asking him to be 'reasonable' are of no use. And when he finally gets out his shotgun, the cops appear and use tear gas to drive him out of his flat. He is put into a straitjacket and carried out of the house as someone who's 'aggressive and always grousing'. 'The film is a bitter elegy for the unknown Vienna, seen with the eyes of an old man. A remarkable Austrian film.'

An old man is to be evicted from his home. He is the last tenant in an old house. He refuses to leave the flat in which he has passed his whole life. All appeals asking him to be 'reasonable' are of no use. And when he finally gets out his shotgun, the cops appear and use tear gas to drive him out of his flat. He is put into a straitjacket and carried out of the house as someone who's 'aggressive and always grousing'. 'The film is a bitter elegy for the unknown Vienna, seen with the eyes of an old man. A remarkable Austrian film.'

An old man is to be evicted from his home. He is the last tenant in an old house. He refuses to leave the flat in which he has passed his whole life. All appeals asking him to be 'reasonable' are of no use. And when he finally gets out his shotgun, the cops appear and use tear gas to drive him out of his flat. He is put into a straitjacket and carried out of the house as someone who's 'aggressive and always grousing'. 'The film is a bitter elegy for the unknown Vienna, seen with the eyes of an old man. A remarkable Austrian film.'

An old man is to be evicted from his home. He is the last tenant in an old house. He refuses to leave the flat in which he has passed his whole life. All appeals asking him to be 'reasonable' are of no use. And when he finally gets out his shotgun, the cops appear and use tear gas to drive him out of his flat. He is put into a straitjacket and carried out of the house as someone who's 'aggressive and always grousing'. 'The film is a bitter elegy for the unknown Vienna, seen with the eyes of an old man. A remarkable Austrian film.'

An author searches for cues about the life of a girl confined in a community home before her suicide. While trying to put together a literary piece he increasingly becomes aware of the insignificance of his own creative work. He has no insight in any world but his own.

An author searches for cues about the life of a girl confined in a community home before her suicide. While trying to put together a literary piece he increasingly becomes aware of the insignificance of his own creative work. He has no insight in any world but his own.

An author searches for cues about the life of a girl confined in a community home before her suicide. While trying to put together a literary piece he increasingly becomes aware of the insignificance of his own creative work. He has no insight in any world but his own.

An author searches for cues about the life of a girl confined in a community home before her suicide. While trying to put together a literary piece he increasingly becomes aware of the insignificance of his own creative work. He has no insight in any world but his own.

In beautiful pictures and few words, the longing of two outsiders for a different, better life is told.

In beautiful pictures and few words, the longing of two outsiders for a different, better life is told.

In beautiful pictures and few words, the longing of two outsiders for a different, better life is told.

Documentation on the life and work of Johann Nestroy from 1801 to 1862.

A man sentenced to death escapes from a military prison and finds shelter with a resistance group that is set to liberate the country. The repressive enemy never sleeps. The escaping condemned man is also no longer the old warrior he once was: he is broken - wonders whether the resistance can put him back together.

After a series of events, Georg Hauser, an established middle-class man, is at odds with the world, in which he himself used to work so well. He wants out. He wants to live. In a moment of his very own clarity, he destroys his car, but whoever destroys his property is an enemy of the state.

After a series of events, Georg Hauser, an established middle-class man, is at odds with the world, in which he himself used to work so well. He wants out. He wants to live. In a moment of his very own clarity, he destroys his car, but whoever destroys his property is an enemy of the state.

After a series of events, Georg Hauser, an established middle-class man, is at odds with the world, in which he himself used to work so well. He wants out. He wants to live. In a moment of his very own clarity, he destroys his car, but whoever destroys his property is an enemy of the state.

A man sentenced to death reflects on his arrest, interrogations, torture.. and a bit on the time before, long gone, swallowed up by pain and numbness.

A man sentenced to death reflects on his arrest, interrogations, torture.. and a bit on the time before, long gone, swallowed up by pain and numbness.

A man sentenced to death reflects on his arrest, interrogations, torture.. and a bit on the time before, long gone, swallowed up by pain and numbness.

A film about floating and stored time, about the shades of white and the scream of birds.

A film about floating and stored time, about the shades of white and the scream of birds.

A film about floating and stored time, about the shades of white and the scream of birds.