Víctor Matellano
Рождение : , Madrid, Spain
Director
A young man performs a Navajo Indian ritual directed at the moon, the same ritual the Indian community performed when the astronauts assigned to Apollo XI trained on their reservation.
Writer
Documentary about the species of dinosaur found in Cuenca and protagonist of some installment of Jurassic Park.
Director
Documentary about the species of dinosaur found in Cuenca and protagonist of some installment of Jurassic Park.
Producer
With humor, prolific director Víctor Matellano tells the story of one of the most iconic and problematic cult films of Spain's "fantaterror": Los resucitados by Arturo de Bobadilla. A story of ambition, frustration and the everlasting will of the most passionate cinephiles.
Writer
With humor, prolific director Víctor Matellano tells the story of one of the most iconic and problematic cult films of Spain's "fantaterror": Los resucitados by Arturo de Bobadilla. A story of ambition, frustration and the everlasting will of the most passionate cinephiles.
Director
With humor, prolific director Víctor Matellano tells the story of one of the most iconic and problematic cult films of Spain's "fantaterror": Los resucitados by Arturo de Bobadilla. A story of ambition, frustration and the everlasting will of the most passionate cinephiles.
Self - Filmmaker
An account, in his own words and those of his relatives, of the life and work of the brilliant Manuel Pérez-Sanjulián Clemente, one of the most important Spanish illustrators of all times.
Screenplay
A sinister gravedigger recounts some of his favourite tales of love gone awry in horrific fashion, from an anniversary celebration on a ghost train, to a deeply unsettling romantic getaway, to attempts to keep a loved one safe during a virulent pandemic.
Creative Producer
A sinister gravedigger recounts some of his favourite tales of love gone awry in horrific fashion, from an anniversary celebration on a ghost train, to a deeply unsettling romantic getaway, to attempts to keep a loved one safe during a virulent pandemic.
Director
A sinister gravedigger recounts some of his favourite tales of love gone awry in horrific fashion, from an anniversary celebration on a ghost train, to a deeply unsettling romantic getaway, to attempts to keep a loved one safe during a virulent pandemic.
Writer
Forty years later, Guillermo Montesinos, the actor who played José María el Cepa in The Cuenca Crime (1980), directed by Pilar Miró, returns to the various locations where the shooting of the mythical film, narrating the infamous Grimaldos case (1910), took place.
Idea
Forty years later, Guillermo Montesinos, the actor who played José María el Cepa in The Cuenca Crime (1980), directed by Pilar Miró, returns to the various locations where the shooting of the mythical film, narrating the infamous Grimaldos case (1910), took place.
Producer
Forty years later, Guillermo Montesinos, the actor who played José María el Cepa in The Cuenca Crime (1980), directed by Pilar Miró, returns to the various locations where the shooting of the mythical film, narrating the infamous Grimaldos case (1910), took place.
Director
Forty years later, Guillermo Montesinos, the actor who played José María el Cepa in The Cuenca Crime (1980), directed by Pilar Miró, returns to the various locations where the shooting of the mythical film, narrating the infamous Grimaldos case (1910), took place.
Script
Director
Screenplay
In a stagecoach stop far away in the Wild West the unexpected arrival of a man called "Colonel" will change all of the passengers' peaceful lives. He begins a macabre game, solely asking for one thing - to abide by his law and wait. But the night is long and the vultures perceive the smell of death that the stagecoach stop emits.
Director
In a stagecoach stop far away in the Wild West the unexpected arrival of a man called "Colonel" will change all of the passengers' peaceful lives. He begins a macabre game, solely asking for one thing - to abide by his law and wait. But the night is long and the vultures perceive the smell of death that the stagecoach stop emits.
Self
A journey through the work of Spanish filmmaker Juan Piquer Simón (1935-2011).
Screenplay
В британской глубинке две вампирши заманивают мужчин к себе домой, а потом жестоко с ними расправляются.
Director
В британской глубинке две вампирши заманивают мужчин к себе домой, а потом жестоко с ними расправляются.
Self - Writer & Director
A vindication of the role of the technicians and artists who made spaghetti western genre possible, and a walk through the landscapes that made it possible to recreate in Spain, mainly in the desert of Almería, hundreds of adventures set in the remote American Far West.
Associate Producer
In the late sixties, Spanish cinema began to produce a huge amount of horror genre films: international markets were opened, the production was continuous, a small star-system was created, as well as a solid group of specialized directors. Although foreign trends were imitated, Spanish horror offered a particular approach to sex, blood and violence. It was an extremely unusual artistic movement in Franco's Spain.
Writer
In the late sixties, Spanish cinema began to produce a huge amount of horror genre films: international markets were opened, the production was continuous, a small star-system was created, as well as a solid group of specialized directors. Although foreign trends were imitated, Spanish horror offered a particular approach to sex, blood and violence. It was an extremely unusual artistic movement in Franco's Spain.
Book
In the late sixties, Spanish cinema began to produce a huge amount of horror genre films: international markets were opened, the production was continuous, a small star-system was created, as well as a solid group of specialized directors. Although foreign trends were imitated, Spanish horror offered a particular approach to sex, blood and violence. It was an extremely unusual artistic movement in Franco's Spain.
Director
In the late sixties, Spanish cinema began to produce a huge amount of horror genre films: international markets were opened, the production was continuous, a small star-system was created, as well as a solid group of specialized directors. Although foreign trends were imitated, Spanish horror offered a particular approach to sex, blood and violence. It was an extremely unusual artistic movement in Franco's Spain.
Screenplay
A young journalist has to spend a night in Barcelona's Wax Museum to investigate paranormal activities. He has no idea Dr. Knox, an insane cannibal surgeon, hides in the museum at night.
Director
A young journalist has to spend a night in Barcelona's Wax Museum to investigate paranormal activities. He has no idea Dr. Knox, an insane cannibal surgeon, hides in the museum at night.
Writer
Andersen visits the English Cemetery of Málaga, fantasizing about the possibility that the great Danish writer found there his mermaid
Director
Andersen visits the English Cemetery of Málaga, fantasizing about the possibility that the great Danish writer found there his mermaid
Director
Himself
King of Horror, legendary actor, scriptwriter and director, Paul Naschy is regarded as the Spanish Lon Chaney and the most prolific filmmaker dedicated to the fantastic cinema in Spain.