Larry Manda

Ethically conflicted police lieutenant Hermes Papauran continues his struggle to find resolution to a 15-year-old case around a volcanic ash laden landscape and an impenetrable lake. A prequel to When the Waves Are Gone.

Lieutenant Hermes Papauran, one of the best investigators of the Philippines, is at a deep moral crossroad. As a member of the police forces, he is a first-hand witness of the murderous anti-drug campaign that his institution is implementing with dedication. The atrocities are corroding Hermes physically and spiritually, causing him a severe skin disease resulting from anxiety and guilt. As he tries to heal, a dark past haunts him and has eventually come back for a reckoning.

Молодому филиппинцу Джею Си приходится брать в свои руки управление семейным бизнесом, который создал его отчуждённый отец-тиран. Им является мотель, одиноко стоящий в пустыне. Там предоставляют убежище нелегально въехавшим в страну людям, под присмотром правительства. Скоро новый хозяин и гости обнаружили, что в «Акации» нашёл прибежище тёмный и очень древний дух. Это потустороннее существо, дух отца Джей Си, пожирает людей. Однажды вокруг заведения начинается бурная метель, в то время как еда подходит к концу. Все оставшиеся в живых объединяются и начинают отчаянно биться за свою жизнь. В этой борьбе с тенью отца молодой человек рискует превратиться в зверя…

Военная полиция наводит ужас на жителей отдалённых деревень в филиппинских джунглях, уничтожая традиционную веру и делая из дружных соседей врагов. Молодой врач Лорена открывает клинику для бедных, однако вскоре исчезает без следа. После чего её муж пытается разобраться в пропаже супруги.

Pepe, a 68-year-old impersonator of a Filipino rock legend, lives alone on the borders of reality, imagination and mysticism. One day, he is finally given the chance to open for the rock legend’s concert but he must do something neither of them has done before – write a love song.

Andrés Bonifacio is celebrated as the father of the Philippines Revolution against Spanish colonial rule. This eight-hour epic examines this myth, undertaking an expedition into history through various interwoven narrative threads, held together by an exploration of the individual’s role in history.

A man is wrongly jailed for murder while the real killer roams free. The murderer is an intellectual frustrated with his country’s never-ending cycle of betrayal and apathy. The convict is a simple man who finds life in prison more tolerable, when something mysterious and strange starts happening to him.

Rock Polotan and Tracy Fuentebella are teenage sweethearts and both nursing students in a university in Manila are in love and full of dreams. A youthful indiscretion leads them to early parenthood, a situation they face squarely, and quite maturely, by planning to get married. They shortly realize, however, that the problem behind their wedding plans has less to do with themselves than with their own parents.

Cynical filmmakers plan on producing a bleak, independent film dealing with poverty and prostitution in the hopes of scoring free travel to international film festivals.

Presidential Security Group member gets to air his true sentiments about the president he guards over a sumptuous breakfast.

Хроника последних трех месяцев жизни женщины, больной раком. Она составила для себя список того, что нужно успеть сделать перед смертью. Поначалу в списке были лишь различные приготовления и неоконченные дела, но затем в него вошло то, что она всегда мечтала сделать для себя, «для души». Это фильм о слабости тела, силе чувств и жизни в ожидании смерти.

Jerry is a wide-awake tourist guide in Cebu who knows all the angles, and who has supported his divorced mother and younger brother and sister since their musician father deserted the family for a younger woman. Jerry guides tour buses, taking the mostly Japanese tourists boating, golfing and to strip shows. Jerry also acts as a pimp, and even prostitutes himself. As the breadwinner he makes sacrifices for his family but wields control over his siblings and mother in return

The first time Erik (Bernard Palanca) laid eyes on Geri (Rica Peralejo), he knew that he had met the love of his life.

A terribly cool, hip youth film that throws awareness to the winds of MTV rock and roll, and post Generation- X teenage wasteland fantasies.

