Ľudovít Kroner

Matylda (Jaroslava Ticha), who lives in the Czech countryside, is trying to arrange burial plans for her dying husband, Jan (Ludvik Kroner). While Matylda hopes to have a funeral for Jan in the small town where they once lived, there are complications. Years earlier, Jan spoke out against the Communist government and was consequently expelled from the town. When Matylda fails to convince a local politician to allow the ceremony, she uses her husband's funeral as a public show of dissent.

A father/son get-together trying, in their inept way, to do some repair work to their home that they have out in the country.

When a selfless king learns of a beautiful princess in a neighboring kingdom who callously turns down every suitor with an insult, he tries his luck to no avail. So, he hatches a plot with her father in which the princess is married to him, in disguise as a beggar, so he can teach her lessons about humility and compassion.

Story of a high-schooler who fails to gain a place at university and necessarily finds herself having to take a job behind the counter at a buffet.

Когда принцессу похитил Король подземного мира, на ее поиски отправился смелый принц. Ему удалось найти девушку, но его братья объявили, что принцесса спасена ими...

After five years of hard work in America Juraj Hordubal (Anatoliy Kuznetsov) returns back home. He is looking forward to his wife Polana (Libuse Geprtová) and his little daughter Hafie. The family and the village welcome him with hesitation. Everybody believed that Juraj died in America because Polana stopped receiving money from him already two years ago. Polana's farm was prospering first of all thanks to the young stable boy Stepán (Sándor Oszter). Men in the pub first indicate and then say to Juraj directly that Polana has been unfaithful to him with Stepán.

The opera lady singer Ema Destinnová is in all her splendor at the American stages. But in Europe there rages war and she decides to return home to Bohemia.

Third movie of the famous Czech adventure trilogy: Osada Havranů Na veliké rece Volání rodu

Second movie of the famous Czech adventure trilogy: Osada Havranů Na veliké rece Volání rodu

The story of 1947, when Bender's band, after a beating of the Nazis, tried to fight their way through Czechoslovakia to Austria. They come out of the forest to occupy the family's rural estate, kidnap doctors to help heal one of their wounded.

Jakub, a dreamer and budding magician, juggles between parcels and services rendered to the villagers. His eyes cross that of the beautiful gypsy Jolanka. Together, they will try to live a first and big love, despite the pressure of their respective communities.

An animal lover father brings home a cuddlesome female chimp named Tereza from his latest around the world and adopts her as a pet...

A funny outlaw tale inspired by traditional folk humour. Pacho is no ordinary outlaw. He detests injustice and feudal oppression and he copes with each troublesome situation with the help of his cleverness and wit.

Slovakian villagers towards the end of WW II are despairing as German troops fall back to their village.

Children from the village Bystrá are awaiting a nice and thrilling weekend. On Saturday they will play the championship football match with the nonresident boys from the village Skuhrov, on Sunday there will be the funfair with merry-go-round, swings and stalls with dainties. The members of the family of the merry-go-round man are brother and sister Janek and Zaneta Mareks whom the children have known since the last year. At that time Zaneta made friends with girls and Janek, an excellent football player, has been a welcome support of the football club.

Снятый в эстетике старых, пожелтевших от времени фотографий фильм рассказывает о том, как сорванные войной из домов своих предков и затем подхваченные ветром странствий, они разрываются между жаждой свободы, не обремененной никакими привязанностями, и столь же сильной и естественной тягой к родному гнезду, теплу и любви. В образных решениях фильма сюрреалистическая метафоричность уже лишь одно из слагаемых художественного опыта художника, мечтающего возродить непосредственное отношение человека к реальности, освежить восприятие мира, в котором он живет. Последним объясняется его ориентация на асоциальные слои общества в выборе персонажей. Воплощением его идеи полноты и целостности естественной жизни становятся воры, бывшие солдаты, ставшие бродягами, авантюристы, странники и т.п. ...

Vlado, an intelligent boy living in a small village, has fantasies that take him away from his humdrum life. But as the Nazi occupation begins to encroach on the townsfolk his fantasies and reality begin to merge.

Очередная запутанная история от авангардиста Алена Роб-Грийе.

«Эдем» — это студенческое кафе, где тусуются молодые люди, курят травку, играют на гитарах и сочиняют всякие байки. Так начинается криминальный сюжет, постепенно переходящий в красивый сюрреализм и артхаус. То ли это чей-то криминальный план в этом «Эдеме» или может мастерски спланированный кем то ряд преступлений… В фильмах Ален Роб-Грийе вообще трудно отделить реальность от снов и фантазии, явь от сновидений. На лицо любимые приемы режиссера Ален Роб-Грийе — красивые нагие девушки, восточные напевы, красивые сюрреалистичные сцены

In the village cemetery, the funeral of a married couple - victims of a car crash - is ending. The relatives unscrupulously take away the facilities of the dead people's little cottage, totally ignorant of the fate of eight-year old Ruda, whom the childless couple took from a children's home and adopted. Fortunately, an elderly lonesome uncle named Tony remains in the empty cottage and decides to take care of the boy, nicknamed Münchie after Baron Münchhausen for his wild imagination.