Sergei Miroshnichenko

Документальный фильм о старейшей киношколе мира, созданный к столетнему юбилею ВГИКа.

Когда мы закрываем глаза, обычно мы видим черный цвет, иногда с примесью светящихся пятен. Под этой картинкой мы подразумеваем «не видеть ничего». Но как видят мир те, у кого глаза всегда «закрыты»?

Фильм рассказывает о самых молодых игроках сборной России по футболу. Зрители станут свидетелями этапов взросления героев картины, увидят те жертвы, которых требует большой футбол от игроков, те испытания, через которые прошли молодые футболисты, чтобы заслужить свое место в сборной.

The multi-part investigative film, dedicated to the events that took place from February to October 1917, tries to answer the questions of how the outstanding minds of Russia came to the idea of destroying the Monarchy and removing the legitimate ruler Nicholas II from the throne, under whom the development of democratic freedoms began and the economy grew rapidly. How the military elite decided to change its leader amid the fighting. How the church and the people so quickly abandoned the Anointed One of God. How all the oaths were forgotten, and how the gene of betrayal entered the blood of the people.

Endowed with outstanding cinematography, and in-depth interviews with competitors, this documentary underlines the gender parity being achieved at an Olympic level. Women compete in ski jumping for the first time at the Winter Games, and Canada is seen beating the United States at the last gasp in the women's ice hockey final. Disciplines given prominence here include speed skating, figure skating, aerial skiing, curling, and the biathlon. Training is analysed as much as the competitions themselves. A suite of accidents and mishaps, and the consequent tears of frustration, remind us that the Olympics is not just about winning.

Endowed with outstanding cinematography, and in-depth interviews with competitors, this documentary underlines the gender parity being achieved at an Olympic level. Women compete in ski jumping for the first time at the Winter Games, and Canada is seen beating the United States at the last gasp in the women's ice hockey final. Disciplines given prominence here include speed skating, figure skating, aerial skiing, curling, and the biathlon. Training is analysed as much as the competitions themselves. A suite of accidents and mishaps, and the consequent tears of frustration, remind us that the Olympics is not just about winning.

Endowed with outstanding cinematography, and in-depth interviews with competitors, this documentary underlines the gender parity being achieved at an Olympic level. Women compete in ski jumping for the first time at the Winter Games, and Canada is seen beating the United States at the last gasp in the women's ice hockey final. Disciplines given prominence here include speed skating, figure skating, aerial skiing, curling, and the biathlon. Training is analysed as much as the competitions themselves. A suite of accidents and mishaps, and the consequent tears of frustration, remind us that the Olympics is not just about winning.

История преодоления и воли к жизни людей различных национальностей, разных вероисповеданий, разного происхождения, которые объединены стремлением победить на Паралимпийских играх в Сочи в 2014 году не только других, но и самих себя – свой недуг.

How did the Sochi Olympics begin? What did they approach her with?

Документальный фильм о материнской любви: путь от отказа от собственного ребенка до усыновления чужого.

Этот фильм - четвертая часть длительного кинонаблюдения за судьбами людей. Сейчас они живут в разных странах и даже на разных континентах. У них разное воспитание, образование, разрез глаз. Их снимали в семь лет, потом в четырнадцать, двадцать один, и вот теперь первый круг жизни замкнулся. Сейчас им уже по 28 лет. Но есть то, что всегда будет объединять этих людей. Они родились в несуществующей теперь империи – СССР. Периодичность создания частей "Рожденных в СССР" - семь лет. Первые три фильма вызвали огромный интерес не только в России, ленты с успехом демонстрируются во Франции, Германии, Голландии, Швеции, Норвегии и других странах.

The film is a farewell. Farewell to the native land, the primordial banks of the river and the people who have lived on the Hangar for centuries. History repeats itself. And again, as it was 40 years ago at the Bratskaya HPP, the life and fate of entire generations will be under the water of another man-made sea. We see all this through the eyes of three heroes - the writer Valentin Rasputin, the publisher Gennady Sapronov and the critic Valentin Kurbatov. The film was awarded the Award of the Academy of Russian Television TEFI-2011 in the categories "Television documentary" and "Director of a television documentary / series".

