Adolf Lantz
Рождение : 1882-11-30, Vienna, Austria-Hungary (now Austria)
Смерть : 1949-08-19
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Hans, living in Vienna during the Great Depression, intends to drown himself in the river after losing his livelihood. While there he meets a girl named Anna after pulling her from the river.
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Fred von Wellingen is a wealthy industrialist, part of a large family-owned corporation. Fred has fallen for Lia, a comely bartender in the Berlin Cabaret. He proposes to her, much to the horror of his family, which considers Lia and her unsophisticated father far below their caste. The family convinces Fred to give up the girl in exchange for increased position and income in the company. But Fred's lapse is momentary, and he again pursues Lia. But she, by this time, has learned of his erstwhile agreement and has agreed to marry someone else.
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The demonic Rasputin is poisoned but survives to continue seducing in evil ways, in this historical thriller.
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Elisabeth of Austria is a German movie with Lil Dagover as royalty Elisabeth who has many men to choose from.
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A woman accompanies her husband to a party. Both leave with other partners.
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In this, her second silent film with Eichberg, Wong plays Princess Butterfly, an exotic Parisian fan dancer whose “death leap through a circle of naked swords” act goes tragically wrong. Blamed for the impalement of a fellow performer, she runs away and takes shelter with a handsome but starving painter who she brings luck.
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After committing a murder for his lover, Gloria, the famous painter Jack is forced to go underground. In the harbor district, he saves the poor Malaysian girl Song in front of two intrusive sailors. She loves him for it, and together Song and Jack appear in the tingle dungeon of the port, he as a knife artist, she as a dancer.
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Neglected by her husband, an ambitious lawyer, Irene seeks variety in Berlin's nightlife-- An evening of dancing, dolls, cocaine and immoral passion. Irene takes the "devious path" as she seeks to make her husband jealous.
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Mismatched travellers are stranded overnight at a lonely rural railway station. They soon learn of local superstition about a phantom train which is said to travel these parts at dead of night, carrying ghosts from a long-ago train wreck in the area. The travelers eventually get to the bottom of the things that go bump in the night.
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Based on the operetta of the same name.
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A restaurant cashier, who has a mutual attraction to the restauranteur, has a secret passion for dance. As soon as she finishes work she is off down to the dance studio for a practice. She has a chance meeting with a handsome impresario, who promises to make her into the greatest dancer the world has ever known. (IMDb)
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At the center of this social satire is the wealthy and bored couple Irene and Erik. When Erik meets Hilde, who comes from a humble background, one evening in a chic club, he sees an opportunity for the couple to sexually spice up.
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DANGEROUS PATHS marked the beginning of Henrik Galeen’s collaboration with Piel, which by 1931 had comprised a total of five films. The present film offers the opportunity to see screenwriter Galeen in front of the camera as the super-rich American Francis. The journeyman carpenter Harry is bewitched by Francis’s daughter Dorothy, whom he has to rescue from the clutches of dangerous hoodlums. The gang is also trying to steal the crown of a prince. Thus Harry finds himself in a sophisticated adventure that features spectacular nature shots (filmed in the Alps).
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Молодого француза арестовали после того, как он сбросил с крыши женщину. Теперь он должен выступить на суде и, скорее всего, он не будет оправдан.
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Based on the play of the same name by Frank Wedekind.
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A Glass of Water (German: Ein Glas Wasser) is a 1923 German silent historical film directed by Ludwig Berger and starring Mady Christians, Lucie Höflich and Hans Brausewetter. It premiered at the UFA-Palast am Zoo on 1 February 1923. It was based on a play of the same title by Eugène Scribe, set in England during the reign of Queen Anne. The film was very well received both commercially and critically on its release. It is considered one of the milestones of Weimar cinema
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A psychological escapade when romance overwhelms.
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