Theodora Tzimou

The Bastards have left the city behind. Their house in the countryside smells of nothing but summer. Five girls and five boys living in the moment, for the moment. No outsider comes around here, and all the insiders take turns standing guard, kissing each other, playing dead. They are still kids. They are your kids. They are our Bastards.

In a working class neighborhood of Athens of the economic crisis, resurgence of fascism and covid19, a racist group of 18-year-old students persecute immigrants, homosexuals, anyone who is just different. A classmate of theirs who does not hide his dislike for their action quickly becomes their target.

Electra, was a teacher a few years ago in the industrial village "X". A decayed village under the shadow of a huge factory, not on its heyday. Lia, until a few years ago a student of Electra, was and remains beautiful. She works in “Heaven”, a local cafe owned by the 50-year-old known as "Cannibal". Lia has no way out. ntertainment and spectacle is nothing more than souped-up cars drifting on the empty lot. Electra knows that Lia deserves another kind of glory, she knows that as her teacher she has to lead her there. Electra returns. And she will take Lia with her to commit the robbery they both need: Lia to escape, Electra to tie Lia with her.

Iris, a teacher in her early forties who works at a Fine Arts School, assigns to her students an exercise on a Free Subject. It is a time when social behaviours and values are being called into question. The 20-year-old students are thrilled at the idea of being free to choose their own subjects. They create an “imagination factory” that has no limits. After finding Iris’s lost cell phone, provocative Yorgos, bases his Free Subject on his fictitious recreation of his teacher’s life. Free Subject deals with the limits of individual freedom in contemporary Western societies.

In a suffering country somewhere in the near future, a community of misfits who live in a state of decadence and paranoia, tries to claim a decent life, fighting against an authoritarian oppressive regime.

Антонис Параскевас является национальной фигурой: 20 лет он находится у руля самого популярного в Греции утреннего телевизионного шоу. Однако никто не застрахован от падения рейтингов, долгов и личных проблем…

Когда четырнадцатилетняя Мёрто узнает, что ее отец бежал, чтобы не выплачивать долги, она похищает сына его партнера по бизнесу, которого считает виновным в банкротстве мастерской ее отца.

Sotiris is a police investigator in Athens who lives by a strict moral code. An honest man, he carries himself as though held down by the weight of the world. Dora is a cleaning lady, struggling to get by any way she can. Dealt a rough hand in life, she has developed a rich layer of cynicism and mistrust that informs her every action. When a man Sotiris believes is innocent is arrested for a brutal crime, his attempt to uncover the truth results in a grave mistake. Finding himself on the other side of the law for the first time, he places his fate in Dora, the only witness to his malfeasance and the only person who can help him, for better or for worse.

Alex a captain with sad past saves thirty teens Afghan refugees. With tension constantly increasing, Alex tries to tackle the company's and crew pressures.

A woman is trying to forget her traumatic past by living a parallel, fictional life.

Vissilis wanders around in the dilapidated house, where he was raised by his uncle Kostis. His mind is floded with memories of a time long-gone.

Thodorakis, the film's hero, has a happy go-lucky attitude about life and women, but this all changes when he is forced by his uncle to train as a chef. He soon becomes a top chef and is so impressive that he enters a 'secret society' for chefs, who battle it out to see which one is the best. To his detriment he becomes so obsessive that the women in his life find him obnoxious and nothing seems likely to save him until the news of his patron's death slaps him in the face like a cold fish. In the end, the shock reminds him to keep his life in perspective.

Inspired by the real-life story of a bus hijacking in Northern Greece, HOSTAGE explores the sensitive issue of Greek-Albanian relations through a young Albanian who takes over an intercity bus. Upon hijacking the bus, he takes the seven passengers hostage and demands a ransom of half and million euro, and safe passage to his homeland of Albania. Surrounded by police, the bus trundles towards the Albanian border and the tension mounts until the final harrowing conclusion.

A deep, unfulfilled love within an erotic triangle. A story of trust and betrayal. A story of present-day Athens, of onlookers, of hesitation. Where holding back is normal, no matter how self-destructive.

Sofia and Eleni and Petros and Alexandros and Despina and Daphne. Familiar, people-next-door types with their obsessions, weaknesses, hang-ups. People who make the daily rounds in search of communication. Sofia, fragile and with no defenses, searches for the scent of life. Eleni tries to combine career and child, making the mistakes she blames her mother Despina for making. Alexandros, a full-fledged adolescent strives to be loved. Petros goes after lost relationships. Characters and the absences of characters. Relationships that are articulated and disarticulated. Through tender glances and open wounds. With an invitation open to all as an antidote. One that we have extended dozens of times while we wait and hope. So... let's go for an ouzo.

Middle August in Athens. Three families, living in a three storey building, leave for their summer vacations. Everyone is wishing for a miracle to happen this summer. In the meantime, a drifter breaks into their apartments and rummages their personal belongings, thus unfolding hidden secrets.

Minority-group Greeks from an outer suburb of Athens struggle with their life on society's fringe and exploitation of one another.