Diamanda Galás

A documentary about a shocking case of HIV criminalization in Greece.

Galás is known for her arresting concert performances and has been seen in the Barbican Hall on several occasions. SPILL and the Barbican are proud to present this important film installation which deals with asylum institutionalisation, originally commissioned by New American Radio and the Waker Arts Center in Minneapolis (US). Witness several short performances over the space of twenty-seven minutes alternating extreme high-energy vocal work with absolute silence. These performances reflect the state of a patient subjected to torture through chemical or mechanical manipulation of the brain, kept in a confined space with periodically or randomly triggered bright light, heat, beatings or rapes. There is a high density of speech-sound over time which is often machine-like in its velocity. The work employs the atypical speech and vocal signal processing that Galás has been researching since 1979.

Galás is known for her arresting concert performances and has been seen in the Barbican Hall on several occasions. SPILL and the Barbican are proud to present this important film installation which deals with asylum institutionalisation, originally commissioned by New American Radio and the Waker Arts Center in Minneapolis (US). Witness several short performances over the space of twenty-seven minutes alternating extreme high-energy vocal work with absolute silence. These performances reflect the state of a patient subjected to torture through chemical or mechanical manipulation of the brain, kept in a confined space with periodically or randomly triggered bright light, heat, beatings or rapes. There is a high density of speech-sound over time which is often machine-like in its velocity. The work employs the atypical speech and vocal signal processing that Galás has been researching since 1979.

Her Noise was an exhibition which took place at South London Gallery in 2005 with satellite events at Tate Modern and Goethe-Institut, London. Her Noise gathered international artists who use sound to investigate social relations, inspire action or uncover hidden soundscapes. The exhibition included newly commissioned works by Kim Gordon & Jutta Koether, Hayley Newman, Kaffe Matthews, Christina Kubisch, Emma Hedditch and Marina Rosenfeld. A parallel ambition of the project was to investigate music and sound histories in relation to gender, and the curators set out to create a lasting resource in this area.

Second part of Brown's Air Cries 'Empty Water' trilogy.

A video designed to challenge existing models of AIDS treatment in our society. Using a collage of elements as well as techniques from video and performance, the themes of mourning, urgency and healing are explored in a poetic and highly charged video. Got Away in the Dying Moments suggests natural alternatives to the current treatments and attitudes that constrain our hearts and minds with respect to the AIDS crisis.

Since its inception, performance art provided a forum for those artists whose work challenges the dominant aesthetic and cultural status quo. In "Sphinxes Without Secrets", performers, curators and critics unravel the mysteries of performance art and ponder the world women confront today.

A family travels through Egypt in 6 months.

This film powerfully documents New York City's gay community's response to the AIDS crisis as they are forced to organize themselves after the government's failure to stem the epidemic. Activists who are interviewed include playwrite Larry Kramer, People With AIDS Coalition co-founder Michael Callen (who died of AIDS in 1994), New York filmmaker and journalist Phil Zwickler, as well as representatives from ACT-UP, Queer Nation and the Gay Men's Health Crisis.

Live performance of Diamanda Galas in 1985, released by Target Video. The performance, based on a poem by Carles Baudelaire, devotes itself to the emaraldine perversity of the life struggle in hell.

Live performance of Diamanda Galas in 1985, released by Target Video. The performance, based on a poem by Carles Baudelaire, devotes itself to the emaraldine perversity of the life struggle in hell.