Franco Brocani

A visionary journey among Roman vistas and various narrative structures that blend with music by Patty Pravo.

An essay on contemporary Italian poetry with the works of Dario Bellezza and Amelia Rosselli.

Freely adapted from a story by Marcel Schwob in 'Screw imaginary' and deeply focused on the thought of Georges Bataille, the film wants to give substance to Clodia tragic affair, the Roman noblewoman loved by Catullo and made him immortal in his ways, with the Lesbia pseudonym.

Freely adapted from a story by Marcel Schwob in 'Screw imaginary' and deeply focused on the thought of Georges Bataille, the film wants to give substance to Clodia tragic affair, the Roman noblewoman loved by Catullo and made him immortal in his ways, with the Lesbia pseudonym.

An archaeology student photographs a mysterious naked woman by a waterfall, unaware that she is a female demon called Haggia, who soon takes possession of him via a cursed amulet.

Сэр Томас Хилтон, собрав на предсмертном одре вокруг себя всех потомков, рассказывает о своей жизни и сообщает, что хочет унести в могилу страшную семейную тайну. После его смерти нотариус приступает к чтению завещания: наследство должно остаться нетронутым и использоваться всеми поровну, за исключением Эвелин, лишенной наследства из-за проявления ненависти к собственному роду. Наследники, договорившись вместе остаться в замке, погружаются в запретные удовольствия.

Set in 1997, this short sci-fi film narrates the story of a normal world that slowly degenerates into an amoral and lifeless place.

Experimental short film.

A surreal and disturbing distillation of Western Civilization, Necropolis is the unhinged vision of Italian director Franco Brocani. Pierre Clémenti is Attila the Hun, naked and on horseback, while Warhol superstar Viva is a drunken and abusive Countess Bathory. A pop pastiche for the psychedelic generation, Necropolis features a soundtrack by Gavin Bryars.

A surreal and disturbing distillation of Western Civilization, Necropolis is the unhinged vision of Italian director Franco Brocani. Pierre Clémenti is Attila the Hun, naked and on horseback, while Warhol superstar Viva is a drunken and abusive Countess Bathory. A pop pastiche for the psychedelic generation, Necropolis features a soundtrack by Gavin Bryars.

A beautiful smiling guy's walking on the streets of a city, bringing with him a large paper poppy. The boy is the goodness and innocence of youth, which is soon cut short by human wickedness.

Несколько новелл о любви и насилии властителей дум молодёжи конца шестидесятых.

A beautiful smiling guy's walking on the streets of a city, bringing with him a large paper poppy. The boy is the goodness and innocence of youth, which is soon cut short by human wickedness. Indeed, while the merry boy is walking, the episode shows the evil done by man during the Second World War.

Artists and poets meet in a dreamlike space between walks and performances.

Trapianto heralds the end of utopia, the death of that underground, but is also the best prologue in Necropolis, which is not by chance found alive. It 's a film that establishes the passage of rolling between two friends, and Brocani Schifano, shared the same passions, and from living the cinema as a challenge urgent and vital, suspended between dream and action.

Trapianto heralds the end of utopia, the death of that underground, but is also the best prologue in Necropolis, which is not by chance found alive. It 's a film that establishes the passage of rolling between two friends, and Brocani Schifano, shared the same passions, and from living the cinema as a challenge urgent and vital, suspended between dream and action.

An art documentary portraying Stanley William Hayter – considered the inventor of modern incision – at work in his Paris studio. At the Hayter’s Atelier 17 artists have studied, since the early ’30s, including Brauner, Calder, Max Ernst, Giacometti, Kandinsky, Miro, Matta, Picasso, and Chagall.

The documentary describes the work of goldsmiths in Valenza, of cabinet-makers in Canelli, of farmers in the provinces of Alessandria and Asti where such activities are still the backbone of the local econimic structure. It analyzes also the politics of monopoly concentration pursued by the big industrial forces and its effects such as the impoverishment of the countryside, the decline of traditional activities based on craftmanship - a heavy toll on the future of the young.

The documentary, black and white, has "space" as theme, both as an abstract category and as a scope and "scene" of human relations.

The events in Naples of a few ‘figli della Madonna’ (Madonna’s sons), young people born between 1945 and 1946 from the relationship between the local women and Afro-American soldiers.