An intriguing look into a world of drugs and crime, dynamically moves through the lives of the different characters – the drug lord Enteng, his minions, the police, and customers.

The Gospel of John is reimagined as a Filipino pasyon tale.

Sakay is a 1993 Filipino historical drama film directed by Raymond Red. The film stars Julio Diaz, Tetchie Agbayani, and Leopoldo Salcedo. The film covers the life of Filipino patriot and hero Macario Sakay, who was declared an outlaw and a criminal for continuing hostilities against the United States after the "official" end of the Philippine Insurrection.

Sakay is a 1993 Filipino historical drama film directed by Raymond Red. The film stars Julio Diaz, Tetchie Agbayani, and Leopoldo Salcedo. The film covers the life of Filipino patriot and hero Macario Sakay, who was declared an outlaw and a criminal for continuing hostilities against the United States after the "official" end of the Philippine Insurrection.

In Cesar Hernando's noirish short, the uprising and UFOs are merged in a strange commentary on government control.

In Cesar Hernando's noirish short, the uprising and UFOs are merged in a strange commentary on government control.

Independent filmmaker Raymond Red's first crossover to full-length feature is a highly visual chronicle of the rise and fall of revolutionary hero Andres Bonifacio. Noted for its heavy stylistics and painstaking attention to filmic detail, the biopic also tackles the momentous events surrounding the Philippine struggle against Spanish colonialism. The historical epic is a most fitting cinematic memorial to the centenary of Philippine independence.

With interviews with National Artists Lamberto Avellana and Lino Brocka and myriad talents from the Mowelfund community such as Nick Deocampo and Raymond Red, Beyond Mainstream documents the robust energy of nascent independent filmmaking in the country in the 80s. Based on Nick Deocampo's first book Short Film: The Emergence of a New Philippine Cinema (1985), it features the first Independent Film and Video Festival held in the Wave Cinema in Cubao, Quezon City, the first video theater in the country.

With interviews with National Artists Lamberto Avellana and Lino Brocka and myriad talents from the Mowelfund community such as Nick Deocampo and Raymond Red, Beyond Mainstream documents the robust energy of nascent independent filmmaking in the country in the 80s. Based on Nick Deocampo's first book Short Film: The Emergence of a New Philippine Cinema (1985), it features the first Independent Film and Video Festival held in the Wave Cinema in Cubao, Quezon City, the first video theater in the country.

With interviews with National Artists Lamberto Avellana and Lino Brocka and myriad talents from the Mowelfund community such as Nick Deocampo and Raymond Red, Beyond Mainstream documents the robust energy of nascent independent filmmaking in the country in the 80s. Based on Nick Deocampo's first book Short Film: The Emergence of a New Philippine Cinema (1985), it features the first Independent Film and Video Festival held in the Wave Cinema in Cubao, Quezon City, the first video theater in the country.

With interviews with National Artists Lamberto Avellana and Lino Brocka and myriad talents from the Mowelfund community such as Nick Deocampo and Raymond Red, Beyond Mainstream documents the robust energy of nascent independent filmmaking in the country in the 80s. Based on Nick Deocampo's first book Short Film: The Emergence of a New Philippine Cinema (1985), it features the first Independent Film and Video Festival held in the Wave Cinema in Cubao, Quezon City, the first video theater in the country.

A candid story about a Filipino transvestite who works in Japan’s entertainment center in order to support his family. In the daytime, Joan attends to his daily training to prepare him for work as entertainer in Japan. At night, he works as one of the female impersonators in Manila’s gay bars. All these to feed a family of eighteen. Although it will be Joan’s fourth trip to Japan, he still finds it hard to make as much money to make their lives better. Meeting other gay entertainers in the bar where he works, they talk about the difficulties Filipino entertainers experience while working in Japan. The situation is no different though from the life lived by someone like Joan in the Philippines who was once caught in a drug bust operation and sent to jail. Threats and difficulties seem to hound these sex warriors wherever they go.