Director of Photography
Pierre (Christian Vadim) is a womanizing photographer, with a slight mean streak. For whatever reason, Camille (Lio), an artist in her own right, finds him entrancing and easily succumbs to his devious efforts to get her into bed. Soon she is trying to hold him to her with her oh-so submissive love, and he is playing some games with her head by pretending (usually) to have been playing around with others. Eventually, he encounters another woman who is not so sticky and tells her to buzz off. When they meet some time later, it becomes clear that the relationship meant different things to each of them.
Cinematography
An intensive, eager adore tie together two very separate individuals. Catherine, a young celebrity, is very severe about her aspiring career. But she is overloaded by Patrick's aggressive sexuality. This idol of the slums gambles his lifetime not even close to the theater community of Catherine. They each maintain going furthering their love, not able to manage the circumstance.
Director of Photography
Héléna Werner leads a reclusive and deserted life. Alone, as if withdrawn from the world in her apartment of refined luxury. She places an ad for a private secretary, a "handyman" who would take her away from the daily grind. As soon as he starts working, Milo adopts an intriguing behavior. From the start, he takes everything in hand and the doors of the apartment close on them both.
Director of Photography
Good dope is becoming rare in the North of Paris. Drugstores are being raided by junkies and gangs are nervous, fighting each others: the 'Viets', the 'Blackies', the 'Arabs', the neo-nazis 'Justiciers' and some mean gays. Vincent (Daniel Auteuil) is the good cop coming from Marseilles where he was a gangster. He's a soft method guy but also kicks assses hard and throw lethal dialog lines when needed. With the precious help of 'l'Arbalète'* (Marisa Berenson**), a tox' prostitute ex-member of Vincent's former gang, he will try to put order in that mess. There's also a violent and racist cop (Marcel Bozzuffi), Algeria veteran with hard methods, whose role could be more than to protect and to serve.
Camera Operator
Gérald, former champion of motorcycle competitions, after an accident that causes him to lose the use of his right becomes a trainer for young riders. But because he can not make enough money, he takes part in a burglary.
Camera Operator
Париж. 1942. Робер Кляйн, эльзасец по происхождению, католик по воспитанию, несмотря на немецкую оккупацию, вполне преуспевает, скупая по дешевке у евреев произведения искусства, мебель. Но вся его жизнь резко меняется, когда он получает по почте газету, предназначенную для евреев, и обнаруживает, что у него есть двойник…
