Dagmar Koller

В недалеком будущем крупная страховая компания содержит своих клиентов, находящихся при смерти, в бессознательном состоянии в специальных камерах, поддерживая их жизненно важные функции с помощью скрытых резервов организма. Это даёт компании возможность обогащаться за счёт страховок. Находятся и те, кто хочет покончить жизнь самоубийством - им помогают избавиться от мучений сострадательные родственники. Но компания всегда находится начеку и прибывает на место вовремя, не давая телу остыть, и подключает его к приборам жизнеобеспечения. Циничный и жёсткий Винсент Бауман работает страховым агентом, и он готов на многое ради повышения. Лиза же входит в число подпольщиков, которые мечтают сломать систему.

The show legend Dagmar Koller, the disco queen of the seventies and author Penny McLean as well as the Carinthian ice hockey family Kalt lead through the Klagenfurt of their childhood and youth.

The mayor would like to snatch the Moosburg Castle under the nail so that he can move his club "Paradies" and the "Damen" there. But the Reverend has other plans: he wants to build a children's home in the castle. Only the rightful heir, the young pediatrician Dr. Seefellner can help him.

A village pastor and a tourism entrepreneur come into conflict over building land on which the pastor wants to build a youth center and the entrepreneur wants to build a luxury hotel. When a parishioner bequeathed "paradise" to the pastor, which is a well-known brothel, the entrepreneur plans to put the press on him. However, the entrepreneur's daughter and her lover take the pastor's side.

A comedy directed by Frank Strecker.

A biopic about Austrian composer Johann Strauß.

Luc and Gaston are French bus drivers who would do almost anything for pretty girls. Thus they "borrow" one of their firms busses in order to bring some girls to Kitzbuehel for skiing.

Fredrik Egerman is very happy in his marriage to a seventeen-year-old virgin, Anne. Only she's been a virgin for the whole eleven months of the marriage, and being a bit restless, Fredrik goes to see an old flame, the famous actress Desiree Armfeldt. Desiree is getting tired of her life, and is thinkin of settling down, and sets her sights on Fredrik, despite his marriage, and her own married lover Count Carl-Magnus. She gets her mother to invite the Egermans to her country estate for the weekend. But when Carl-Magnus and his wife Charlotte appear, too, things begin to get farcical (Send in the Clowns), and the night must smile for the third time before all the lovers are united.

Fanny Hobichler, a young promising actress, moves to Vienna in the 1920s in order to pursue her big break. She draws inspiration and seeks help from the popular stage actor Albert Kortz who once started out from the same provincial town as she did and was a close friend of her late father. Kortz, however, dreams of retiring as he is tired of his fame and having to deal with the short-tempered theatre director Jason. Together, they try to outwit Jason.

Lehar's The Land of Smiles touches the heart as it provides unforgetable melodies from start to finish. There are no weak links in the cast. Too often, we think of operetta as musical fluff, tired cliches, and obligatory dance scenes when things start slowing down. Not so in this classic operetta. We feel the pain of loss suffered by the two main characters, who make their roles natural and believable. There is more to this work than "Yours Is My Heart Alone." There is dramatic consistency and people you find yourself caring about as much as the music, the costumes, and the colorful sets.

An operetta with music by Johann Strauss II. However, he did not see the premiere. Wiener Blut is set at the time of the Congress of Vienna, 1814-1815, an international conference that sought to settle Europe after the upheavals of the Napoleonic Wars, and follows a traditional operetta plot full of mistaken identities. Count Balduin Zedlau, ambassador of the tiny court of Reuss-Schleiz-Greiz, is posted to Vienna. Count Zedlau is married but a real Don Juan always looking for a new encounter. Many of Strauss' compositions are used in the operetta although he did not specifically composed them for the operetta.

Kálmán Imre's beloved operetta comes to the screen in this comedy of music, marriage and class set in Budapest and Vienna before the outbreak of the First World War, recorded at the Budapest Opera in 1963.