Shopper
A clothing designer tries to save her struggling boutique store by having a tumultuous weekend sale of her shop's inventory by playing on the addictions of shopping for the women of Beverly Hills.
Caterer / Connie
At a spacious house in Los Angeles, Helene is turning 40-years old and her friends whom include French filmmaker Martine, house guest Sophie, and Lydia throw her a party. But also there is Kate a friend turning 30, and Sadie a Hollywood film agent turning 50. So, all of Helene's, Kate's, and Sadie's friends arrive for the party where Martine films the events with her movie camera and the shocking secrets revealed by Helene's mother Whitney, and her younger sister Nancy whom confide in their interviews about their obsession with food, and their roles in life.
Dr. Stadthagen's Friend
A man returns to his sublet apartment to find the previous tenants, three offbeat young women, still in residence, under the mistaken belief that they have the apartment until the end of New Year's Day.
"A film produced in Regular 8mm around 1970. At the time this film was very much praised by Stan Brakhage who asked me for a print and urged me to never put a sound track with it." -MO
Co-Director
Flower-generation celebration of love. "Filmed in San Francisco and Berkeley California in collaboration with my girlfriend at the time, the actress Donna Germain [...] When Stan Brakhage came to the SF Bay Area around 1968 and saw my 8mm film he wanted a print and we traded by footage count and that is why eventually ended up with a whole collection of his 8mm Songs. I believe Stan was influenced by this film in regards to in-camera superimposition [...] he used the technique in his very next films at the time." -MO
Flower-generation celebration of love. "Filmed in San Francisco and Berkeley California in collaboration with my girlfriend at the time, the actress Donna Germain [...] When Stan Brakhage came to the SF Bay Area around 1968 and saw my 8mm film he wanted a print and we traded by footage count and that is why eventually ended up with a whole collection of his 8mm Songs. I believe Stan was influenced by this film in regards to in-camera superimposition [...] he used the technique in his very next films at the time." -MO
