Tim Bider

Фильмы

Скайлайн 2
Production Design
Самый плохой день в жизни детектива Марка Корли начался с внесения залога за собственного сына Трента, и продолжился ужасающим зрелищем нашествия инопланетных кораблей, забирающих тысячи людей прямо с улиц городов, подземок и окон небоскребов. В отчаянной попытке найти своего похищенного сына, Марк проникает на корабль пришельцев, где встречает героев первого фильма: Элейн и изувеченного инопланетянами Джерода. Попытка уничтожить корабль изнутри приводит к крушению и падению его прямо на центр Шанхая, где героев спасают бойцы китайского сопротивления. Вместе им предстоит отбить атаку разъяренных инопланетян и навсегда вернуть планету тем, кому она принадлежит по праву — землянам.
Рождественские страшилки
Production Design
Антология из четырех историй, случившихся на рождественский сочельник. Группа подростков пытается разгадать тайну девочки-призрака, ворующей бетон со стройки. Добропорядочная семья теряет маленького сынишку в лесу во время незаконной вырубки елки, а когда снова его находит — не узнает даже без грима. Еще одно святое семейство открывает мир сказок после встречи с Крампусом — рогатым и косматым звероподобным чудищем демонической наружности. На долю Санта-Клауса выпадает самый трудный рабочий день за все его праздничные смены: трудолюбивые эльфы внезапно превращаются в плотоядных зомби с паршивым характером и рождественскому деду приходится устраивать самый настоящий эльфийский геноцид, защищая свою жизнь с пожарным топором в руках.
Christmas at Cartwright's
Production Design
With Christmas approaching, a struggling single mom finds herself working as a department store Santa Claus, as a real-life angel delivers good fortune and the possibility of holiday romance.
Клятва молчания
Production Design
Всё что происходит в общине амишей остаётся в общине, это дело только амишей и никого более... Именно это обстоятельство и является причиной, из-за которой Кэйт Баркхолдер, в свои восемнадцать лет, убежала из дома, покинув общину амишей. Сейчас, по прошествии многих лет, она - успешный шеф полицейского участка, и ей, как раз, предстоит разгадать запутанное дело связанное с убийством амишской девушки и вывести на чистую воду хорошо замаскированного убийцу.
John A.: Birth of a Country
Production Design
A riveting political thriller starring Shawn Doyle (John A. Macdonald), Peter Outerbridge (George Brown) and David LaHaye (George-Etienne Cartier) and set during the struggles that take Canada from colony to country.
Рождественские приключения семейства Фоксов
Production Design
В семье Фоксов все были очень заняты, и у них даже не было времени подготовиться к Рождеству. Но в этот год Санта Клаус по ошибке покинул свой дом на день раньше и, вдобавок ко всему, его повозка рухнула на крышу дома Фоксов. Санта упал с крыши и забыл кто он. Теперь именно Фоксам приходится спасать и праздник, и Санту…
The Note II: Taking a Chance on Love
Production Design
Columnist Peyton MacGruder befriends a reader who sent her a note that inspires Peyton to reconsider the choices she's made and her reluctance to accept her boyfriend's marriage proposal.
Accidental Friendship
Production Design
Homeless woman Yvonne Caldwell is a woman with good reason to be bitter: she has lost everything except her two beloved dogs, Bebe and Man-Man. With her one friend, Wes, Caldwell lives the daily struggle of being homeless in Los Angeles until a chance encounter caused by her dogs leads to a friendship with LAPD officer Tami Baumann, and hope for a better life begins in earnest for Yvonne.
What If God Were the Sun?
Production Design
A grieving nurse finds comfort and inspiration in her new assignment, where she meets a terminally ill woman with a quick with and strong faith.
Why I Wore Lipstick to My Mastectomy
Production Design
Shortly after graduating from Columbia University's Graduate School of Journalism, Geralyn Lucas lands her dream job working for 20/20. Lucas is then diagnosed with breast cancer at the age of 27 and has a dilemma - whether to have a lumpectomy or the potentially safer mastectomy.
More Sex & the Single Mom
Production Design
Single, divorced lawyer Jess Gradwell returns in this sequel as she tries to raise her new three-year-old son, Jake, while dealing with her teenage daughter, Sara's, growing carnal desires with a photographer she meets while planning her high school graduation. It all comes to a head when Jess' former flame and father of Jake, Alex Lofton, returns never knowing he has a son out of his and Jess' lustful fling and wants to be a part of her life again, despite Jess not wanting anything to do with Alex.
Perfect Romance
Production Design
The mother of a young divorcee places an ad on her daughter's behalf on a lonely hearts internet website but the person who responds fits her own ideal of a suitable partner. The daughter is still hung up on her musician ex-husband.
