Gerrit van Elst

In 1975, his graduation year at the Film Academy, director Gerrit van Elst captured his relationship with his father and mother and how they opposed their only child’s decision to go and study in faraway Amsterdam. Twenty-nine years later, he and his camera crew are back at his - now seriously infirm - parents. For this film, Van Elst cross-edited the footage of then and now. A revealing observation of growing old and approaching death.

In 1975, his graduation year at the Film Academy, director Gerrit van Elst captured his relationship with his father and mother and how they opposed their only child’s decision to go and study in faraway Amsterdam. Twenty-nine years later, he and his camera crew are back at his - now seriously infirm - parents. For this film, Van Elst cross-edited the footage of then and now. A revealing observation of growing old and approaching death.

Pieter Le Roy is in his thirties and still lives with his old mother. He doesn't work and kills time spying on his fellow man - actually, he's spying on them; he comes to a head when he is caught by a making out couple in the park as a voyeur. His life as a peeping Tom gets in more trouble when teacher Rappange comes to live with them.

A young Amsterdam lawyer seems to be doing well, but occasionally he is overwhelmed by an unstoppable need for booze. During one of his delirious episodes, he witnesses the death of a squatter at a police station. Worried about his career, he hesitates to speak out.

Prostitute Dolly co-finances the purchase of a Vermeer painting with art expert Eddy Cremer. When they find out the painting is fake, she returns to the red light district, where conditions have worsened over time.