Keiichi Tanaami
Рождение : 1936-01-01, Kyobashi, Tokyo Prefecture, Japan
История
Keiichi Tanaami (田名網 敬一 Tanaami Keiichi, born in 1936 in Tokyo) is one of the leading pop artists of postwar Japan, and has been active as multi-genre artist since the 1960s as a graphic designer, illustrator, video artist and fine artist.
From Wikipedia, the free encyclopedia
Director
A short movie by Keiichi Tanaami.
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Run & Roll is a campaign film created by Keiichi Tanaami for the Kyoto Marathon by CW-X.
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The bridge as the channel between worlds: between the living and the dead, between male and female, between sacred and profane.
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The first international DVD release of Keiichi Tanaami, the wizard of the Japanese experimental film and animation world. With this program, discover the pulsations of a singular artist for whom animation rhymes with imagination, exuberance, poetry and eroticism.
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A short experimental animation by Keiichi Tanaami.
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A series of 16 "short stories" created by the creator's group Images Forum.
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A short experimental animation by Keiichi Tanaami.
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Short animated film by Tanaami Keiichi.
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A short experimental animation by Keiichi Tanaami.
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A short animared film by Tanaami Keiichi.
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A short experimental animation by Keiichi Tanaami.
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A short film by Keiichi Tanaami.
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A psychedelic film using four projectors. The film comprises of thirteen scenes, including a woman and man shot from the front. Shot frame-by-frame, printed onto transparent cel sheets and layered on top of one anther, the halftone dots from reprographics expand and contract to create a moiré effect.
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A work with two projectors, Human Events is a film made for a dance performance by Kazuko Tsujimura at Kinokuniya Hall, Shinjuku, Tokyo. The images comprise of extreme close-ups of the dancer’s body that is massaged by a finger as the colour of the image changes. Arranged in a two (side)-by-three (down) composition, different parts of the body gets scattered in ways that defy the familiar order of the anatomy.
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A work with two projectors, Human Events is a film made for a dance performance by Kazuko Tsujimura at Kinokuniya Hall, Shinjuku, Tokyo. The images comprise of extreme close-ups of the dancer’s body that is massaged by a finger as the colour of the image changes. Arranged in a two (side)-by-three (down) composition, different parts of the body gets scattered in ways that defy the familiar order of the anatomy.
Producer
A boxing ring turns into a stage for abstract animation where the punches thrown in the match and the halftone dots in reprographics gradually become indistinguishable. Tanaami shot a boxing match on a Motordrive camera, made two thousand offset prints, and rephotographed each of them. He explains his inspiration for the work being the experience of watching a boxing match on television but finding the newspaper print the next morning better capturing the exhilaration of the sport.
Animation
An animation mixing hand-drawn and cut-out techniques depicting the daily rituals of weekday morning that is occasionally interrupted by flights of fantasy delivered in stroboscopic flashes. Showing scenes of brushing teeth and face washing, Tanaami describes the film to be like a self-portrait on his favorite day of the week.
Producer
An animation mixing hand-drawn and cut-out techniques depicting the daily rituals of weekday morning that is occasionally interrupted by flights of fantasy delivered in stroboscopic flashes. Showing scenes of brushing teeth and face washing, Tanaami describes the film to be like a self-portrait on his favorite day of the week.
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A psychedelic collage of wartime stock footage and family photos, suggesting an underlying message of peace.
Director
A boxing ring turns into a stage for abstract animation where the punches thrown in the match and the halftone dots in reprographics gradually become indistinguishable. Tanaami shot a boxing match on a Motordrive camera, made two thousand offset prints, and rephotographed each of them. He explains his inspiration for the work being the experience of watching a boxing match on television but finding the newspaper print the next morning better capturing the exhilaration of the sport.
Director
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A psychedelic collage of wartime stock footage and family photos, suggesting an underlying message of peace.
Director
An animation mixing hand-drawn and cut-out techniques depicting the daily rituals of weekday morning that is occasionally interrupted by flights of fantasy delivered in stroboscopic flashes. Showing scenes of brushing teeth and face washing, Tanaami describes the film to be like a self-portrait on his favorite day of the week.
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A short experimental animation by Keiichi Tanaami.
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A short film by Keiichi Tanaami featuring the song "Fushiawase to Iu Na no Neko" by Maki Asakawa.
Cinematography
A short film by Keiichi Tanaami featuring the song "Fushiawase to Iu Na no Neko" by Maki Asakawa.
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A short film by Keiichi Tanaami featuring the song "Fushiawase to Iu Na no Neko" by Maki Asakawa.
Producer
A short film by Keiichi Tanaami featuring the song "Fushiawase to Iu Na no Neko" by Maki Asakawa.
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A short film by Keiichi Tanaami featuring the song "Fushiawase to Iu Na no Neko" by Maki Asakawa.
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After seeing Velvet Underground perform in Andy Warhol’s Exploding Plastic Inevitables in New York, Tanaami became interested stroboscopic effects. This flicker film was conceived as the first of many but this was the only one that was realized. (Source: Collaborative Cataloging Japan)
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A short film by Keiichi Tanaami.
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A trippy pop-art collage of phallic objects, naked women and American icons, most notably Elvis Presley.
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A trippy pop-art collage of phallic objects, naked women and American icons, most notably Elvis Presley.
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A short experimental animation by Keiichi Tanaami.
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A trippy pop-art collage of phallic objects, naked women and American icons, most notably Elvis Presley.
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Screened at the 1st Sogetsu Animation Festival in 1965, the film was made in 35mm using the animation equipment owned by animator Yoji Kuri. (Source: Collaborative Cataloging Japan)
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Psychedelic –and at times sinister– music by Shinpei Kikuchi accompanies a disorienting display of reproduced imagery taken from magazines and posters of sunny beaches and bikini models. Tanaami made positive and negative reprographic prints of these images onto transparent cel sheets, placed them on top of one another, and twisted them in different directions to create a moiré effect. Speaking on the work, Tanaami explained his paradise only exists in the world of reproduction.
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Film by Tanaami Keiichi