Call Me: The Rise and Fall of Heidi Fleiss
Production Design
The story of Heidi Fleiss, known as "The Hollywood Madam", who was the daughter of a prominent Los Angeles doctor and eventually became a prostitute for a well-known Los Angeles madam. She took over her boss' operation and soon was raking in $300,000 a month by hiring only the most beautiful and highest-class hookers and catering to wealthy Hollywood types, European and American corporate executives and Arab sheiks. Her operation was broken up by Los Angeles police in 1993, and she eventually went to prison for income-tax evasion.
Sex & the Single Mom
Production Design
Jess Gradwell and her teenage daughter boast a superclose relationship. When it comes to sex, however, Mom won't stand for anything less than premarital celibacy. So she gets a pretty healthy dose of her own medicine when she winds up getting pregnant from a brief encounter with a newly single doctor! This new situation poses a major challenge to the mother-daughter dynamic. Tune in to see if Jess and her daughter can rise to the occasion.
The Interrogation of Michael Crowe
Production Design
The lives of Escondido, California residents Cheryl and Stephen Crowe change one morning when they find their twelve year old daughter Stephanie Crowe stabbed to death in her bedroom. As procedure dictates, the police take each member of the household away individually to be questioned, and the remaining children - fourteen year old Michael Crowe and adolescent Shannon Crowe - are taken into protective custody until Cheryl and Stephen can be cleared. The police end up placing much of their focus on the sullen Michael, who they question without counsel and without discussion with his parents. The tone of the police questioning is that they believe Michael did kill his sister, the police lying, harassing and coercing in the process. Under the barrage of questioning, Michael eventually confesses, as do two of his friends, both questioned under the same threatening tone. Cheryl and Stephen, who are finally made aware of the questioning and the confessions...
Jane Doe
Production Design
A woman's son is snatched and she must follow his kidnappers’ instructions to get him back. But when she’s framed for murder by a government department, she must take them on at their own game to ensure her son's survival.
Однажды ночью
Production Design
В ночь перед Рождеством 14-летний Дэнни Райдли вместе со своим дядей Ником делают удивительное открытие: Санта Клаус спроектировал для себя новые, ультрасовременные санки, чтобы успеть развести как можно больше подарков детворе. Безответственная парочка, увидев это чудо техники, не смогла устоять перед соблазном прокатиться. Но что же теперь будет с праздником?
Секс, ложь и страсть
Production Design
Проститутки. Порнография. Беспорядочные связи. Бессмысленные увлечения в далеких городах. Ночные прогулки по опасным районам. Встретив доктора Кэмерона Томаса на улице, никто бы не догадался, что это – часть его жизни. В конце концов, у него есть все, чего хочет любой мужчина: чудесная жена, успешная карьера, уважаемая профессия, два чудесных сына. Любой, кто его знает, и подумать не может, что у него есть проблемы. Да и сам Камерон так не считает. По его мнению женщины, связи – всего лишь признаки мощного и гиперактивного либидо. И это не было проблемой, пока обо всем не узнала его жена.
Ultimate Deception
Production Design
Terry is desperate to start a family. Unable to bear her own children, she must rely on adoption, which proves to be a difficult task.
Bad to the Bone
Production Design
A murderous sociopath (and former battered child) uses her naive younger brother in a scheme to do away with her inconvenient lover.
Too Close To Home
Production Design
A mother is so consumed with a possessive love for her son that she may have committed murder in order to keep him by her side. When the son's new wife is found murdered, the mother is arrested for the crime. In denial about his mother's guilt, the son, a successful lawyer, agrees to defend her. Based on a true story.
The Arrow
Production Design
The story of the Avro Arrow, the world's fastest fighter plane built in 1950's Canada, and how the project was dropped due to political pressure from the United States.
Rude
Art Direction
This is the Easter weekend. In an inner city project, three people struggle against their demons and try to find redemption. They are Maxine, a window dresser depressed since she had an abortion and lost her lover ; Jordan, a boxer who has indulged in gay-bashing ; and 'The General', a drug dealer turned artist.
Sodbusters
Production Design
A group of homesteaders in 1875 are harassed by an evil, land-grabbing, gunslinging cattleman until a stranger with a mysterious past comes to their aid.
Ordinary Magic
Art Direction
When his father dies, Jeffrey is sent to live with his aunt Charlotte in Canada. Once there he leads his aunt and his friends in staging, a non-violent hunger strike to try to save his aunt's house from being demolished to make room for a ski resort.
Where the Spirit Lives
Art Direction
In 1937, a young First Nations (Canadian native) girl named Ashtecome is kidnapped along with several other children from a village as part of a deliberate Canadian policy to force First Nations children to abandon their culture in order to be assimilated into white Canadian/British society. She is taken to a boarding school where she is forced to adopt Western Euro-centric ways and learn English, often under brutal treatment. Only one sympathetic white teacher who is more and more repelled by this bigotry offers her any help from among the staff. That, with her force of will, Ashtecome (forced to take the name Amelia) is determined to hold on to her identity and that of her siblings, who were also abducted.