Cezary Jaworski

Фильмы

Смерть в Берруэкосе
Cinematography
Жизнь великого маршала Антонио Хосе де Сукре закончилась в Берруэкосе, где он был убит. Эта смерть и по сей день окружена тайной; никому не известно, кто заказал его убийство, и каковы были причины, которые руководили судьбой героя независимости в Латинской Америке.
El Malquerido
Director of Photography
The film follows the rise to fame of venezuelan singer Felipe Pirela. From the beginnings when he worked alongside Billo Frometa and his band Billo's Caracas Boys to the days of his death at the hands of a drug dealer.
Verde Salvaje
Cinematography
"Verde Salvaje" follows three biologists, who embark on their adventures in Isla de Aves, Los Roques and the Gulf of Venezuela, to provide three points of view on the fascinating green turtle, a species in danger of extinction. These stories show that while biodiversity side, they also present a stark contrast as why the Wayuu communities have been striving for centuries to be able to feed their families.
Дом в конце времен
Cinematography
История матери, которая сталкивается с паранормальными явлениями в своем старом доме. Спустя 30 лет после инцидента, она возвращается в этот дом, чтобы разгадать тайну этих событий…
Синяя яблоня
Director of Photography
Одиннадцатилетний Диего вынужден на время остаться жить у деда на небольшой ферме высоко в горах. Там нет электричества, компьютерных игр, мобильных телефонов. Это заставляет мальчика учиться налаживать нормальное, а не виртуальное общение с людьми. А ещё Диего очень скучает по отцу. Однажды под синей яблоней он находит банку, полную непрочитанных писем...
El Infierno Perfecto
Cinematography
This is tragic comedy about how Candide was brought up in the best of all possible worlds, and how he was expelled from it; how he lost his beloved Beatrice and his master Azcarate; passing through existential storms and shipwrecks; of faith and encounters with the miseries of the universe; and how Candide wanted, at all times, that this was the last day of the world
To Play and to Fight
Cinematography
The captivating story of the Venezuelan Youth Orchestra System - an incredible network of hundreds of orchestras formed within most of Venezuela’s towns and villages. Once a modest program designed to expose rural children to the wonders of music, the system has become one of the most important and beautiful music phenomena in modern history. To Play and To Fight presents interviews and performances by many of the world’s most renowned musicians including the great tenor Placido Domingo, Claudio Abbado, Sir Simon Rattle, Guiseppe Sinopoli, and Eduardo Mata, as they reflect on the impact of such a far-reaching social project. The documentary also presents the inspirational stories of world class musicians who have been trained by the Venezuelan system, including The Berlin Philharmonic’s youngest player Edicson Ruiz and world class conductor Gustavo Dudamel.
Cyrano Fernández
Director of Photography
Cyrano (Edgar Ramírez), Roxana (Jessika Grau) y Cristian (PastorOviedo) protagonizan un triángulo amoroso que se desarrolla en uno de los más impactantes escenarios urbanos del mundo: las laberínticas veredas y escaleras de un barrio venezolano. Cyrano es también un héroe social; es un personaje que defiende la ética y la dignidad popular a toda costa, estrellándose una y otra vez contra la realidad de todos los días. La historia de Cyrano Fernández es de algún modo la de todos los hombres, la de cualquiera de nosotros, es decir, el abismo que hay entre lo que realmente somos y lo que soñamos se
Francisco de Miranda
Director of Photography
In 1750, in the glare of the Caribbean, the man who created history known as the forerunner of independence in Venezuela. His name is Francisco de Miranda and, to be exact, is the largest globetrotter who has known the Americas, Miranda has a reputation as an inveterate wanderer, an eternal conspirator, a turncoat, a conqueror of nobles and courtiers, a lover of asylums, libraries, prisons and brothels, has written 63 volumes of his autobiography, a friend of princes, military and world-renowned artists, collector of women and unthinkable dreams, restless fugitive, owner of ten different names, and presented by the British press the moment as the future liberator of Spanish America.
The Deal
Cinematography
Based on a true story of a British television crew that travelled to Colombia to film a fake documentary about drug trafficking. In one scene, shot in the director’s hotel room, an actor played the part of a character whom the filmmakers passed off as Cali Cartel’s Number Three. They claimed they had risked their lives to get the interview. One sequence also shows a man pretending to swallow capsules of heroine and transporting them to London in his stomach. This phoney TV documentary is an international smash hit. When a London daily discovers that the whole thing is a hoax, a team of British journalists are sent out to Colombia to cover the story. Their report unleashes a scandal that shakes the very foundations of television in the UK.
Bleeder
Cinematography
Maximilian was a righteous man, but a member of a fearsome clan of bandits. One day he encounters the destination: the witches of the moors advocate his ascension to the control of the band. From that moment, the man was just what doubts assail, ambition, fear of betrayal and the oath of obedience to the will of the chief Durán, who must kill to take command.
Tokyo-Paraguaipoa
Cinematography
Ryuzo, Japanese young man who has committed a crime of passion in Tokyo, is sent by his father to Paraguaipoa to escape justice. In this place, inhabited by the Wayuu ethnic group, meets Princess Campanula. Among them was a love affair, not welcomed by the smuggler Challenger occurs.
Tierna es la Noche
Cinematography
Tierna es la Noche is a film without bullets nor sea, without mosquitoes, without peasants nor flowers. It only contains a barman, a man and a beautiful woman who lives in a bathroom. For commercial reasons, we have included two policemen, a drop of blood and a multilingual nymphomaniac. For aesthetic reasons, a tear and a negro. For both reasons, the film takes place anachronically, during the fifties and nineties in a make-believe city called Caracas. It's a story of histerics, like all stories, unfinished.
De como Anita Camacho quiso levantarse a Marino Méndez
Camera Operator
Anita Camacho, an ambitious maid poses as the owner of the house where she works in order to seduce a man of money, marry him and finally stop being poor.
De como Anita Camacho quiso levantarse a Marino Méndez
Cinematography
Anita Camacho, an ambitious maid poses as the owner of the house where she works in order to seduce a man of money, marry him and finally stop being poor.