Nunzia Fumo

Двое обитателей дома престарелых полюбили друг друга. Но все - родственники, работники и даже обитатели дома - хотят помешать их любви.

Купец и махинатор дон Арпагоне, чтобы избежать нежелательного брака с сестрой кардинала, должен немедленно жениться. В качестве свахи для поиска невесты он призывает пронырливую Фрозину, которая управляет принадлежащим опять-таки Арпагону подпольным казино-борделем. Фрозина устраивает для престарелого жениха кастинг невест - и где бы вы подумали? В церкви! Кардинал решает покарать строптивого Арпагона и лишить его самого ценного в жизни - золота и богатств, хранящихся в знаменитом сейфе купца. Однако его высокопреосвященство не знает, что хитрый дон Арпагоне уже давно нанял швейцарских механиков-часовщиков, чтобы они сделали для него защиту от воров - а также от глупых и самонадеянных церковников.

Teresa is a nurse and does not have an easy life: her husband plays poker and next to her she sleeps only and the father organizes the illegal lot among the sick. So one night Teresa is involved, in spite of herself, in a whirlwind of ambiguous situations, together with Ferdinando and Friariello, met by chance, between camorristi, dog races and a bingo of which he unknowingly becomes the prize. But "has to pass" to "nuttata", this is certain, but how?

Three episodes about the relativity of time.

In Naples, Professor Bellavista is a retired man, passionate about the philosophy and thought of Ancient Greece. Every day, in his luxurious apartment, he teaches his lessons of life to the poor-nothing (his friends), who are dazzled by his reasoning. One day, however, the quiet life of the building of Bellavista will be disturbed by the arrival of a director of Milan. Between Naples and Milan there contrast, because the Neapolitans are accustomed to enjoy a quiet life, always based on the "philosophy of pleasure and delay", while the northern Italians are very strict and punctual.

Действие фильма происходит в Италии в конце Второй мировой войны, после высадки там американских войск.

American actress on vacation in Italy falls for her friend's married Italian lover.

Parigi O Cara is probably the most camp in the history of Italian cinema, certainly a favourite with the GLBT community who quote its lines by heart. Unique as it's the only film where Franca Valeri (now 90) is the unquestioned star, in the role of Delia, a snobbish, stingy prostitute who is moving to Paris looking for greener and more lucrative pastures. An anti-neorealist, amoral, almost abstract comedy, which anticipates Almodóvar, a ferocious, though gentle, non-moralistic portrayal of the 60's boom and its broken dreams. The dialogue between Delia and her brother (played by Fiorenzo Fiorentini), when he does (or does not) tell her he is a homosexual, is memorable, a primordial coming-out, a masterpiece of allusions. But what makes it one of the first examples of a film with a "gay point of view" is the approach: perceptive, non-conformist, caustically witty. A film ahead of its times, still unbeaten.

Michele, a young mechanic, is in love with Angela Antonia, beautiful but capricious: the girl's father, once he learns of the relationship, has him fired from the place where he works and is forced to move to Naples. He asks for hospitality from his aunt Carmela, concierge in a building, but she has no vacancies and arranges him as Donna Tecla, the owner of a pension who, having three young daughters eager to get married, hopes to arrange at least one. But the three girls are not the best of beauty and Michele, gifted with a beautiful voice, agrees to sing in a club on behalf of an impresario who becomes his friend.

A young couple, Renato and Maria, struggle to provide for their young daughter Pia.