Himself
At the beginning of the 1960s, when the French pioneers of cinéma vérité set out to achieve a new realism, and when direct cinema in Québec began to vie for notice, the Baltics wit-nessed the birth of a generation of documentarists who favored a more romantic view of the world around them. This meditative documentary essay – from a Latvian writer and Lithuanian director whose composed touch has long dovetailed with the stylistically diverse works of the Baltic New Wave – pushes adroitly past the limits of the common his-toriographic investigation to create a portrait of less-clearly remembered filmmakers. The result is a consummate poetic treatment of the ontology of documentary creation. Also a cinematic poem about cinema poets.
Himself
Uldis Brauns' conversation with Ivars Seleckis about films and time.
Director
Writer
Director
Director
Двое молодых людей – Марис и Инесе — отправляются в романтическое мотоциклетное путешествие по бесконечным, залитым щедрым летним солнцем просторам Латвии в поисках истины и свободы. Колеся по дороге, на своем пути молодые влюбленные находят новых друзей. Но не все встречные готовы принять новую молодежную субкультуру...
Writer
Иной взгляд на чемпионат мира и Европы по хоккею в Праге в 1972 году.
Director
Иной взгляд на чемпионат мира и Европы по хоккею в Праге в 1972 году.
Director
О том, как люди рождаются, прикасаются к любви, покидают родительское гнездо...
Director of Photography
"A humorous story about the arrival of summer offers insight into the everyday lives of a town's inhabitants. An ironic voice-over, written by Armīns Lejiņš, comments on the events attentively shot by Uldis Brauns in the town. The scenes include a fire drill, a wedding, a school graduation, and other episodes of town life. Brauns and Lejiņš originally planned to make a fiction film, and filmed in Kuldīga, but the project was not realized at the time (the script was later used for Aivars Freimanis’ Kuldīga Frescoes, 1966), and was incorporated into this short film." - VERZIO International Human Rights Documentary Film Festival
Director of Photography
"The Worker is the last part of the trilogy, and differs somewhat from the rest. Rather then telling of yet another building site, the film centers on the abstract image of the Worker. The voice-over commentary describes the meaning of work in Soviet life – the role and significance of each individual. Melting an old tank at the smelting plant serves as a metaphor for peace that enables all workers to fully dedicate themselves to productive construction." VERZIO International Human Rights Documentary Film Festival
Director
"The Worker is the last part of the trilogy, and differs somewhat from the rest. Rather then telling of yet another building site, the film centers on the abstract image of the Worker. The voice-over commentary describes the meaning of work in Soviet life – the role and significance of each individual. Melting an old tank at the smelting plant serves as a metaphor for peace that enables all workers to fully dedicate themselves to productive construction." VERZIO International Human Rights Documentary Film Festival
Director
"A humorous story about the arrival of summer offers insight into the everyday lives of a town's inhabitants. An ironic voice-over, written by Armīns Lejiņš, comments on the events attentively shot by Uldis Brauns in the town. The scenes include a fire drill, a wedding, a school graduation, and other episodes of town life. Brauns and Lejiņš originally planned to make a fiction film, and filmed in Kuldīga, but the project was not realized at the time (the script was later used for Aivars Freimanis’ Kuldīga Frescoes, 1966), and was incorporated into this short film." - VERZIO International Human Rights Documentary Film Festival
Director of Photography
"The Construction is the second part of Uldis Brauns’ trilogy. It focuses on the construction of Daugavpils' synthetic fibre factory, and includes well-balanced, wide-angle shots and dramatic camera angles. The soundtrack is used imaginatively to create new meanings, and to construct metaphor like a musical artwork. The Construction also uses live interviews recorded on set; Armīns Lejiņš, the trilogy's scriptwriter, appears on camera interviewing people." - VERZIO International Human Rights Documentary Film Festival
Director
"The Construction is the second part of Uldis Brauns’ trilogy. It focuses on the construction of Daugavpils' synthetic fibre factory, and includes well-balanced, wide-angle shots and dramatic camera angles. The soundtrack is used imaginatively to create new meanings, and to construct metaphor like a musical artwork. The Construction also uses live interviews recorded on set; Armīns Lejiņš, the trilogy's scriptwriter, appears on camera interviewing people." - VERZIO International Human Rights Documentary Film Festival
Director of Photography
Маленькая девочка бродит по утрам в одиночестве по шумному городу в поисках белых колокольчиков, которые она заметила в витрине цветочного магазина. Этот фильм ознаменовал рождение нового языка кино в латышском кинематографе.
Director of Photography
The Beginning is the first installment in Brauns’ trilogy dedicated to large-scale construction development in Latvia. It captures the building process of the Pļaviņas hydroelectric station on the country’s largest river. Observation of the builders, drivers, and engineers at work highlights the human aspect of construction work. The film’s title carries symbolic weight – this is the first Riga school film, Brauns’ directorial debut, the first widescreen picture made in Latvia, and the first part of a trilogy.
Director
The Beginning is the first installment in Brauns’ trilogy dedicated to large-scale construction development in Latvia. It captures the building process of the Pļaviņas hydroelectric station on the country’s largest river. Observation of the builders, drivers, and engineers at work highlights the human aspect of construction work. The film’s title carries symbolic weight – this is the first Riga school film, Brauns’ directorial debut, the first widescreen picture made in Latvia, and the first part of a trilogy.