A film about the first launch of the Soyuz launch vehicle from the Kourou cosmodrome (French Guiana). About the long-term joint work of Russian and European specialists who built a Russian launch complex in the impenetrable jungles of Guiana. For the first time since the Caribbean crisis, Russian missiles are based on the American continent. The Soyuz launches from the tropical cosmodrome in French Guiana are something new in the history of domestic and world cosmonautics. Will Russia be able to expand its presence in the global space market? And is it possible to do this today within the framework of one country and industry?

This is a film dedicated to the outstanding Folk artist Ilya Glazunov, who turns 80 this year. This is a portrait in motion, a kind of travel-story in which Ilya Sergeevich will take us to his favorite places, which symbolize the main stages of his multifaceted creativity.

No matter how far the war retreats, its traces are imprinted on the torn earth and the memory of generations for tens, hundreds of years with bloody traces. The body of the earth is burned by shells, torn apart by mines - and we are its Parts. The heroes of the film are young Caucasian guys-children of the war that destroyed their childhood and youth. In this black-and-white movie, the past, present and future alike merge into the color of the tragedy of all times and peoples – the color of war.

The documentary is based on 2 parallel lines: one is Valery Gergiev's trip to Tskhinvali after the Georgian-Ossetian conflict and the history of preparing and holding a concert in the destroyed city.The second line is the Maestro's concert activity, rehearsal and staging in London of Wagner's famous tetralogy "The Ring of the Nibelung", the final part of which is the opera Twilight of the Gods

Documentary about the life and works of Aleksandr Solzhenitsyn in three parts, made for Russian TV in 2001, 2003, and 2008. The author died while the last part was being filmed.

Alexander Isaevich Solzhenitsyn. Actor Yevgeny Mironov shares his memories of meetings with him. Solzhenitsyn's friend Nikita Struve talks about how he published The GULAG Archipelago abroad. The widow Natalia Dmitrievna Solzhenitsyn tells about the last days of Alexander Isaevich's life, thoughts, goals and plans. The authors of the film offer rare shots of foreign chronicles and exclusive interviews of Alexander Isaevich, which have not been published so far.

Мы представляем вам один из самых известных в мире документальных проектов. Это третья часть длительного наблюдения за человеческой жизнью, которое началось в конце прошлого века в Советском Союзе. Тогда авторы фильма сняли 20 героев с семилетнего возраста с тем условием, что они будут возвращаться к ним каждые 7 лет вплоть до 70. Сейчас им 21, и они живут в разных странах мира - в США, Израиле, Германии, Франции, Грузии, Литве, Киргизстане и России. У них разные судьбы и разная жизнь. Но их всегда будет связывать то, что они родились в несуществующей теперь империи под названием СССР. Фильм создан при финансовой поддержке Федерального агентства по культуре и кинематографии РФ, Федерального агентства по печати и массовой коммуникации РФ по заказу телеканала "Россия" и Granada Media Group LTD

In Soviet times, the songs "Soviet Easter", "Cigarette Butt", "Comrade Stalin" were sung by the whole country (and, according to rumors, members of the politburo also enjoyed it), but few people knew that these "folk" hits had an author – Yuz Aleshkovsky. Having traveled from East to West, he became a famous writer in a country that is still considered the most reading. The concepts of Freedom and Creativity for him are not so much philosophical categories, but a credo of life. The genre of Sergei Miroshnichenko's new film can be defined as "a lyrical post-Soviet comedy with a dramatic touch."

Three parts of the cycle - three films: "Never Say Never", "Fraer of Muddy Water", "The Last Mohicans". Zhzhenov's activity in cinema began before the age of 22. Then there was an arrest with interrogations and prisons, then camps... The artist tells about his life in Russian prisons and the places where he was imprisoned: in Kresty, in Vladivostok, in Magadan. Excerpts from the films in which Georgy Zhzhenov starred surprisingly reveal his own life.

