Зажигательный трип по истории танцевальной музыки в компании французского рыцаря хауса.
Himself
Featuring the pioneers of techno music Juan Atkins, Derrick May, Carl Craig, and Jeff Mills, Never Stop takes us into the fascinating universe of techno labels in Detroit. This film highlights the deep roots of the creation, more than thirty years ago, by each of the African-American pioneers of techno music, of their own record labels.
The film is by Jacqueline Caux, a French director whose work often touches on experimenters in modern and contemporary music, including the 2007 Detroit techno documentary The Cycles Of The Mental Machine. According to the press release, her latest film is less a straightforward profile of the inventive Detroiter than an impressionistic piece that draws on the mood and thematic underpinnings of his work. Man From Tomorrow is divided into two parts: the first part sets images to Mills' exclusive score for the film and features no dialog, and the second uses quotes pulled from interviews the director conducted with him. The director says there's no straightforward narrative or message in the film, though we should expect lots of the sci-fi futurism we've come to expect from Mills; as she puts it, "I wanted to give free reign to the viewer’s subjective impressions and physical sensations."
Music
The film is by Jacqueline Caux, a French director whose work often touches on experimenters in modern and contemporary music, including the 2007 Detroit techno documentary The Cycles Of The Mental Machine. According to the press release, her latest film is less a straightforward profile of the inventive Detroiter than an impressionistic piece that draws on the mood and thematic underpinnings of his work. Man From Tomorrow is divided into two parts: the first part sets images to Mills' exclusive score for the film and features no dialog, and the second uses quotes pulled from interviews the director conducted with him. The director says there's no straightforward narrative or message in the film, though we should expect lots of the sci-fi futurism we've come to expect from Mills; as she puts it, "I wanted to give free reign to the viewer’s subjective impressions and physical sensations."
The original Tresor was in many ways the quintessential Berlin club: located in an unrenovated vault beneath a bombed out department store, it opened its doors amidst the general confusion and ecstasy that swept across the city when the wall fell. Its low ceilings, industrial decor and generally unhinged atmosphere created an unprecedented platform not only for techno in Berlin, but also for the scene taking shape across the Atlantic in Detroit.
Director
Conceived and designed in the direction of programmable software rather than the usual DVD "Live" recording, this latest project of Jeff Mills, Exhibitionist will prove to point out a step forward into a new era in Electronic Music. Remembering the excitement of an artist or DJ "in action" is the key component for longevity because through our memory it is often how we measure an event’s effectiveness. In addition to simulating the artist and/or DJ, this DVD provides an array of features that will be discovered, explored and expanded upon. All mix segments were filmed in Detroit, USA. A DJ setup and lighting were created to simulate the authentic look and stereo sound of a DJ in a club DJ booth. A black backdrop behind Jeff Mills was used so that the reprogramming of this footage in a live setting would not conflict with existing decor.
Himself
Conceived and designed in the direction of programmable software rather than the usual DVD "Live" recording, this latest project of Jeff Mills, Exhibitionist will prove to point out a step forward into a new era in Electronic Music. Remembering the excitement of an artist or DJ "in action" is the key component for longevity because through our memory it is often how we measure an event’s effectiveness. In addition to simulating the artist and/or DJ, this DVD provides an array of features that will be discovered, explored and expanded upon. All mix segments were filmed in Detroit, USA. A DJ setup and lighting were created to simulate the authentic look and stereo sound of a DJ in a club DJ booth. A black backdrop behind Jeff Mills was used so that the reprogramming of this footage in a live setting would not conflict with existing decor.