The film tells about the outstanding actor Georgy Zhzhenov, his life in Leningrad, the beginning of film activity, arrest, investigation, detention in prisons "Shpalerki" and "Kresty". The hero, as it were, leads a tour of the historical places of his biography. Viewers together with him visit the very cell where Zhzhenov spent two and a half years, his communal apartment. Georgy Stepanovich meets people with whom he was once familiar, long-forgotten names, surnames, poetic lines arise in his memory...

In the film by Sergei Miroshnichenko, the classic of Russian and world literature Alexander Solzhenitsyn reflects on his human and writer's fate: "... well, a lot has already been done in life. Maybe I'm on the last stretch, and the river doesn't promise me any elbow ahead yet… But the heart does not submit to the last mold." The writer appears before the audience as a husband and father - the head of a large and friendly family.

The story of a complex relationship between a mother and son belonging to the highest circles of the Moscow elite.

The Leningrad period of V. Putin's life.

«Рожденные в СССР» — фильм о детях, родившихся где-то в середине 80-х. В начале 90-х им было по 7 лет, тогда же в стране начали происходить известные события. Через семь лет та же съемочная группа разыскала тех же детей и сняла вторую серию фильма — «14-летние. Рожденные в СССР». Общая идея та же: как дети растут в теперь уже постперестроечной России (как выяснилось, в России остались далеко не все).

Телевизионный 5-ти серийный документальный фильм «Николай II. Круг жизни» создан к 130-летию со дня рождения Николая II и к 80-летию расстрела царской семьи. Кроме монологов ведущего, серии включают в себя документальный материал: уникальную кинохронику, редкие фотографии и документы.

Телевизионный 5-ти серийный документальный фильм «Николай II. Круг жизни» создан к 130-летию со дня рождения Николая II и к 80-летию расстрела царской семьи. Кроме монологов ведущего, серии включают в себя документальный материал: уникальную кинохронику, редкие фотографии и документы.

The documentary tells about the Romanov family. It discusses versions about the possible salvation of the imperial family, tells about impostors who consider themselves descendants of Nicholas II, and the film also touches on the fate of the regicides.

документальный фильм-эксперимент Никиты Михалкова, снимавшийся с 1980 года, производство которого окончено в 1993 году. Сама Анна неоднократно заявляла, что картина ей категорически не нравится, объясняя это тем, что считает её «препарированием своей личной жизни» и «эксгибиционизмом души»[

документальный фильм-эксперимент Никиты Михалкова, снимавшийся с 1980 года, производство которого окончено в 1993 году. Сама Анна неоднократно заявляла, что картина ей категорически не нравится, объясняя это тем, что считает её «препарированием своей личной жизни» и «эксгибиционизмом души»[

Documentary movie

«Рожденные в СССР» — фильм о детях, родившихся где-то в середине 80-х. В начале 90-х им было по 7 лет, тогда же в стране начали происходить известные события. Скорее всего, одной из идей авторов было показать жизнь простых советских детей на фоне перемен в стране. Дети были подобраны из абсолютно разных культурных и социальных слоев общества, и о каждом из них сняли сюжет.

About the brightest genre of Russian folklore.

The ship sails down the Yenisei River to the city of Igarka. Its passengers are those who in the 1930s and 1940s were repressed, exiled here and lived here for some part of their lives. Those who survived, half a century later, want to return to their own past. It's fun on the boat now. A song is being sung about "... everything will pass, both sadness and joy." Former "convicts" and "special settlers" relax in deck chairs on the deck, in the evenings they dance there to the orchestra, sing to the accordion - and calmly, without anguish, remember the destroyed, crumpled youth. Then some were signed up as fists, others as spies, and all of them were sent to Igarka, almost to the end of the world. And although this past seems like a dream, they cannot escape from it...

A critical look at the human-nature relationship in the tundra.